Tag Archives: Novels

Sarah Moss: Cold Earth (2009)

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Cold Earth

Last summer I read Michelle Paver’s excellent ghost story Dark Matter and Max pointed out in a comment that the description reminded him of Sarah Moss’ first novel Cold Earth. Both novels are set in the North, under extreme conditions and both use a similar technique. The protagonists write diaries and/or letters. In Cold Earth the story is told from six different subsequent points of view, while there is only one in Dark Matter.

Cold Earth is the story of an archeological dig, set in a remote part of Greenland. Six young people, under the supervision of one of them, start excavating the remains of a Norse society. Something has wiped out that society, a fact that unsettles our diggers early on. At the same time they are aware that a pandemic is spreading and communication with the outside world isn’t possible. They are not only afraid that their families and friends might die but that nobody will come and get them once the date for their departure arrives. If  that wasn’t enough already, one of the six young people, Nina, the only one who isn’t an archeologist but working on a PhD in literature, pretends that the site is haunted and shows signs of either severe trauma or delusion.

The story is told from the point of view of the six people. The first part, Nina’s part is the longest. She’s the one who reacts the most to the circumstances. She has weird dreams at night that seem to come directly from the past, she is certain that someone or something walks around the camp at night. The others react to that in many different ways. There are those who are affected and those who just find her a pain in the ass. But the letters or journal entries all show that whether they believe in the ghost theory or in the possibility that Nina’s going mad, they have a hard time coping. Some have come carrying a past loaded with grief and sorrow others are badly affected by the idea that the pandemic is killing off their families and friends.

The longer they stay, the colder it gets and they have to expect the worst, namely that nobody will come and get them and that they will run out of food and not be sufficiently prepared to face  the Arctic winter.

I’m sure if I hadn’t read Dark Matter before, I would have liked this better. The elements which are similar, the ghost story parts, are much more scary and convincing in Dark Matter, I even thought that Paver did a better job in using a ghosts story as a means to illustrate fragility of human existence, and the influence of extreme weather conditions and surroundings on people. I also liked the structure better. Cold Earth starts strongly with Nina’s point of view, which takes up almost a third of the book, but the subsequent chapters, narrated by the others are shorter and shorter, as if she’d run out of breath. Of course you could say she chose that approach to create tensions but I felt some parts were too short to be entirely satisfying. What is very well done in Sarah Moss’ book is how she includes the dimension of society. Paver focusses more on the individual, Moss more on society and groups. I found it impressive how she described how hellish the wrong company can be. I’m not exactly a gregarious person and if I choose company it really needs to be the right one. I could sympathize with Nina who felt she wasn’t only among strangers but among people who were even a tad hostile.

I guess it depends on personal preference whether you will like Dark Matter or Cold Earth better. I could relate more to  the idea of a lonely person thrown into an awful situation than to a group facing disaster. I’m glad I read them both, as they are both extremely good, I just loved one more. If, like me, you like extreme and well-captured settings, you shouldn’t miss either one of tem.

If you’re interested here is Max’s very detailed and insightful review.

James Sallis : Others of My Kind (2013)

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Other of my kind

Back in 2012 I read and reviewed Drive by James Sallis. I’ve been meaning to read more of him ever since and when I saw Others of My Kind at a local book shop I decided to read it.

The narrator of the book is Jenny, a woman who had been abducted as a child and held captive in a box under a bed for a couple of years. When her captor comes home at night, he gets her out, abuses and plays with her.  After managing to escape she lives in mall before she’s found and enters the foster care system. Suing for emancipation she becomes an adult at the age of 16. When the novel opens she works as production editor for a local TV station. One evening, when returning home from work, a detective waits for her in front of her house. Recognizing a fellow loner when she sees one, she asks the handsome detective in and serves him dinner. Right away there’s an intimacy and an understanding between the two. Jack has come to ask Jenny a favour. A twenty year-old woman who has been kept under similar circumstances has been found. The young woman shows signs of trauma and isn’t talking. Jack believes it would help if Jenny spoke to her. She agrees and the incident triggers memoroes of her own past.

