Helen Dunmore: The Lie (2014) Literature and War Readalong July 2014

The Lie

The Lie is not the first WWI novel Helen Dunmore has written. Nor is it her first book about war. While you certainly don’t have to read Zennor in Darkness, or The Siege, or her ghost story The Greatcoat, before you read The Lie, it’s interesting to see how she approaches war from different angles. The Lie is foremost about the aftermath of war. About the scarring, the wounds, in the souls, the bodies, the land.

The Lie is set after WWI in Cornwall. The narrator, Daniel, lives on a forlorn piece of land, overlooking the sea. He’s shell-shocked, but unlike so many other soldiers with post-traumatic stress disorder, who populate literature, he’s taciturn and withdrawn. Even people who know him, like his childhood friend Felicia, would not be able to tell what is going on inside of his head.

I’ve been quiet a long time, I know that. It happens. I go back in my mind. It’s not the same thing as remembering, because it has colour and smell and taste.

The land on which Daniel lives belongs to Mary Pascoe, an old woman, almost blind and frail, who lived outside of society, far from the town, all of her life. WhenDaniel returns from the war, she let’s him seek shelter on her land. When she becomes very ill and blind, Daniel takes care of her and moves into her cottage with her. She makes him promise not to fetch a doctor and to stay on her land once she’s dead.

He takes care of her until her last moment and buries her on her land. Daniel is an able gardener and can live of the land, whose soil is rich. There’s a goat and hens as well. When people start to inquire about Mary, he tell’s them she’s still alive.  The lie will be his undoing.

The story moves back and forth in time, is interwoven with flashbacks of his childhood during which he was friends with Frederick and Felicia, and flashbacks of the war.

I was green as grass. And there was first aid drill, which was like no first aid I ever saw in France. We had a dummy which kept still and didn’t scream, bleed, or stink of shit because its insides were falling out. They taught us to tie a tourniquet, and apply field dressings, and that gas lies in pockets close to the ground long after you think it’s cleared.

You’d think selfishness would be the stronger force, but it turns out that it’s not so. Tell a man to unwrap his puttees, take off his boots, dry each toe individually, examine his feet for sores and rub them all over with whale oil, and tell him if he doesn’t he’ll get trench foot which will cause his feet to go black and stink and maybe even have to cut off — well, you’d think he’d do it. But he doesn’t. He’s cold and wet and dead beat and all he wants is to get some kip. Tell him he’s responsible for the feet of the man next to him, and he does it.

Daniel fights on his own at first and later, with Frederick. Frederick and Felicia come from money, while Daniel is the son of a poor housekeeper. Frederick’s and Daniel’s friendship is tested often due to these class differences; it ultimately survives, because the attachment is so profound.

During the war the class difference almost splits them up, but their friendship survives even this test. It even survives death. We know from the beginning that Frederick is killed in France. We just don’t know how, but assume that Daniel must have witnessed it and feels guilty, as he’s haunted by his death. And by Frederick’s ghost. I thought it was strange that she chose to write another ghost story, right after The Greatcoat, but this isn’t a ghost story. I read the ghost as a symbol for how deeply rooted the trauma of war is.

All at once I know he’s going to come. The dead aren’t tied to one place. He’s as fearful as I am, more maybe. He knows what’s coming to him, and he can’t get away from it. Something’s gone wrong. Thing’s out to stop, once they’re finished, but this won’t stop. They say the war is over, but they are wrong. It went too deep for that. It opened up a crack in time, a crater maybe. Once you fall into it, you can’t get out again. The mud is too deep and it holds you.

Daniel isn’t the only one grieving. Felicia has lost her husband and her brother in the war. When they meet again for the first time, they are both wary. They have changed and are not sure  whether there is more than their connection with Frederick that brings them together, or if there is a possibility of friendship, even love.

The Lie is a poetical story. The flashbacks are so tightly woven into the progressing story that they become part of it. Nothing that Daniel does, doesn’t remind him of the war. When he repairs Felicia’s furnace, he’s transported back to the trenches. When he cultivates the land, and digs in the soil, he’s reminded of the mud in France.

The most beautiful parts are the descriptions of this forlorn country, covered in furze and bracken, smelling of salty sea air and the richness of its soil. But in spite of these beautiful passages, I found the novel and its tragic ending, extremely depressing. And I didn’t get why the lie had such tragic consequences.

 

Other reviews

Danielle (A Work in Progress)

TJ (My Book Strings)

Violet (Still Life With Books)

 

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The Lie is the seventh book in the Literature and War Readalong 2014. The next book is the WWI memoir Undertones of War by Edmund Blunden. Discussion starts on Friday 29 August, 2014. Further information on the Literature and War Readalong 2014, including the book blurbs can be found here.

