Tag Archives: The Sorrow of War

Howard Bahr: The Black Flower (1997) Literature and War Readalong January 2014

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The Black Flower

This year’s Literature and War Readalong starts strong with Howard Bahr’s powerful book The Black Flower, a novel on the American Civil War. The book is at times a bit patchy, with an eccentric structure and a style reminiscent of an expressionist novel, but it manages one thing admirably well: bringing the Civil War to life for those who were not there.

The book is set in 1864, before, during and after the battle that took place in Franklin, Tennessee. It is told from different POVs, but mostly we see the story unfold through the eyes of Bushrod Carter and Anna Hereford. But Bahr jumps from them to different others from whose point of view we see a small incident or a chapter. One particularly powerful scene is told from the point of view of a wasp.

Anna stays at her cousin’s house, which will be occupied by the army shortly before and after the battle. It will be turned into some sort of field hospital. That’s where Anna and Bushrod meet and fall in love, amidst the chaos and mayhem.

Before he meets Anna we see Bushrod together with his best friends, Virgil and Jack. They wait for the battle to begin and talk about old times. In the afternoon, in what is one of the best scenes of the book, they bury their dead, together with soldiers from the Union. Meeting them up close, shows Bushrod and his friends once more how alike they are and how absurd it is to kill them.

The Black Flower concentrates entirely on these few people and on what happens to them during a short period of time. The strength lies in the way Bahr magnifies details and in his almost expressionist writing. Passages like the one below reminded me of the paintings of Otto Dix.

In the starlight, and in the torchlight as far as it carried, the dead possessed the violated earth. They were draped all over the parapet, festooned in the osage orange hedges, blown back from the embrasures in meaty fragments. In the ditch before the works they lay in geologic strata of regiments and brigades, piled six and eight and ten deep: an inextricable mass of gray and brown, a tangle of accoutrements and muskets, a blur of faces and claw-like hands. Some were almost naked, torn to shreds by canister and rifle fire, the clothes ripped from their bodies;others lay whole and peaceful, dreaming among their comrades. Here and there, dead men who’d had no room to fall stood upright in the pile, still holding their rifles, their faces still set toward the memory of the vanished foe.

Some of the dead were busy. They twitched and jerked from the violence of their passing, they heaved stubbornly as still-living men tried to push up from underneath. The surface layer of wounded writhed and groaned and implored; the whole pile crawled with movement. Steam rose from the fragments, from open skulls and blue pails of entrails. The smell hung close to the ground in the damp night.

If you don’t know a lot about the American Civil War, this book is not going to give you a lot of information. But it will show you how much it cost in terms of human life, safety, and hope. Every war is horrible, but these early wars, with their mass amputations, and improvised field hospitals have a particularly gruesome side. I don’t think that I was fully aware of this. Bahr also describes very well how tired, dirty and worn-out these men were.

Most of the characters in the book are well rendered. Even the minor characters are carefully described. We feel for all of them. Of course we feel particularly strongly for Anna and Bushrod and when the end of the book comes, it’s quite heartbreaking and unexpected.

I was surprised to find almost modernist elements and an episodic structure in this book, as the novel starts rather conventionally. Once I had finished the book, I realised that Bahr not only manged to paint a canvas of this war, but that he also told a tale of  love and friendship without sugar-coating or glossing over anything.

I’m glad that the next book is also on the American Civil War and that it contains an introduction. Background information on a war I’m not that familiar with, was the only thing I was missing here.

Should anyone wonder  – the title is an allusion to Death.

Other reviews

Danielle (A Work in Progress)

Kailana (The Written World)

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The Black Flower is the first book in the Literature and War Readalong 2014. The next book is the American Civil War classic  The Killer Angels by Michael Shaara. Discussion starts on Friday 28 February, 2014. Further information on the Literature and War Readalong 2014, including the book blurbs can be found here.