Others of My Kind is a slim novel, saying more about the plot would spoil it too much. I found it very unusual in its choice of topic. In a way all of our expectations are turned upside down and we learn to see horrible things form an unexpected angle. I liked the main character Jenny quite a lot. She’s a character who has grown from what has happened to her and who has developed an astonishing capacity for compassion and a genuine ability to do something truly good without asking for anything in return. I found it refreshing that an author attempted to show that horrible circumstances don’t necessarily have to damage a person for life and that he managed to illustrate this without belittling the horrible events that happened in Jenny’s past. The result is a crime novel with an almost Buddhist vibe.

Sallis isn’t your usual crime writer. Not only because his stories are unusual but because of his pared down style. When you pare down sentences and scenes like Sallis, leaving only the most necessary, each and every single of your sentences will have a special power and meaning. Each element is chosen carefully, each scene stripped down to the bare minimum. A lesser writer would achieve something choppy and fragmented, while Sallis reaches another kind of fluidity. 

This book really put me in the mood to read more of him. I want to read The Killer is Dying next but I’m open for other suggestions.

S. J. Bolton: Dead Scared (2012)

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Dead Scared

Dead Scared was my third novel by S.J. Bolton. It’s the second novel featuring Lacey Flint and DI Mark Joesbury. I liked Sacrifice and Now You See Me a lot, but I really loved Dead Scared. I think it’s one of my all-time favourite crime novels. It’s got everything I like in a plot-driven crime novel. Great setting, evocative atmosphere, appealing characters, a well-paced plot and a really great story. For once she didn’t even stretch believability all that much.

Evi Oliver is a student counsellor at the university of Cambridge. She has contacted the police because she is alarmed that so many female students commit suicide. Maybe there is an internet community or a group that drives them to take their own lives? The police don’t know what to make of this and decide to send an undercover agent who will pretend to be a vulnerable young student. Lacey Flint seems the right choice. Nobody but Evi knows her identity and even Evi doesn’t know her name.

What is striking in this series of suicides is that the young women choose very violent forms, which are not typically chosen by women. Just when Lacey arrives another woman has tried to take her life. She set herself on fire but could be saved. She has been severely burned and it’s not sure she will survive.

As soon as Lacey moves into her room, she starts to feel weird. It does make her nervous to pretend to be a young student and the many suicides are quite creepy. Additionally she’s targeted right away and becomes the victim of a rather sinister student prank. The fact that she doesn’t sleep well, has peculiar nightmares and wakes feeling groggy doesn’t help either.

After some investigations, Lacey concludes that Evi isn’t imagining things. It’s even possible that there is no online community but that there is something  much more threatening at work. When Evi is suddenly being stalked it becomes obvious that the situation is very dangerous for the two women.

Dead Scared is set in the university milieu of Cambridge and the way Bolton described the city is very evocative, giving the book traits that could have been taken from a Gothic novel.

As readers know from the first Lacey Flint/DI Joesbury book, Lacey isn’t exactly who she seems to be. She’s tough but due to a troubled past also very fragile. The relationship between Lacey and Joesbury intensifies in this book and is even more important than in the first.

The idea behind the crimes is really great and I wondered the whole time what was going on. I had a feeling but still kept on turning pages as quickly as I could.

I had barely finished the book when I already ordered the next in the Lacey Flint series. I’m pretty sure it’s not one of those books that will stay on the unread books pile for long.

Bao Ninh: The Sorrow of War aka Thân phận của tình yêu (1991) Literature and War Readalong December 2013

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The Sorrow of War

Bao Ninh’s The Sorrow of War aka Thân phận của tình yêu is the first (North) Vietnamese novel I’ve read. It is based on Ninh’s own experiences during the Vietnam war. We are used to read about the war in Vietnam from an US perspective and I was really curious to see how it would be treated by a North Vietnamese writer. I had a few expectations but none were met. The book was so much better than I had expected. It’s one of a very few war novels I’d say I really loved and if I had read it earlier this year, it would have made the Best of List. Reading this, you may possibly think it’s a perfect novel but it isn’t. It’s flawed but so intense, emotional, lyrical, tragic  and beautiful that I can easily forgive its shortcomings.