Literature and War Readalong July 28 2014: The Lie by Helen Dunmore

The Lie

Helen Dunmore has written several times about WWI. Back in 2012 we’ve read her earlier novel Zennor in Darkness, a book that made it on my Best of List that year. Naturally I’m looking forward to read her latest novel The Lie. I’ve seen a few reviews here and there but avoided to read them as I want to discover it for myself. What I like the most about Helen Dunmore is her beautiful prose. You can sense right away that she is also a poet.

If Rudyard Kipling’s epitaph at the beginning of the book is anything to go by, then it will be a heartbreaking novel.

If any question why we died

Tell them, because our fathers lied

This epitaph is doubly tragic as Kipling lost his son in WWI. Judging from the movie My Boy Jack, the boy would never have enlisted if it hadn’t been for his father. Here’s Kipling’s touching poem:

My Boy Jack

Have you news of my boy Jack?
Not this tide.
When d’you think that hell come back?
Not with this wind blowing, and this tide.

Has any one else had word of him?
Not this tide.
For what is sunk will hardly swim,
Not with this wind blowing, and this tide.

Oh, dear, what comfort can I find?
None this tide,
Nor any tide,
Except he did not shame his kind —
Not even with that wind blowing, and that tide.

Then hold your head up all the more,
This tide,
And every tide;
Because he was the son you bore,
And gave to that wind blowing and that tide!

Here are the first sentences of The Lie

He comes to me, clagged in mud from head to foot. A mud statue, but a breathing one. The breath whistles in and out of him. He stands at my be-end. Even when the wind is banging over the roof that I’ve bodged with corrugated iron, it’s very quiet. He doesn’t speak. Sometimes I wish he would break the silence, but then I’m afraid of what he might say. I can smell the mud.You never forget the reek of it. Thick, almost oily, full of shit and rotten flesh, cordite and chloride of lime. He has got himself coated all over with it. He’s camouflaged. He might be anything, but I know who he is.

And  some details and the blurb for those who want to join

The Lie by Helen Dunmore (UK 2014) WWI, Novel, 304 pages

Set during and just after the First World War, The Lie is an enthralling, heart-wrenching novel of love, memory and devastating loss by one of the UK’s most acclaimed storytellers. Cornwall, 1920, early spring.

A young man stands on a headland, looking out to sea. He is back from the war, homeless and without family.

Behind him lie the mud, barbed-wire entanglements and terror of the trenches. Behind him is also the most intense relationship of his life.

Daniel has survived, but the horror and passion of the past seem more real than the quiet fields around him.

He is about to step into the unknown. But will he ever be able to escape the terrible, unforeseen consequences of a lie?

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The discussion starts on Monday, 28 July 2014.

Further information on the Literature and War Readalong 2014, including all the book blurbs, can be found here.

Literature and War Readalong 2014

The Black FlowerThe Killer AngelsMarch

Toby's RoomPrivate PeacefulFear

Undertones of WarMy Dear I Wanted To Tell YouPhoenix and Ashes

The LieFlight Without EndLetters From a Lost Generation

The books for Literature and War Readalong 2011 and 2012 were following the different wars in chronological order. This year, 2013, we focused on different countries and wars we hadn’t covered so far. Next year will be about genre and WWI.

I was afraid a whole year dedicated to WWI books would be too much, especially since a lot of blogs run events for the Centenary, that’s why I decided to start with three novels on the American Civil War, one of which was part of 2011’s readalong, but had to be postponed. After that it’s all about WWI and to make it more interesting, I’ve included different genres: Memoir, letters, historical fiction, literary fiction, a children’s book and one fantasy novel. I hope there will be something for everyone among these titles.

The Black Flower

January, Friday 31 

The Black Flower by Howard Bahr (US 2000), American Civil War, Novel, 272 pages

The Black Flower is the gripping story of a young Confederate rifleman from Mississippi named Bushrod Carter, who serves in General John Bell Hood’s Army of Tennessee during the Civil War battle that takes place in Franklin, Tennessee, in November 1864. Written with reverent attention to historical accuracy, the book vividly documents the fear, suffering, and intense friendships that are all present on the eve of the battle and during its aftermath. When Bushrod is wounded in the Confederate charge, he is taken to a makeshift hospital where he comes under the care of Anna, who has already lost two potential romances to battle. Bushrod and Anna’s poignant attempt to forge a bond of common humanity in the midst of the pathos and horror of battle serves as a powerful reminder that the war that divided America will not vanish quietly into the page of history.

