Friend Request by Laura Marshall (2017)

Would you believe it – there’s finally a psychological crime novel whose premise is so original that it isn’t constantly compared to Girl on a Train/Gone Girl  . . . The book in question is Laura Marshall’s début Friend Request. I’d been aware of the novel since last year when it was shortlisted for the Lucy Cavendish Fiction Prize 2016, and was runner-up in the Bath Novel Award 2016. The premise sounded so great, I knew had to read it as soon as it was out, even though I’m a bit tired of psychological crime with a major twist. I’m certainly glad that didn’t keep me from reading it because I thoroughly enjoyed Friend Request. The premise, which you see summarized on the cover, is pretty simple but arresting—Louise gets a friend request on Facebook, from a former classmate, Maria. But Maria has been dead for over twenty years. Or hasn’t she? Fact is, nobody really knows. All they know is that she disappeared at the end of the leavers party and was never seen again.

Louise is shaken by this request. Not only because Maria is said to be dead but because Louise has done something very bad, something that seems to be linked to Maria.

As the novel unfolds, more requests are sent and Louise even feels that she’s followed. We learn who Louise is and who Louise used to be and why she’s so guilt-ridden. In 2016, Louise is a self-employed interior designer. She’s divorced from her highschool crush, Sam, and has a little boy of four. Back in 1989 Louise was an insecure schoolgirl who desperately wanted to be friends with the cool kids. So much in fact, that she wouldn’t shy away from letting others down or even betray them.

After Maria receives the friend request, she receives an invitation to a school reunion. Scared and intrigued, she contacts a former friend, who was the center of the group of cool kids, Sophie. She too has received a friend request and an invitation to the reunion. I’m not going to say much more or the book would be spoilt.

Friend Request is told in chapters that alternate between 2016 and 1989. A lot of the suspense comes from the first person narrator’s withholding information. That’s a narrative device I’m not too keen on and it annoyed me here as well. It just feels a bit artificial and not always believable psychologically. That said, the novel still works and feels realistic. Anyone who has gone to school was either part of the cool crowd, despised by them or just a neutral bystander/observer. In any case, we’ve all experienced or witnessed similar things – bullying, shunning, shaming -, so this was very relatable. Louise is a likeable, interesting character and to some degree I could understand, why she kept what she did a secret.

The final twist was surprising but not far-fetched. It really worked for me. Yes, I would have wished that the writing had been a bit less manipulative, but overall it was gripping and so entertaining that I was sad when it was finished.

Laura Marshall’s certainly an author to watch and while her début has a few flaws, it also has a killer premise, a lot of suspense and a very satisfying ending. That’s more than one can say about most contemporary psychological thrillers.

The Nameless Day – Der namenlose Tag by Friedrich Ani (2015) Jakob Franck Series I

Last May I read my first Friedrich Ani and was extremely impressed (here’s the review). I knew I would read another one of his novels before long. This time I chose the first in the Jakob Franck series, The Nameless DayDer namenlose Tag. The novel was published in Germany in 2015. The English translation will be published by Seagull Books next month. This is Ani’s fourth series. He also writes standalone novels.

Jakob Franck has been retired for two months. He’s lonely and can’t shake off the dead. They haunt and visit him. When he was still working, Franck used to be the bringer of bad news. Most other police men hated nothing more than telling people that a loved one had died in an accident or been murdered. Ani never thought about it. He did it and he was good at it. He knew how to calm people, knew how to say the right words or was just there for them without saying much. In one case, the suicide of a seventeen-year-old girl, he even held the dead girl’s mother for over seven hours without speaking.

Holding the relative of a dead person for seven hours was unusual, even for Jakob Franck, and so, even twenty years later, he has never forgotten the death of Esther Winther. Still, he’s surprised when the father of the dead girl contacts him. Esther had been found hanging from the branches of a tree. Why the secretive teenager had killed herself had never been found out. There were many rumours. Rumours of an affair with an older man, rumours of abuse, rumours of depression. The father never believed it was a suicide. He always suspected foul play. The mother, the woman Franck had held, killed herself exactly one year later.