The Sorrow of War reminded me a lot of Tim O’Brien’s The Things They Carried. The two books would make great companion reads. Both approach the story in a non-linear way and narrate episodes rather than a chronological story. Both books have strong metafictional aspects, but The Sorrow of War goes even one step further. We have a narrator who is at the same time a writer and a narrator who had similar experiences and finds the writer’s manuscript. When he talks about that manuscript he addresses the element that I have called “shortcomings” earlier and reading that one doubts whether it’s a real shortcoming or an effect that Bao Ninh wanted to achieve. Nevertheless, the book jumps back and forth in time and there are a lot of repetitions. Every time a scene is repeated a new element is added but it’s still often difficult to know who is telling something and when.

Where Tim O Brien’s and Bao Ninh’s novel differ completely is the tone. The Sorrows of War is much gentler, full of palpable sorrow and lyrical passages in which Kien, the writer-narrator, evokes beautiful moments. Kien has spent far over ten years at war and is a survivor. More than one platoon he’s been part of was wiped out. At the beginning of the book, in 1976, he’s part of a Missing-in-Action body collecting team. Somewhat later, after the war, we see him battle his demons; alcoholism, despair, nightmares, depression. He’s seen the worst. The depravity and cruelty of people and soldiers. One of the worst things happened at the very beginning of the war and is related to the love of Kien’s life, Phuong. The Sorrow of War is also a love story, the story of two people whose love was shattered by war. To read why and how and slowly discover the details is harrowing.

In the best passages of the book Kien renders episodes in which the kindness of people or the beauty of nature are contrasted with the ugliness of the battlefields. Another element I liked and which makes this very different from any of the US accounts I’ve read is the belief in ghosts and spirits. The violence with which the soldiers die turns many into ghosts. There is one part of the forest that the people have come to call the Jungle of the Screaming Souls. One of the drivers of the MIA body collecting team tells Kien that every time he drives by that battlefield a ghost joins him and wants to talk to him. What is interesting is that nobody doubts that there are ghosts. They are not scared because dead people try to talk to them but because they can feel the pain those ghosts had to endure before they died. The whole area is like one giant graveyard where all the souls are screaming and mourning constantly. Eerie.

Another element that makes this book so outstanding is that neither the Americans nor the South Vietnamese are ever demonized. Every person in this book is simply a human, thrown into this awful conflict for no better reason than politics.

At the end, Kien has written his book and leaves. Nobody knows where he has gone. He’s lost so much, there was no returning to the life as it had been before and now he’s lost as well.

I don’t know how typical of Vietnamese literature this is, but I’m determined to find out. If there are more writers like Bao Ninh I’d like to read them.

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The Sorrow of War was the last book in the Literature and War Readalong 2013. The first book in 2014 is the American Civil War novel The Black Flower by Howard Bahr. Discussion starts on Friday 31 January, 2014. Further information on the Literature and War Readalong 2014, including the book blurbs can be found here.

Literature and War Readalong 2014

Posted in Books, Literature, Novel, Readalong by

The Black FlowerThe Killer AngelsMarch

Toby's RoomPrivate PeacefulFear

Undertones of WarMy Dear I Wanted To Tell YouPhoenix and Ashes

The LieFlight Without EndLetters From a Lost Generation

The books for Literature and War Readalong 2011 and 2012 were following the different wars in chronological order. This year, 2013, we focused on different countries and wars we hadn’t covered so far. Next year will be about genre and WWI.

I was afraid a whole year dedicated to WWI books would be too much, especially since a lot of blogs run events for the Centenary, that’s why I decided to start with three novels on the American Civil War, one of which was part of 2011’s readalong, but had to be postponed. After that it’s all about WWI and to make it more interesting, I’ve included different genres: Memoir, letters, historical fiction, literary fiction, a children’s book and one fantasy novel. I hope there will be something for everyone among these titles.