Bao Ninh: The Sorrow of War aka Thân phận của tình yêu (1991) Literature and War Readalong December 2013

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The Sorrow of War

Bao Ninh’s The Sorrow of War aka Thân phận của tình yêu is the first (North) Vietnamese novel I’ve read. It is based on Ninh’s own experiences during the Vietnam war. We are used to read about the war in Vietnam from an US perspective and I was really curious to see how it would be treated by a North Vietnamese writer. I had a few expectations but none were met. The book was so much better than I had expected. It’s one of a very few war novels I’d say I really loved and if I had read it earlier this year, it would have made the Best of List. Reading this, you may possibly think it’s a perfect novel but it isn’t. It’s flawed but so intense, emotional, lyrical, tragic  and beautiful that I can easily forgive its shortcomings.

The Sorrow of War reminded me a lot of Tim O’Brien’s The Things They Carried. The two books would make great companion reads. Both approach the story in a non-linear way and narrate episodes rather than a chronological story. Both books have strong metafictional aspects, but The Sorrow of War goes even one step further. We have a narrator who is at the same time a writer and a narrator who had similar experiences and finds the writer’s manuscript. When he talks about that manuscript he addresses the element that I have called “shortcomings” earlier and reading that one doubts whether it’s a real shortcoming or an effect that Bao Ninh wanted to achieve. Nevertheless, the book jumps back and forth in time and there are a lot of repetitions. Every time a scene is repeated a new element is added but it’s still often difficult to know who is telling something and when.

Where Tim O Brien’s and Bao Ninh’s novel differ completely is the tone. The Sorrows of War is much gentler, full of palpable sorrow and lyrical passages in which Kien, the writer-narrator, evokes beautiful moments. Kien has spent far over ten years at war and is a survivor. More than one platoon he’s been part of was wiped out. At the beginning of the book, in 1976, he’s part of a Missing-in-Action body collecting team. Somewhat later, after the war, we see him battle his demons; alcoholism, despair, nightmares, depression. He’s seen the worst. The depravity and cruelty of people and soldiers. One of the worst things happened at the very beginning of the war and is related to the love of Kien’s life, Phuong. The Sorrow of War is also a love story, the story of two people whose love was shattered by war. To read why and how and slowly discover the details is harrowing.

In the best passages of the book Kien renders episodes in which the kindness of people or the beauty of nature are contrasted with the ugliness of the battlefields. Another element I liked and which makes this very different from any of the US accounts I’ve read is the belief in ghosts and spirits. The violence with which the soldiers die turns many into ghosts. There is one part of the forest that the people have come to call the Jungle of the Screaming Souls. One of the drivers of the MIA body collecting team tells Kien that every time he drives by that battlefield a ghost joins him and wants to talk to him. What is interesting is that nobody doubts that there are ghosts. They are not scared because dead people try to talk to them but because they can feel the pain those ghosts had to endure before they died. The whole area is like one giant graveyard where all the souls are screaming and mourning constantly. Eerie.

Another element that makes this book so outstanding is that neither the Americans nor the South Vietnamese are ever demonized. Every person in this book is simply a human, thrown into this awful conflict for no better reason than politics.

At the end, Kien has written his book and leaves. Nobody knows where he has gone. He’s lost so much, there was no returning to the life as it had been before and now he’s lost as well.

I don’t know how typical of Vietnamese literature this is, but I’m determined to find out. If there are more writers like Bao Ninh I’d like to read them.

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The Sorrow of War was the last book in the Literature and War Readalong 2013. The first book in 2014 is the American Civil War novel The Black Flower by Howard Bahr. Discussion starts on Friday 31 January, 2014. Further information on the Literature and War Readalong 2014, including the book blurbs can be found here.

Literature and War Readalong December 30 2013: The Sorrow of War aka Thân phận của tình yêu by Bao Ninh

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The Sorrow of War

We’ve all seen movies or read books on the war in Vietnam from an American perspective. Bao Ninh’s The Sorrow of War aka Thân phận của tình yêu is told from the other side. The author was a North Vietnamese soldier and the book is based on his experiences.  The majority of the books we’ve read this year were set far away from the frontline. With this last novel of this year’s readalong, we return to the territory of the soldier.