Winther knows that Franck wasn’t the investigator at the time and he also knows that he isn’t working anymore, but because he knows that he’s a compassionate man, he hopes he’ll help him find out the truth, track down the murderer.

Franck embarks on a journey of darkness and loneliness. He goes through case files, interviews people, friends and relatives, travels from Munich to Berlin and finally applies his own special method of “Gedankenfühligleit” – which can best be described as some sort of sixth sense analysis. What he uncovers is a web of dark secrets and many lonely people who would do anything for attention and possibly love. Many of the people he meets remind Franck of his own loneliness and trigger profound feelings of empathy and compassion. The ending is surprising.

I liked this novel very much. Ani is the kind of writer even people who don’t normally read crime novels appreciate. His writing and his characters are unusual. He always tries to say things in a fresh, original way. Occasionally that goes wrong. There are a few wonky metaphors and expressions that were a bit odd, but at least the writing’s never tired, always fresh.

While I liked this book, I still found it could have benefitted from a few cuts and more editing. There are some repetitions. And while I love ghost stories, I didn’t feel like it was necessary or brought anything to the story that Franck talks to ghosts of dead people and sees them in his living room. There are only a few instances of those and they are meant to underline how emotional and empathic he is, nonetheless, the book would have been stronger without these element.

The biggest strength of the novel is the exploration of its main theme. There is more than one suicide or suspected suicide in this book, and so it’s fair to say, that suicide is the main theme of the novel. The book shows how devastating it is to lose someone this way, how hard it is to move on, especially when the reasons aren’t clear. And also how cruel it is when someone goes without forewarning. Ani describes both sides well— the side of the person who finally sees no other way and the side of those left behind.

If you like literary crime that uses innovative language, crime that explores the darker aspects of the human condition – suicide, loneliness, guilt, family secrets, resentment, hate -,  crime that’s very character-driven, then you’ll like Ani’s book.

Raven Black by Ann Cleeves (2006) The Shetland Series 1

Raven Black is the first in Ann Cleeves Shetland Series. It has been on my piles for ages and when the first cooler days arrived – they are already gone again, temperatures are back to 20° – 25° C – I felt like reading it finally. I always meant to read Ann Cleeves as I had heard good things about her. While I wasn’t blown away, I still enjoyed it very much and can see why people praise her.

On a morning walk, back from school, where she dropped off her daughter, Fran Hunter discovers a dead girl in the snow. Fran has moved to Shetland because her ex-husband lives here and she wanted to give her small daughter the opportunity so see him more often. She doesn’t really fit in, and if it wasn’t for Cassie, she’d rather live in London. Cassie has adjusted better but she has some difficulties with her teacher who doesn’t like that she’s so self-assured. The teacher’s daughter, Sally, is the opposite—shy and submissive. At least until Catherine Ross arrives in Shetland. The two girl become unlikely friends. Catherine is confident and rather rebellious. And now she’s dead. Someone murdered her.

Years ago, a young girl disappeared. Her body was never found but the community suspected that the loner Magnus Tait had something to do with her disappearance. He was never convicted, but with Catherine’s murder, the old suspicions reawaken.

The two detectives in charge of the case, local Perez and Taylor from Yorkshire, aren’t convinced of Magnus’ guilt. At least not in the beginning.

Raven Black is suspenseful but the suspense wasn’t the book’s chief appeal. I really liked the characterisations and the sense of place. Ann Cleeves takes a lot of time to introduce us to her characters. Most chapters are written from a different perspective. That could have taken away a lot from the suspense but it didn’t. We got to know the characters well, but most of them still stayed suspicious.

Perez was by far one of my favourite characters. He’s become a bit of loner after his divorce, possibly always was, since his family, as the name indicates, isn’t from Shetland originally. He used to be Fran’s ex-husband’s best friend but nowadays, they don’t really see eye to eye.