The Black Flower

January, Friday 31 

The Black Flower by Howard Bahr (US 2000), American Civil War, Novel, 272 pages

The Black Flower is the gripping story of a young Confederate rifleman from Mississippi named Bushrod Carter, who serves in General John Bell Hood’s Army of Tennessee during the Civil War battle that takes place in Franklin, Tennessee, in November 1864. Written with reverent attention to historical accuracy, the book vividly documents the fear, suffering, and intense friendships that are all present on the eve of the battle and during its aftermath. When Bushrod is wounded in the Confederate charge, he is taken to a makeshift hospital where he comes under the care of Anna, who has already lost two potential romances to battle. Bushrod and Anna’s poignant attempt to forge a bond of common humanity in the midst of the pathos and horror of battle serves as a powerful reminder that the war that divided America will not vanish quietly into the page of history.

The Killer Angels

February, Friday 28

The Killer Angels by Michael Shaara (US 1974), American Civil War, Novel, 355 pages

The late Shaara’s Pulitzer Prize-winning novel (1974) concerns the battle of Gettysburg and was the basis for the 1993 film Gettysburg. The events immediately before and during the battle are seen through the eyes of Confederate Generals Lee, Longstreet, and Armistead and Federal General Buford, Colonel Joshua L. Chamberlain, and a host of others. The author’s ability to convey the thoughts of men in war as well as their confusion-the so-called “fog of battle”-is outstanding. This unabridged version is read clearly by award-winning actor George Hearn, who gives each character a different voice and effectively conveys their personalities; chapters and beginnings and ends of sides are announced. Music from the movie version adds to the drama. All this comes in a beautiful package with a battle map. Recommended for public libraries not owning previous editions from Recorded Books and Blackstone Audio (Audio Reviews, LJ 2/1/92 and LJ 2/1/93, respectively).

March

March, Monday 31

March by Geraldine Brooks (Australia 2005) American Civil War, Novel, 304 pages

Brooks’s luminous second novel, after 2001’s acclaimed Year of Wonders, imagines the Civil War experiences of Mr. March, the absent father in Louisa May Alcott’s Little Women. An idealistic Concord cleric, March becomes a Union chaplain and later finds himself assigned to be a teacher on a cotton plantation that employs freed slaves, or “contraband.” His narrative begins with cheerful letters home, but March gradually reveals to the reader what he does not to his family: the cruelty and racism of Northern and Southern soldiers, the violence and suffering he is powerless to prevent and his reunion with Grace, a beautiful, educated slave whom he met years earlier as a Connecticut peddler to the plantations. In between, we learn of March’s earlier life: his whirlwind courtship of quick-tempered Marmee, his friendship with Emerson and Thoreau and the surprising cause of his family’s genteel poverty. When a Confederate attack on the contraband farm lands March in a Washington hospital, sick with fever and guilt, the first-person narrative switches to Marmee, who describes a different version of the years past and an agonized reaction to the truth she uncovers about her husband’s life. Brooks, who based the character of March on Alcott’s transcendentalist father, Bronson, relies heavily on primary sources for both the Concord and wartime scenes; her characters speak with a convincing 19th-century formality, yet the narrative is always accessible. Through the shattered dreamer March, the passion and rage of Marmee and a host of achingly human minor characters, Brooks’s affecting, beautifully written novel drives home the intimate horrors and ironies of the Civil War and the difficulty of living honestly with the knowledge of human suffering.

Toby's Room

April, Monday 28

Toby’s Room by Pat Barker (UK 2013), WWI, Novel, 272 pages

Pat Barker returns to the First World War in Toby’s Room, a dark, compelling novel of human desire, wartime horror and the power of friendship.

When Toby is reported ‘Missing, Believed Killed’, another secret casts a lengthening shadow over Elinor’s world: how exactly did Toby die – and why? Elinor determines to uncover the truth. Only then can she finally close the door to Toby’s room. Moving from the Slade School of Art to Queen Mary’s Hospital, where surgery and art intersect in the rebuilding of the shattered faces of the wounded, Toby’s Room is a riveting drama of identity, damage, intimacy and loss. Toby’s Room is Pat Barker’s most powerful novel yet.

Private Peaceful

May, Friday 30

Private Peaceful by Michael Morpurgo (UK 2003)  WWI, Children’s Book, 192 pages

Heroism or cowardice? A stunning story of the First World War from a master storyteller.