Here’s the blurb

Kien’s job is to search the Jungle of Screaming Souls for corpses. He knows the area well – this was where, in the dry season of 1969, his battalion was obliterated by American napalm and helicopter gunfire. Kien was one of only ten survivors. This book is his attempt to understand the eleven years of his life he gave to a senseless war.

And the first sentences

On the banks of the Ya Crong Poco, on the northern flank of the 3B battlefield in the Central Highlands, the Missing In Action body-collecting team awaits the dry season of 1976.

The mountains an jungles ae water-soaked and dull. Wet trees. Quiet jungles. All day and all night the water steams. A sea of greenish vapour over the jungle’s carpet of rotting leaves.

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The discussion starts on Monday, 3o December 2013.

Further information on the Literature and War Readalong 2013, including all the book blurbs, can be found here.

Literature and War Readalong 2013

Posted in Books, Readalong by

The Yellow BirdsThe Flowers of WarThe WarsThe Heat of The Day

Children of The New WorldThere Is No TimeDeath of the AdversaryGrey SoulsEverything FlowsThe Sorrow of WarAll That I AMWinter in Wartime

It took a long time to compile the reading list for the Literature and War Readalong 2013 but I must say, I’m pleased with the result.

In 2013 we will be reading 12 books  from 12 different countries, written in 8 different languages and covering 6 different wars.

I think it’s the most diverse list so far. I also tried to take different events into account which should allow people to pick a book for the readalong which will also count towards other events. There is an Irish author for March, a Dutch author for June, German for November, and a Canadian and an Australian choice for the respective challenges.

And here goes the final list

The Yellow Birds

January, Monday 28

The Yellow Birds by Kevin Powers (2012), 240 pages – US – Iraq war

LONGLISTED FOR THE GUARDIAN FIRST BOOK AWARD 2012 NEW YORK TIMES BESTSELLER An unforgettable depiction of the psychological impact of war, by a young Iraq veteran and poet, THE YELLOW BIRDS is already being hailed as a modern classic. Everywhere John looks, he sees Murph. He flinches when cars drive past. His fingers clasp around the rifle he hasn’t held for months. Wide-eyed strangers praise him as a hero, but he can feel himself disappearing. Back home after a year in Iraq, memories swarm around him: bodies burning in the crisp morning air. Sunlight falling through branches; bullets kicking up dust; ripples on a pond wavering like plucked strings. The promise he made, to a young man’s mother, that her son would be brought home safely. With THE YELLOW BIRDS, poet and veteran Kevin Powers has composed an unforgettable account of friendship and loss. It vividly captures the desperation and brutality of war, and its terrible after-effects. But it is also a story of love, of great courage, and of extraordinary human survival. Written with profound emotional insight, especially into the effects of a hidden war on families at home, THE YELLOW BIRDS is one of the most haunting, true and powerful novels of our time. ‘THE YELLOW BIRDS is the All Quiet on the Western Front of America’s Arab Wars.’ (Tom Wolfe, author of The Bonfire of the Vanities ) ‘Kevin Powers has conjured a poetic and devastating account of war’s effect on the individual.’ (Damian Lewis, star of Homeland and Band of Brothers ) ‘Inexplicably beautiful’. (Ann Patchett, Orange Prize-winning author of Bel Canto and State of Wonder)

February, Thursday 28

The Flowers of War aka Jingling Shisan Chai by Geling Yan (2006), 256 pages, China – Chinese/Japanese war

December 1937. The Japanese have taken Nanking. A group of terrified schoolgirls hides in the compound of an American church. Among them is Shujuan, through whose thirteen-year-old eyes we witness the shocking events that follow. Run by Father Engelmann, an American priest who has been in China for many years, the church is supposedly neutral ground in the war between China and Japan. But it becomes clear the Japanese are not obeying international rules of engagement. As they pour through the streets of Nanking, raping and pillaging the civilian population, the girls are in increasing danger. And their safety is further compromised when prostitutes from the nearby brothel climb over the wall into the compound seeking refuge. Short, powerful, vivid, this beautiful novel transports the reader to 1930s China. Full of wonderful characters, from the austere priest to the irreverent prostitutes, it is a story about how war upsets all prejudices and how love can flourish amidst death.