The Killer Angels

February, Friday 28

The Killer Angels by Michael Shaara (US 1974), American Civil War, Novel, 355 pages

The late Shaara’s Pulitzer Prize-winning novel (1974) concerns the battle of Gettysburg and was the basis for the 1993 film Gettysburg. The events immediately before and during the battle are seen through the eyes of Confederate Generals Lee, Longstreet, and Armistead and Federal General Buford, Colonel Joshua L. Chamberlain, and a host of others. The author’s ability to convey the thoughts of men in war as well as their confusion-the so-called “fog of battle”-is outstanding. This unabridged version is read clearly by award-winning actor George Hearn, who gives each character a different voice and effectively conveys their personalities; chapters and beginnings and ends of sides are announced. Music from the movie version adds to the drama. All this comes in a beautiful package with a battle map. Recommended for public libraries not owning previous editions from Recorded Books and Blackstone Audio (Audio Reviews, LJ 2/1/92 and LJ 2/1/93, respectively).

March

March, Monday 31

March by Geraldine Brooks (Australia 2005) American Civil War, Novel, 304 pages

Brooks’s luminous second novel, after 2001’s acclaimed Year of Wonders, imagines the Civil War experiences of Mr. March, the absent father in Louisa May Alcott’s Little Women. An idealistic Concord cleric, March becomes a Union chaplain and later finds himself assigned to be a teacher on a cotton plantation that employs freed slaves, or “contraband.” His narrative begins with cheerful letters home, but March gradually reveals to the reader what he does not to his family: the cruelty and racism of Northern and Southern soldiers, the violence and suffering he is powerless to prevent and his reunion with Grace, a beautiful, educated slave whom he met years earlier as a Connecticut peddler to the plantations. In between, we learn of March’s earlier life: his whirlwind courtship of quick-tempered Marmee, his friendship with Emerson and Thoreau and the surprising cause of his family’s genteel poverty. When a Confederate attack on the contraband farm lands March in a Washington hospital, sick with fever and guilt, the first-person narrative switches to Marmee, who describes a different version of the years past and an agonized reaction to the truth she uncovers about her husband’s life. Brooks, who based the character of March on Alcott’s transcendentalist father, Bronson, relies heavily on primary sources for both the Concord and wartime scenes; her characters speak with a convincing 19th-century formality, yet the narrative is always accessible. Through the shattered dreamer March, the passion and rage of Marmee and a host of achingly human minor characters, Brooks’s affecting, beautifully written novel drives home the intimate horrors and ironies of the Civil War and the difficulty of living honestly with the knowledge of human suffering.

Toby's Room

April, Monday 28

Toby’s Room by Pat Barker (UK 2013), WWI, Novel, 272 pages

Pat Barker returns to the First World War in Toby’s Room, a dark, compelling novel of human desire, wartime horror and the power of friendship.

When Toby is reported ‘Missing, Believed Killed’, another secret casts a lengthening shadow over Elinor’s world: how exactly did Toby die – and why? Elinor determines to uncover the truth. Only then can she finally close the door to Toby’s room. Moving from the Slade School of Art to Queen Mary’s Hospital, where surgery and art intersect in the rebuilding of the shattered faces of the wounded, Toby’s Room is a riveting drama of identity, damage, intimacy and loss. Toby’s Room is Pat Barker’s most powerful novel yet.

Private Peaceful

May, Friday 30

Private Peaceful by Michael Morpurgo (UK 2003)  WWI, Children’s Book, 192 pages

Heroism or cowardice? A stunning story of the First World War from a master storyteller.

Told in the voice of a young soldier, the story follows 24 hours in his life at the front during WW1, and captures his memories as he looks back over his life. Full of stunningly researched detail and engrossing atmosphere, the book leads to a dramatic and moving conclusion.

Both a love story and a deeply moving account of the horrors of the First World War, this book will reach everyone from 9 to 90.

Fear

June, Friday 27

FearLa Peur by Gabriel Chevallier (France 1930)  WWI, Classic, Novel, 320 pages

It is 1915. Jean Dartemont is just a young man. He is not a rebel, but neither is he awed by authority and when he’s called up and given only the most rudimentary training, he refuses to follow his platoon. Instead, he is sent to Artois, where he experiences the relentless death and violence of the trenches. His reprieve finally comes when he is wounded, evacuated and hospitalised.

The nurses consider it their duty to stimulate the soldiers’ fighting spirit, and so ask Jean what he did at the front.

His reply?

‘I was afraid.’

First published in France in 1930, Fear is both graphic and clear-eyed in its depiction of the terrible experiences of soldiers during the First World War.