Told in the voice of a young soldier, the story follows 24 hours in his life at the front during WW1, and captures his memories as he looks back over his life. Full of stunningly researched detail and engrossing atmosphere, the book leads to a dramatic and moving conclusion.

Both a love story and a deeply moving account of the horrors of the First World War, this book will reach everyone from 9 to 90.

Fear

June, Friday 27

Fear – La Peur by Gabriel Chevallier (France 1930)  WWI, Classic, Novel, 320 pages

It is 1915. Jean Dartemont is just a young man. He is not a rebel, but neither is he awed by authority and when he’s called up and given only the most rudimentary training, he refuses to follow his platoon. Instead, he is sent to Artois, where he experiences the relentless death and violence of the trenches. His reprieve finally comes when he is wounded, evacuated and hospitalised.

The nurses consider it their duty to stimulate the soldiers’ fighting spirit, and so ask Jean what he did at the front.

His reply?

‘I was afraid.’

First published in France in 1930, Fear is both graphic and clear-eyed in its depiction of the terrible experiences of soldiers during the First World War.

The Lie

July, Monday 28

The Lie by Helen Dunmore (UK 2014) WWI, Novel, 304 pages

Set during and just after the First World War, The Lie is an enthralling, heart-wrenching novel of love, memory and devastating loss by one of the UK’s most acclaimed storytellers. Cornwall, 1920, early spring.

A young man stands on a headland, looking out to sea. He is back from the war, homeless and without family.

Behind him lie the mud, barbed-wire entanglements and terror of the trenches. Behind him is also the most intense relationship of his life.

Daniel has survived, but the horror and passion of the past seem more real than the quiet fields around him.

He is about to step into the unknown. But will he ever be able to escape the terrible, unforeseen consequences of a lie?

Undertones of War

August, Friday 29

Undertones of War by Edmund Blunden (UK 1928) WWI, Memoir, 288 pages

In what is one of the finest autobiographies to come out of the First World War, the distinguished poet Edmund Blunden records his experiences as an infantry subaltern in France and Flanders. Blunden took part in the disastrous battles of the Somme, Ypres and Passchendaele, describing the latter as ‘murder, not only to the troops, but to their singing faiths and hopes’. In his compassionate yet unsentimental prose, he tells of the heroism and despair found among the officers. Blunden’s poems show how he found hope in the natural landscape; the only thing that survives the terrible betrayal enacted in the Flanders fields.

My Dear I Wanted To Tell You

September, Monday 29

My Dear, I wanted to tell you by Louisa Young (UK 2011) WWI, Historical Fiction, 336 pages

A letter, two lovers, a terrible lie. In war, truth is only the first casualty. ‘Inspires the kind of devotion among its readers not seen since David Nicholls’ One Day’ The Times

While Riley Purefoy and Peter Locke fight for their country, their survival and their sanity in the trenches of Flanders, Nadine Waveney, Julia Locke and Rose Locke do what they can at home. Beautiful, obsessive Julia and gentle, eccentric Peter are married: each day Julia goes through rituals to prepare for her beloved husband’s return. Nadine and Riley, only eighteen when the war starts, and with problems of their own already, want above all to make promises – but how can they when the future is not in their hands? And Rose? Well, what did happen to the traditionally brought-up women who lost all hope of marriage, because all the young men were dead?

Moving between Ypres, London and Paris, My Dear I Wanted to Tell You is a deeply affecting, moving and brilliant novel of love and war, and how they affect those left behind as well as those who fight.

Phoenix and Ashes

October, Friday 31

Phoenix and Ashes by Mercedes Lackey (US 2004) WWI, Fantasy, 468 pages

In this dark and atmospheric rendition of the Cinderella fairy tale, an intelligent young Englishwoman is made into a virtual slave by her evil stepmother. Her only hope of rescue comes in the shape of a scarred World War I pilot of noble blood, whose own powers over the elements are about to be needed more than ever.

“A dark tale full of the pain and devastation of war…and a couple of wounded protagonists worth routing for.”