March, Thursday 28

The Heat of the Day by Elizabeth Bowen (1949), 336 pages, Ireland – WWII

It is wartime London, and the carelessness of people with no future flows through the evening air. Stella discovers that her lover Robert is suspected of selling information to the enemy. Harrison, the British intelligence agent on his trail, wants to bargain, the price for his silence being Stella herself. Caught between two men and unsure who she can trust, the flimsy structures of Stella’s life begin to crumble.

April, Monday 29

The Wars by Timothy Findley (1977), 240 pages, Canada – WWI

Robert Ross, a sensitive nineteen-year-old Canadian officer, went to war – the War to End All Wars. He found himself in the nightmare world of trench warfare; of mud and smoke, of chlorine gas and rotting corpses. In this world gone mad, Robert Ross performed a last desperate act to declare his commitment to life in the midst of death.The Wars is quite simply one of the best novels ever written about the First World War.

May, Friday 31

All That I Am by Anna Funder (2011), 384 pages, Australia – WWII

Anna Funder, winner of the Samuel Johnson Prize and author of Stasiland, offers a thrilling tale and powerful love story that tells the heroic and tragic true story of the German resistance in World War II in All That I Am.

When Hitler comes to power in 1933, a tight-knit group of friends and lovers become hunted outlaws overnight. United in their resistance to the madness and tyranny of Nazism, they must flee the country. Dora, passionate and fearless, her lover, the great playwright Ernst Toller, her younger cousin Ruth and Ruth’s husband Hans find refuge in London. Here they take breath-taking risks in order to continue their work in secret. But England is not the safe-haven they think it to be, and a single, chilling act of betrayal will tear them apart…’The strengths of Funder’s writing are emotional and imaginative. In what she has to say about love, loss and betrayal there is profound truth’ The Times

June, Friday 28

Winter in Wartime akak Oorlogswinter by Jan Terlouw (1972), 220 pages, Netherlands – WWII

Near the end of World War II, 14-year-old Michiel becomes involved with the Resistance after coming to the aid of a wounded British soldier. With the conflict coming to an end, Michiel comes of age and learns of the stark difference between adventure fantasy and the ugly realities of war.

July, Monday 29

Children of the New World aka Les enfants du nouevau monde by Assia Djebar (1962), 233 Algeria – French/Algerian war

Assia Djebar, the most distinguished woman writer to emerge from the Arab world – and a top candidate for the Nobel Prize in Literature – wrote “Children of the New World” following her own involvement in the Algerian resistance to colonial French rule. Djebar’s novel sheds light on current world conflicts as it reveals a determined Arab insurgency against foreign occupation, from the inside out. However, Djebar focuses on the experiences of women drawn into the politics of resistance. Her novel recounts the interlocking lives of women in a rural Algerian town who find themselves joined in solidarity and empower each other to engage in the fight for independence. Narrating the resistance movement from a variety of perspectives – from those of traditional wives to liberated students to political organisers – Djebar powerfully depicts the circumstances that drive oppressed communities to violence and at the same time movingly reveals the tragic costs of war.