The Lie

July, Monday 28

The Lie by Helen Dunmore (UK 2014) WWI, Novel, 304 pages

Set during and just after the First World War, The Lie is an enthralling, heart-wrenching novel of love, memory and devastating loss by one of the UK’s most acclaimed storytellers. Cornwall, 1920, early spring.

A young man stands on a headland, looking out to sea. He is back from the war, homeless and without family.

Behind him lie the mud, barbed-wire entanglements and terror of the trenches. Behind him is also the most intense relationship of his life.

Daniel has survived, but the horror and passion of the past seem more real than the quiet fields around him.

He is about to step into the unknown. But will he ever be able to escape the terrible, unforeseen consequences of a lie?

Undertones of War

August, Friday 29

Undertones of War by Edmund Blunden (UK 1928) WWI, Memoir, 288 pages

In what is one of the finest autobiographies to come out of the First World War, the distinguished poet Edmund Blunden records his experiences as an infantry subaltern in France and Flanders. Blunden took part in the disastrous battles of the Somme, Ypres and Passchendaele, describing the latter as ‘murder, not only to the troops, but to their singing faiths and hopes’. In his compassionate yet unsentimental prose, he tells of the heroism and despair found among the officers. Blunden’s poems show how he found hope in the natural landscape; the only thing that survives the terrible betrayal enacted in the Flanders fields.

My Dear I Wanted To Tell You

September, Monday 29

My Dear, I wanted to tell you by Louisa Young (UK 2011) WWI, Historical Fiction, 336 pages

A letter, two lovers, a terrible lie. In war, truth is only the first casualty. ‘Inspires the kind of devotion among its readers not seen since David Nicholls’ One Day’ The Times

While Riley Purefoy and Peter Locke fight for their country, their survival and their sanity in the trenches of Flanders, Nadine Waveney, Julia Locke and Rose Locke do what they can at home. Beautiful, obsessive Julia and gentle, eccentric Peter are married: each day Julia goes through rituals to prepare for her beloved husband’s return. Nadine and Riley, only eighteen when the war starts, and with problems of their own already, want above all to make promises – but how can they when the future is not in their hands? And Rose? Well, what did happen to the traditionally brought-up women who lost all hope of marriage, because all the young men were dead?

Moving between Ypres, London and Paris, My Dear I Wanted to Tell You is a deeply affecting, moving and brilliant novel of love and war, and how they affect those left behind as well as those who fight.

Phoenix and Ashes

October, Friday 31

Phoenix and Ashes by Mercedes Lackey (US 2004) WWI, Fantasy, 468 pages

In this dark and atmospheric rendition of the Cinderella fairy tale, an intelligent young Englishwoman is made into a virtual slave by her evil stepmother. Her only hope of rescue comes in the shape of a scarred World War I pilot of noble blood, whose own powers over the elements are about to be needed more than ever.

“A dark tale full of the pain and devastation of war…and a couple of wounded protagonists worth routing for.”

Flight Without End

November, Friday 28

Flight Witout End – Die Flucht ohne Ende by Joseph Roth (Austria 1927) WWI, Classic,  144 pages

Flight Without End, written in Paris, in 1927, is perhaps the most personal of Joseph Roth’s novels. Introduced by the author as the true account of his friend Franz Tunda it tells the story of a young ex-office of the Austro-Hungarian Army in the 1914- 1918 war, who makes his way back from captivity in Siberia and service with the Bolshevik army, only to find out that the old order, which has shaped him has crumbled and that there is no place for him in the new “European” culture that has taken its place. Everywhere – in his dealings with society, family, women – he finds himself an outsider, both attracted and repelled by the values of the old world, yet unable to accept the new ideologies.

Letters From a Lost Generation

December, Monday 29

Letters from a Lost Generation by Vera Brittain and Four Friends (UK) WWI, Letters, 448 pages

Nothing in the papers, not the most vivid and heart-rending descriptions, have made me realise war like your letters’ Vera Brittain to Roland Leighton, 17 April 1915.

This selection of letters, written between 1913 & 1918, between Vera Brittain and four young men – her fiance Roland Leighton, her brother Edward and their close friends Victor Richardson & Geoffrey Thurlow present a remarkable and profoundly moving portrait of five young people caught up in the cataclysm of total war.

Roland, ‘Monseigneur’, is the ‘leader’ & his letters most clearly trace the path leading from idealism to disillusionment. Edward, ‘ Immaculate of the Trenches’, was orderly & controlled, down even to his attire. Geoffrey, the ‘non-militarist at heart’ had not rushed to enlist but put aside his objections to the war for patriotism’s sake. Victor on the other hand, possessed a very sweet character and was known as ‘Father Confessor’. An important historical testimony telling a powerful story of idealism, disillusionment and personal tragedy.