Flight Without End

November, Friday 28

Flight Witout End – Die Flucht ohne Ende by Joseph Roth (Austria 1927) WWI, Classic,  144 pages

Flight Without End, written in Paris, in 1927, is perhaps the most personal of Joseph Roth’s novels. Introduced by the author as the true account of his friend Franz Tunda it tells the story of a young ex-office of the Austro-Hungarian Army in the 1914- 1918 war, who makes his way back from captivity in Siberia and service with the Bolshevik army, only to find out that the old order, which has shaped him has crumbled and that there is no place for him in the new “European” culture that has taken its place. Everywhere – in his dealings with society, family, women – he finds himself an outsider, both attracted and repelled by the values of the old world, yet unable to accept the new ideologies.

Letters From a Lost Generation

December, Monday 29

Letters from a Lost Generation by Vera Brittain and Four Friends (UK) WWI, Letters, 448 pages

Nothing in the papers, not the most vivid and heart-rending descriptions, have made me realise war like your letters’ Vera Brittain to Roland Leighton, 17 April 1915.

This selection of letters, written between 1913 & 1918, between Vera Brittain and four young men – her fiance Roland Leighton, her brother Edward and their close friends Victor Richardson & Geoffrey Thurlow present a remarkable and profoundly moving portrait of five young people caught up in the cataclysm of total war.

Roland, ‘Monseigneur’, is the ‘leader’ & his letters most clearly trace the path leading from idealism to disillusionment. Edward, ‘ Immaculate of the Trenches’, was orderly & controlled, down even to his attire. Geoffrey, the ‘non-militarist at heart’ had not rushed to enlist but put aside his objections to the war for patriotism’s sake. Victor on the other hand, possessed a very sweet character and was known as ‘Father Confessor’. An important historical testimony telling a powerful story of idealism, disillusionment and personal tragedy.

I think the list is very different from the last years. The one or the other title like Mercedes Lackey’s book is a bit of gamble but I tried to make the list as diverse as possible.

I hope that many of you will join.

Hans Keilson: The Death of the Adversary – Der Tod des Widersachers (1959) Literature and War Readalong November 2013

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Death of the Adversary

I wish it hadn’t happened but it did. I couldn’t finish Hans Keilson’s novel The Death of the Adversary – Der Tod des Widersachers. Not because I ran out of time but because – frankly – I hated it. I hate parables and books that whiff of Kafka (and are not Kafka) and  . . . If  you want to write about Nazism and the rise of Hitler, why don’t you mention it. Why does Hitler have to be referred to as “B”? Why is it never stated that the narrator is Jewish . . . It’s obvious, of course, but the way this is handled is just annoying.  Ilse Aichinger does a similar thing in her novel Herod’s Children – Die grössere Hoffnung, but it never feels like mannerism, it’s powerful, expressive and chilling.

I’ve read about 2/3 of The Death of the Adversary and there were passages I thought masterful but they had nothing to do with Nazism and/or oppression but were mainly taken from either childhood or young adult memories. There is a story in which the narrator tells how he forged stamps. This was psychologically subtle. There are other instances in which we see that Keilson’s observations are the result of his being a psychiatrist.

The book’s central story tells how a young Jewish boy first learns about his adversary “B”, a man who slowly rises to political power. His power can be felt in the growing number of followers and how they accept his theories and apply his laws and rules, which first lead to exclusion of the Jews, and then to their persecution. I don’t see what is gained in calling Hitler “B”. Did he want to show the universality of evil? He wanted to show the banality of it, which becomes obvious when he sees the man. And the way he treats the adversary as a recurring motif, showing that he is  s much on the inside as on the outside  . . .  Most of the time, I agree, things are not black or white but I don’t want this concept applied to Hitler and Nazism.

There is also a parable-in-the-parable – the story of the elks and the wolves, which I found particularly ambiguous. Elks were living under the best conditions, however they were not striving but dying. Why? Because there were no wolves. In order to live they would have needed adversaries.

I almost always finish books because some stories need every single passage to become a whole. Given that The Death of the Adversary is not only a parable but a disjointed book – I wouldn’t really call it a novel -,  I’m pretty sure, the end wouldn’t have made me think differently. From what I’ve seen so far, Keilson might be a good writer but he’s not a novelist.