As I said, this was my first Ann Cleeves novel. I wouldn’t mind reading her again. I liked the care with which she described her characters, the plotting is well done, and the writing is assured. The reader senses immediately that this is an experienced writer.

I could also imagine, that this series gets better because the main character, Perez, is interesting and likable and he’s left at a point in his life where a lot of changes could be expected.

The Shetland Series has been made into a BBC 1 TV series. It’s available on YouTube.

Have you read Ann Cleeves? Which books would you recommend?

 

 

Flynn Berry: Under the Harrow (2016)

I’m so glad I came across Under the Harrow on Danielle’s site here. I knew right away I would love it and I was right. Flynn Berry received the Edgar Award for her début and she certainly deserved that. It’s one of the most convincing and surprising psychological thrillers I’ve read in a long time. Think “Gone Girl” or “Girl on a Train” but much, much better and tighter, in spare, convincing prose, and with a literary quality.

At the beginning of the book, Nora’s on a train from London to the English countryside where her sister Rachel lives and works as a nurse. Rachel doesn’t pick her up at the train station, which isn’t too strange because she’s very busy, but when Nora approaches the house she senses something isn’t right. And then she finds Rachel’s dog brutally murdered and her sister savagely killed.

We ate dinner together every night in Cornwall and had an endless number of things to say. She was my favourite person to talk with, because what caught her attention caught mine too.

The police investigate and soon Nora finds out she might not have known her sister as well as she thought. Because she’s not happy with the investigation and thinks she knows who did it, she starts to investigate on her own. Her emotions complicate things considerably. Her grief is so raw, so palpable, and very complex. Nora misses Rachel so much and often forgets that she’s dead. It’s absolutely harrowing.

She had so much left to do. It isn’t that she had something grand in mind, at least not that I know of. It is worse than that, she has been taken away from everything, she lost everything. She likes red lipstick, and will never again stand in the aisle at a chemist’s, testing the shades on the back of her hand. She likes films, and will miss all the ones coming out at the holidays that she planned to see. She likes pan con tomate, and will never again come home from work and mash tomatoes and garlic and olive oil, and rub it onto grilled bread, and eat it standing in her kitchen.

The reader finds out that there was a dark element in their relationship and begins to wonder whether what Nora’s saying is really true. So does the police.

And then there’s an incident from Rachel’s past that casts a shadow over everything. As a teenager she was brutally attacked and ever since then had tried to track down the man who did it and was never found by the police.

All these different plotlines come together in the end. The ending is one of the best I’ve come across in a long time. It’s a huge twist but it’s entirely plausible.

Flynn Berry is very good at creating great characters. Both Rachel and Nora feel very real. Full of contradictions, a mix of darkness and light. The secondary characters are equally convincing.

Under the Harrow is atmospheric and suspenseful but it’s much more than a simple page turner. It explores the often complex relationship between sisters, devastating grief, and the way the past can haunt us.

I know I’m raising the expectations of future readers but I have to say it— This book is stellar.

Nicci French: Saturday Requiem (2016) Frieda Klein Series 6

Those who follow this blog know how much I like the books of writer duo Nicci French. Their standalone novels and their Frieda Klein series.

I still think that the first two in the Frieda Klein series are the best but I did enjoy some of the others, even though Frieda’s life often took up much more space than the mystery itself. Not so in this book. From a mystery point of view, Saturday Requiem is one of the best in the series. Sadly, I liked it less than the others before because Frieda’s turned into a bit of a cypher. Her life took up minimal space. There was zero development on the personal front. That was a bit disappointing. In the last two books, the personal life was almost too much in the center and here, we got only glimpses.

The book starts when Frieda’s asked to visit Hannah, a patient in a psychiatric ward. The woman has been there for 13 years, ever since she was found guilty of savagely killing her whole family. The detective who had been working on the case back then, is under investigation and it’s possible that he made mistakes with this case. That’s why Frieda’s asked to try and talk to Hannah and tie up loose ends.