I think the list is very different from the last years. The one or the other title like Mercedes Lackey’s book is a bit of gamble but I tried to make the list as diverse as possible.

I hope that many of you will join.

Literature and War Readalong February 27 2012: A Long Long Way by Sebastian Barry

In last year’s readalong we also read a WWI novel from the Irish perspective. It was one of my favourites and since I’m fond of Irish literature, I thought it would be great to add another one this year. I wanted to read Sebastian Barry’s novel A Long Long Way since Danielle (A Work in Progress) first mentioned it. WWI has a special meaning for the Irish. They were neutral during WWII, so, clearly, WWI has another importance. There were reasons why they remained neutral during the second World war which are tied to their own history. While some men, like the character Willie Dunne in this novel, fought for the Allies, other forces in the home country were about to erupt and would lead to the Easter Rising. WWI, the Irish War of Independence, followed by the Irish Civil War, cost the Irish too many lives for them to risk being dragged into WWII as well. I’m certainly simplifying but in a nutshell this was one of the reasons.

Some of what I just mentioned is the topic of Barry’s novel.

Here are the first sentences

He was born in the dying days.

It was the withering end of 1896. He was called William after the long-dead Orange King, because his father took an interest in such distant matters. On top of that, an old great-uncle, William Cullen, was yet living in Wicklow, across the mountains as they used to say, where his father himself had been reared.

I have read Sebastian Barry’s award-winning The Secret Scripture three years ago and I was one of a very few who didn’t like it. It had nothing to do with the writing as such which is great and one of the reasons why A Long Long Way was shortlisted for the Man Booker Prize in 2005. The reasons why I didn’t like it were timing and implausibility. I had just read The Vanishing Act of Esme Lennox before and the theme is the same, only I liked O’Farrell’s novel much better as it didn’t rely on implausible coincidences. Despite this unfortunate encounter I’m really looking forward to A Long Long Way and hope that some of you will join me.

Have you read Sebastian Barry?

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The discussion starts on Monday, 27 February 2012.

Further information on the Literature and War Readalong 2012, including all the book blurbs, can be found here.

Helen Dunmore: Zennor in Darkness (1993) Literature and War Readalong January 2012

Helen Dunmore’s first novel Zennor in Darkness is set on the Cornish coast in 1917. The sound of war can be heard from afar. The first young men return from France, some of them are missing limbs, others are shell-shocked like Claire Coyne’s cousin John William. Although the war is present on every page, in the suspicions of the people, the fear that all the boys will be drafted, the noise the wind blows over from France, the scarcity of money and food, this is a novel of dreamlike beauty. Dunmore conveys the soft light of the Cornish coast, the beauty of the lovely landscape, the slow pace of life. This softness is mirrored in the way she changes the point of views, blurring the edges, softening the transitions, so that it feels as if one person’s consciousness and interior monologue, was flowing gently into that of another character. Reading it made me dreamy and I felt as if I was watching a water-color come to life. I read this book very slowly. I could have finished it in a few evenings but I put it aside frequently to make it last.

Zennor in Darkness interweaves the fictional story of Claire Coyne, and her cousin John William with the story of D.H.Lawrence and his wife. Claire lives alone with her father. Her mother who died while she was still very little was from Cornwall, while her father is an outsider, just like Lawrence. He comes from a rich Londoner family and was always seen as an intruder. Claire’s maternal grandparents, her aunts, uncles and cousins live close by. The children are a tight-knit community since they were little kids. They are so close that, although it seems logical for us, nobody suspects Claire and John William to be lovers.

The war has taken its toll, hundreds of thousands are dead and a lack in officers makes it possible for someone like John William who isn’t noble, to become an officer. He returns from France for a brief visit before he will join a training camp where he will stay a few months before being sent back to France.

Before his return Claire has befriended D.H. Lawrence. She is fascinated by him and even more so by his attractive German wife, Frieda. Not everyone is happy about their stay in Zennor. Germans are suspected to be spies and people would like to see them gone. Lawrence and his wife are happy in Cornwall. Their dream of a community of like-minded people has been shattered after Katherine Mansfield and her husband have left but still they love Cornwall and their simple life. Lawrence works in the garden, befriends the villagers. It’s not as easy for Frieda but she likes it as well. To the Lawrences Cornwall means more than just a place to stay, it is a refuge, a shelter and to watch their dream being crushed is painful.