I know that I’m one of a very few who didn’t like this book. But I really didn’t and although I’m sure that Comedy in a Minor Key is different – I’m not going anywhere near Keilson’s fictional work  for a while.

Other (favorable) reviews

Lizzy (Lizzy’s Literary Life)

Mel u (The Reading Life)

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The Death of the Adversary was the eleventh book in the Literature and War Readalong 2013. The next is the Vietnamese novel The Sorrow of War aka Thân phận của tình yêu by Bao Ninh. Discussion starts on Monday 30 December, 2013. Further information on the Literature and War Readalong, including the book blurbs can be found here.

Vasily Grossman: Everything Flows (1961) Literature and War Readalong October 2013

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Everything Flows

Would you inform on people to save your own life? Sign papers knowing very well it will send people to the Gulag? Would you? If you are like me, you are unable to answer this question. You will hope that you wouldn’t but how can you be sure. It didn’t take a lot for people to be sent to the camps. Anything would make the state suspect subversiveness.Some were sent because others signed a paper, some were sent because they didn’t sign papers. According to the afterword Grossman did precisely that, he signed a paper which served to arrest a group of doctors. He must have felt guilty all of his life, resented his own weakness. Exploring why people would do such a thing, is one of the themes in Everything Flows. It’s not always out of fear or cowardice.

A friend of Ivan Grigoryevich is responsible that he is sent to the Gulag for thirty years. He is released after Stalin’s death in 1953. At first he visits his cousin Nikolay, in Moscow. Nikolay is a scientist who has made a remarkable career, due to some extent to his betrayal of others. When he sees Ivan again, he’s incapable of showing compassion of listening to Ivan’s story. All he does is talk about his own hardships. How very cynical. No deprivations endured outside can be compared with what those in the camps had to go through. These are poignant scenes, which show the selfishness and faulty thinking of so many, the struggle between a bad conscience and the aim to refuse any responsibility. Ivan then moves on to Leningrad where he hopes to meet a former lover. He meets Anna Sergeyevna instead and shares a room with her and her little son. Her husband has been sent to a camp. She blames herself for having taken part in the Terror famine of 1932-3.

The story of Ivan is the only coherent storyline. It is interrupted by stories of other people and many non-fiction parts – on the terror against the Ukrainians, on Lenin and Stalin, on their terror regimes, on the way the Soviet Union worked. This made me wonder often whether Everything Flows can really be called a novel. Where is the borderline? How much non-fiction elements can a book contain and still be called fiction? Grossman didn’t see the publication of Everything Flows and it is possible he would have altered it, still, according to the afterword, it’s finished the way it is. He would not have removed the nonfiction parts, although it seems obvious that they were added to the manuscript later.

Until WWII Grossman was loyal to the Soviet state but after having witnessed the war, having been in Stalingrad, that changed completely. From then on he was focussing in his work on writing about everything as truthfully as possible, on not embellishing and buying into the state’s way of distorting the truth. This cost him almost everything and I’m surprised he was never sent to the Gulag himself. One of his most traumatic experiences was when his novel Life and Fate was confiscated. What further contributed to his critical view of the Soviet state was Stalin’s antisemitism.

In his best parts Everything Flows is an amazing testimony of compassion and humanity. In other parts it is a masterful depiction of the human condition and an open criticism of totalitarianism. Some of the non-fiction parts were a bit heavy going, as I was not familiar with many of the names and with Soviet history in general. I think he rendered the atmosphere of being unfree and the paranoia very well.

I’d like to read a biography of Grossman. He served 1000 days during WWII, was present in Stalingrad and his The Hell of Treblinka was the first eyewitness account and was used during the Nuremberg trials. Has anyone read the Gerrard’s biography The Life and Fate of Vasily Grossman or Grossman’s The Writer at War?

Other reviews

Andrew Blackman

Danielle (A Work in Progress)

Silver Seasons (Silver Threads)

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Everything Flows was the tenth book in the Literature and War Readalong 2013. The next is the WWII novel Death of the Adversary aka Der Tod des Widersachers by German writer Hans Keilson. Discussion starts on Friday 29 November, 2013. Further information on the Literature and War Readalong, including the book blurbs can be found here.