August, Friday 30

Grey Souls aka Les âmes grises by Philippe Claudel (2003), 208 pages, France  – WWI

This is ostensibly a detective story, about a crime that is committed in 1917, and solved 20 years later. The location is a small town in Northern France. The war is still being fought in the trenches, within sight and sound of the town, but the men of the town have been spared the slaughter because they are needed in the local factory. One freezing cold morning in the dead of winter, a beautiful ten-year old girl, one of three daughters of the local innkeeper, is found strangled and dumped in the canal. Suspicion falls on two deserters who are picked up near the town. Their interrogation and sentencing is brutal and swift. Twenty years later, the narrator, a local policeman, puts together what actually happened. On the night the deserters were arrested and interrogated, he was sitting by the bedside of his dying wife. He believes that justice was not done and wants to set the record straight. But the death of the child was not the only crime committed in the town during those weeks.

September, Monday 30

There’s No Home by Alexander Baron (1950), 288 pages,  UK – WWII

‘An unqualified masterpiece … as acute a study of the psychology of war as fiction offers us’ Guardian It’s 1943. The allied invasion of Sicily. In a lull in the fighting, an exhausted British battalion marches into the searing summer heat of Catania, to be greeted by the women, children and old men emerging from the bomb shelters. Yearning for some semblance of domestic life, the men begin to fill the roles left by absent husbands and fathers. Unlikely relationships form, tender, exploitative even cruel, but all shaped by the exigencies of war. Centred around a love story, between Graziela, a young mother, and Sergeant Craddock, whose rough attempts at seduction are vindicated by his sympathy and the care he shows for her malnourished child, There’s No Home offers an unerringly humane and authentic portrayal of the emotional impact of war.
Everything Flows
October, Monday 28
Everything Flows by Vasily Grossman (1961), 320 pages, Russia – Post-War

Ivan Grigoryevich has been in the Gulag for thirty years. Released after Stalin’s death, he finds that the years of terror have imposed a collective moral slavery. He must struggle to find a place for himself in an unfamiliar world. Grossman tells the stories of those people entwined with Ivan’s fate: his cousin Nikolay, a scientist who never let his conscience interfere with his career, Pinegin, the informer who had Ivan sent to the camps and Anna Sergeyevna, Ivan’s lover, who tells of her involvement as an activist in the Terror famine of 1932-3.

Everything Flows is Vasily Grossman’s final testament, written after the Soviet authorities suppressed Life and Fate.

November, Friday 29

Death of the Adversary aka Der Tod des Widersachers by Hans Keilson (1942), 224 pages, Germany – WWII

My enemy – I shall refer to him as B. – entered my life about twenty years ago. At that time I had only a very vague idea of what it meant to be someone’s enemy; still less did I realise what it was to have an enemy. One has to mature gradually towards one’s enemy as towards one’s best friend.

1930s Germany; the shadow of Nazism looms. Pictures of the new dictator, ‘B.’, fill magazines and newspapers. Our hero is ten when his world begins to change dramatically. Suddenly, the other children won’t let him join in their games. Later, he is refused a job on a shop-floor. Later still, he hears youths boasting of an attack on a Jewish cemetery. Both hypnotised and horrified by his enemy, our hero chronicles the fear, anger and defiance of everyday life under tyranny.

Written while Hans Keilson was in hiding during World War II, this novel is a powerful account of what he outlived. Painful, trenchant and streaked with dark humour The Death of the Adversary is a rediscovered masterpiece.

December, Monday 30

The Sorrow of War aka Thân phận của tình yêu by Bao Ninh (1991)  240 pages, Vietnam – Vietnam war

Kien’s job is to search the Jungle of Screaming Souls for corpses. He knows the area well – this was where, in the dry season of 1969, his battalion was obliterated by American napalm and helicopter gunfire. Kien was one of only ten survivors. This book is his attempt to understand the eleven years of his life he gave to a senseless war.

Based on true experiences of Bao Ninh and banned by the communist party, this novel is revered as the ‘All Quiet on the Western Front for our era’.

Kevin suggested this book and I think after having read a few US novels on the war in Vietnam it’s about time to read one written by a Vietnamese writer.

The rules are still the same. At the beginning of the month, I will post a quick introduction to the book and who likes, can readalong, and either just join the discussion or post a review on his/her blog as well. I will, as usual link to all the reviews.