Lawrence discovers that Claire is talented at drawing and encourages her to pursue a career. She introduces him to John William and Lawrence feels, more so than Claire, that John William hides something. One evening, when the two men walk alone in the balmy Cornish night, John William lets himself go in front of Lawrence, unable to hide the signs of shell-shock any longer.

Zennor in Darkness is a very beautiful novel and if anything it made me want to read more of Helen Dunmore. And it also made me want to return to D.H. Lawrence whose books I have abandoned for too long. I’ve always liked D.H.Lawrence, his novels, short stories, essays and letters and found that she captured him and his relationship with his wife very well. Frieda was a von Richthofen. A cousin of the famous Red Baron. Abandoning her marriage, her children and her privileges must have cost her a lot. I was always fascinated by this free spirit. The end of the book moved me. I knew the part related to the Lawrences, still it made me angry, while the fictitious story of Claire and John Williams made me sad.

What I found astonishing is the combination of beauty and horror. The descriptions of the Cornish coast, its air, light, flora and fauna alternate with passages like this one.

In Flanders the struggle for the Passchendaele Ridge continues. The poppy-blowing fields are ploughed by German and English guns, and sown with a litter of lost equipment, a seeding of blood and bone. Soon it will be autumn there too, and heavy northern rains will fall. Men will be listed missing, presumed drowned – a new classification for the lists in the newspaper. They are presumed drowned in the mud in which they live and often die. The men who came ‘right away to Blighty’ with John William will return to Flanders with their new commissions soon. Their training lasts only three months, and then they are wanted back at the Front. Hammond will die on a mission described to him by a senior officer as ‘rather a tricky bit of patrol-work’. His body will not be found. Simcox, a dozen feet to the left of him, will survive.

Ultimately however Zennor in Darkness is a novel about the difficulty to know another person. Either because you see them as strangers, or because they are too close for you and you lose all perspective. Like in real life, in many instances a stranger understands another character better than his own family, while at the same time, the community projects fear on the outsider.

In any case this was an excellent start to the Literature and War Readalong 2012.

Other reviews

Danielle (A Work in Progress)

Lizzy (Lizzy’s Literary Life)

Sarah (A Rat in the Book Pile)

Zennor in Darkness is also my first contribution to the War Through the Generations Challenge hosted by Anna and Serena.

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Zennor in Darkness was the first book in the Literature and War Readalong 2012. The next one will be Sebastian Barry’s A Long Long Way. Discussion starts on Monday February 27, 2012.

Literature and War Readalong January 30 2012: Zennor in Darkness by Helen Dunmore

Two or three years ago I read Helen Dunmore’s The Siege a painfully realistic and harrowing account on the siege of Leningrad. This was such a stunning novel, one of the best WWII novels I have ever read, accurate, moving, descriptive and captivating despite the bleak topic. When I discovered that she had written a novel on WWI, Zennor in Darkness, I didn’t hesitate and put it on this year’s readalong list right away. Helen Dunmore hasn’t only written novels, but short stories, children’s books and poetry as well. I think her wonderful prose shows that.

The story is set in a Cornish coastal village in 1917 and combines fact with fiction. D.H. Lawrence and his wife have indeed stayed there but the story is invented. The core theme seems similar to Return of the Soldier and deals with shell shock. But it is also a story of artists and writers. I have a weakness for books about artists and love Cornwall as a setting.

Here are the first sentences

One faint shriek. Then another. Three girls fling themselves over the top of the last dune and skid down warm flanks of sand. Marram grass slashes their ankles and sand kicks up behind Clare and Peggy, into Hannah’s eyes. She is the heaviest and the last.

Have you read Helen Dunmore?

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The discussion starts on Monday, 30 January 2012.

Further information on the Literature and War Readalong 2012, including all the book blurbs, can be found here.

Literature and War Readalong 2012

People have been announcing their challenges and events for 2012 for a while now so it was about time to let you see the list for next year’s Literature and War Readalong.

It was not easy to compile this list as the books needed to fulfill different criteria one of which was length. I didn’t want to include too many books over 300 pages. The only novel over 500 pages will make up for its length by being very readable.

The other criterion was the country. Like last year, I wanted to include books from as many different countries as possible. I know it looks as if there were more British books than anything else which is true, still I managed to include books from 8 different countries.

I will also join Anna and Serena for the War Through the Generations Challenge that is dedicated to WWI this year. My introductory post is due later this week. The first three novels in the readalong will also count for their challenge.

I have been asked whether it is possible to join but read something different. Since strictly speaking a readalong implies that people read and discuss the same book, it’s difficult but as I’m starting a Literature and War Project I thought of a good solution that will serve anyone who wants to join –  myself as well as I may be in the mood to read more than one novel focusing on war. The idea would be that anyone can join during the last week of the month and either participate in the readalong or review any other war themed book that will then be added to the project page. The objective of the page is to cover many different countries, wars, themes and even genres. For the War Through the Generations Challenge I will for example read a children’s book and maybe a crime novel set in the trenches. Next year I would also like to read a Sci-Fi novel like Joe Haldeman’s The Forever War that has been suggested by Max from Pechorin’s Journal. And finally I would like to read more non-fiction.

This year’s readalong will not always take place on Fridays but alternate between Monday and Friday depending on whether the Friday is during the last week of the month or not.

January, Monday  30

Helen Dunmore Zennor in Darkness , 320 p., England (1993), WWI

Spring, 1917 and war haunts the Cornish coastal village of Zennor: ships are being sunk by U-boats, strangers are treated with suspicion, and newspapers are full of spy-fever. Into this turmoil come DH Lawrence and his German wife Frieda, hoping to escape the war-fever that grips London. They befriend Clare Coyne, a young artist, struggling to console her beloved cousin John William who is on leave from the trenches and suffering from shell shock. Yet the dark tide of gossip and innuendo means that Zennor is neither a place of recovery nor of escape …

February, Monday 27

Sebastian Barry: A Long Long Way , 295 p.,  Ireland (2005), WWI

I discovered the book thanks to a comment from Danielle (A Work in Progress)

One of the most vivid and realised characters of recent fiction, Willie Dunne is the innocent hero of Sebastian Barry’s highly acclaimed novel. Leaving Dublin to fight for the Allied cause as a member of the Royal Dublin Fusiliers, he finds himself caught between the war playing out on foreign fields and that festering at home, waiting to erupt with the Easter Rising. Profoundly moving, intimate and epic, A Long Long Waycharts and evokes a terrible coming of age, one too often written out of history.

March, Friday 30

Jean Giono:  Le grand troupeauTo the Slaughterhouse 224 p., France (1931), WWI

Conscription reaches into the hills as the First World War come to a small Provençal community one blazing August. Giono’s fiercly realistic novel contrasts the wholesale destruction of men, land and animals at the front with the moral disintegration of the lonely and anxious people left behind. Yet not all is despair. The novel ends with a message  of hope.

April, Monday 30

Helen Humphreys: Coventry,172 p., England (2008), WWII

Another book discovered thanks to Danielle (here)

On the night of the most devastating German raid on Coventry, two women traverse the city and transform their hearts. Harriet, widowed during WWI, is “”firewatching”” on the cathedral roof when first the factories and then the church itself are set ablaze. In the ensuing chaos she helps a young man, who reminds her of the husband she has lost, find his way back home where he left his mother.

May, Monday 28th

Nigel Balchin: Darkness Falls From The Air, 208 p., England (1942), WWII

I owe the discovery of Balchin to Guy (His Futile Preoccupations) who reviewed two of his books here and  here.

With ostentatious lack of concern, Bill Sarratt, his wife and her lover spend the war wining and dining expensively, occasionally sauntering out into the Blitz with cheerful remarks about the shattered night-life of London’s West End. But beneath the false insouciance lies the real strain of a war that has firmly wrapped them all in its embrace. Wit may crackle at the same pace as buildings burn, but personal tragedy lurks appallingly close at hand.

June, Friday 29

Len Deighton:  Bomber, 532 p., England (1970), WWII

This book is a suggestion from Kevin (The War Movie Buff). It is by far the longest on the list but it should be a very quick read.

The classic novel of the Second World War that relates in devastating detail the 24-hour story of an allied bombing raid.

Bomber is a novel war. There are no victors, no vanquished. There are simply those who remain alive, and those who die.Bomber follows the progress of an Allied air raid through a period of twenty-four hours in the summer of 1943. It portrays all the participants in a terrifying drama, both in the air and on the ground, in Britain and in Germany.In its documentary style, it is unique. In its emotional power it is overwhelming.Len Deighton has been equally acclaimed as a novelist and as an historian. In Bomber he has combined both talents to produce a masterpiece.


July, Monday 30

Masuji Ibuse: Black Rain – Kuroi Ame, 304 p., Japan (1969), WWII

I saw the book mentioned on Rise’s blog (in lieu of a field guide) where is was mentioned by Gary (The Parrish Lantern)

Black Rain is centered around the story of a young woman who was caught in the radioactive “black rain” that fell after the bombing of Hiroshima. lbuse bases his tale on real-life diaries and interviews with victims of the holocaust; the result is a book that is free from sentimentality yet manages to reveal the magnitude of the human suffering caused by the atom bomb. The life of Yasuko, on whom the black rain fell, is changed forever by periodic bouts of radiation sickness and the suspicion that her future children, too, may be affected.

lbuse tempers the horror of his subject with the gentle humor for which he is famous. His sensitivity to the complex web of emotions in a traditional community torn asunder by this historical event has made Black Rain one of the most acclaimed treatments of the Hiroshima story.


August, Friday 31

Aaron Applefeld: The Story of a Life – Sippur chajim, 208 p., Israel (1999), WWII

Aharon Appelfeld was the child of middle-class Jewish parents living in Romania at the outbreak of World War II. He witnessed the murder of his mother, lost his father, endured the ghetto and a two-month forced march to a camp, before he escaped. Living off the land in the forests of Ukraine for two years before making the long journey south to Italy and eventually Israel and freedom, Appelfeld finally found a home in which he could make a life for himself. Acclaimed writer Appelfeld’s extraordinary and painful memoir of his childhood and youth is a compelling account of a boy coming of age in a hostile world.


September, Friday 28

Richard Bausch: Peace, 171 p., US (2008), WWII

This was a suggestion from Sandra Rouse in a comment on one of this year’s readalong posts. 

It’s Italy, near Cassino. The terrible winter of 1944. A dismal icy rain falls, unabated, for days. Three American soldiers set out on the gruelling ascent of a perilous Italian mountainside in the murky closing days of the Second World War. Haunted by their sergeant’s cold-blooded murder of a young girl, and with only an old man of uncertain loyalties as their guide, they truge on in a state of barely suppressed terror and confusion. With snipers lying in wait for them, the men are confronted by agonizing moral choices…Taut and propulsive – Peace is a feat of economy, compression, and imagination, a tough and unmistakably contemporary meditation on the corrosiveness of violence, the human cost of war, and the redemptive power of mercy.

October, Monday 29

Maria Angels Anglada The Auschwitz Violin – El violí d’Auschwitz, 128 p., Spain (1994), WWII

In the winter of 1991, at a concert in Krakow, an older woman with a marvelously pitched violin meets a fellow musician who is instantly captivated by her instrument. When he asks her how she obtained it, she reveals the remarkable story behind its origin.

Written with lyrical simplicity and haunting beauty—and interspersed with chilling, actual Nazi documentation—The Auschwitz Violin is more than just a novel: It is a testament to the strength of the human spirit and the power of beauty, art, and hope to triumph over the darkest adversity.


November, Friday 30

Gert Ledig The Stalin Front  –  Die Stalinorgel , 198 p., Germany (1955), WWII

1942, at the Eastern Front. Soldiers crouch in horrible holes in the ground, mingling with corpses. Tunneled beneath a radio mast, German soldiers await the order to blow themselves up. Russian tanks, struggling to break through enemy lines, bog down in a swamp, while a German runner, bearing messages from headquarters to the front, scrambles desperately from shelter to shelter as he tries to avoid getting caught in the action. Through it all, Russian artillery—the crude but devastatingly effective multiple rocket launcher known to the Germans as the Stalin Organ and to the Russians as Katyusha—rains death upon the struggling troops.

December, Friday 28

Michael Herr: Dispatches, 262 p., US (1977) Vietnam

This novel has been suggested by at least three people. Kevin (The War Movie Buff) and Max (Pechorin’s Journal)

If you’ve seen the movies Apocalypse Now and Platoon, in whose scripts Michael Herr had a hand, you have a pretty good idea of Herr’s take on Vietnam: a hallucinatory mess, the confluence of John Wayne and LSD.Dispatches reports remarkable front-line encounters with an acid-dazed infantryman who can’t wait to get back into the field and add Viet Cong kills to his long list (“I just can’t hack it back in the World”, he says); with a helicopter door gunner who fires indiscriminately into crowds of civilians; with daredevil photojournalist Sean Flynn, son of Errol, who disappeared somewhere inside Cambodia. Although Herr has admitted that parts of his book are fictional, this is meaty, essential reading for anyone who wants to understand Vietnam.

I hope that many of you will feel tempted by the one or the other title on the list and am looking forward to great discussions. The books are all very different in tone, style and themes. As always there are a some I can hardly wait to read.

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How does the readalong work?

This is just a quick info for those who are new to blogging and /or the readalong.

I will review the book on a set date during the last week of the month. If you choose to read along you can either participate in the discussion in the comments page or post a review on your blog. I will add all the links to the reviews at the bottom of my posts.

The books are usually announced with some additional information or a short introduction at the beginning of the month.

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This post will be copied into the Literature and War Redalong 2012 page so you can find it again at any time.