When Frieda visits Hannah, she shows every sign of being mad, but Frieda doesn’t think that she was always like this. It rather looks as if being charged with the murder and sent to a psychiatric hospital for life, may have caused her “madness”. Clearly, Hannah spends a lot of time in solitary confinement. Since the police do not want to reopen the case, Frieda, who doesn’t think Hannah is guilty, begins to investigate on her own.

Like in the other books of the series, there’s the shadow of the perpetrator from the first book looming in the shadows. Possibly he even enters Frieda’s house.

Overall, the book is suspenseful. Not unputdownable, but very readable.

It’s pretty obvious, the series is coming to an end, not only because it’s logical, given the titles of the books, but because this one ends with a major cliffhanger, something none of the other books in the series do. Nicci French is definitely gearing up for the finale.

If it wasn’t for this cliffhanger and the overarching story, I might not have picked up the next one. There are just too many great crime series out there that I still want to read. But then again, I want to see how it all ends and so I’ve already got Sunday Morning Coming Down waiting on my piles.

Here are the other reviews of the series

Blue Monday

Tuesday’s Gone

Waiting for Wednesday

Thursday’s Child

Friday on My Mind

Frédéric Dard: C’est toi le venin (You’re the Poison) (1957)

I have no idea why I haven’t read any Frédéric Dard novels so far. Possibly, because in France his standalone novels are a bit overshadowed by his San-Antonio series, which never tempted me. Or because he was so prolific that I had no clue where to start. He wrote at least 280 novels, twenty plays, and sixteen adaptations for the cinema. There was one novel, however, I always meant to read because it has been made into a movie (Toi, le venin – Night is Not For Sleep aka Blonde in a White Car), of which my dad was very fond. He even had a single of the film music. That’s why I chose this book over all the many others that sounded just as good and also over all those already translated into English.

Ces’t toi le venin, which I would translate as “You’re the poison” tells the story of Victor Menda. Victor Menda, a young man of twenty-eight years, is down on his luck. He has no job, no money, no relatives, no friends and serious dept at the casino. The story’s set on the Côte d’Azur and at the beginning we see Menda walk along the sea, contemplating suicide. He eventually decides against this drastic measure and takes a walk along the water. Suddenly a car stops. A woman’s at the steering wheel and demands that he join her. Menda does as he’s told. He’s intrigued and wants to see the woman’s face but a scarf hides it. She finally stops again and wants to have sex with him. Although he finds this openly demanding behaviour a tad intimidating and even revolting, he still accepts. When she finally boots him out again, there’s nothing else he can do but write down her number plate.

Don’t worry, I haven’t given away too much of the plot, as what I just summarized doesn’t take up more than a few pages. The story as such begins when Menda finds the owner of the car. The car belongs to Hélène, the older of two very beautiful and rich sisters who own a huge villa near Nice. The younger sister, Ève, sits in a wheelchair since the age of thirteen. The young girl develops a massive crush on Menda and so the older one begs him to stay with them. Unfortunately, Menda falls in love with the older one.

It soon becomes obvious that things are not as they should. There’s someone using the car at night but it doesn’t seem to be Hélène. Other strange things happen, which alert Menda.

The atmosphere and the mood in the novel get darker and darker. At first Menda thinks, he’s struck gold, but soon he can’t shake off the feeling of being trapped and used. Someone is playing cat and mouse with the people living at the villa. Is it one of them or someone from outside?

I absolutely loved this novel. Some of it is predictable but there are still enough surprising twists and the end is chilling.

Like Simenon, Dard relies heavily on dialogue. There are just a few descriptions here and there to create a mood and atmosphere. That’s why reading the book feels a lot like watching a movie. It has immediacy and a pretty brisk pace.

I’m a sucker for books set on the Côte d’Azur, but even if Dard had chosen another setting, I would have enjoyed this book a lot.

I hope to watch the movie soon, until then, I’ll listen to the score. It’s captures the mood of the novel perfectly.

While C’est toi le venin hasn’t been translated yet, some of Dard’s other novels have been published by Pushkin Press in their Vertigo series.

 

 

On Friedrich Ani’s Naked Man, Burning – Nackter Mann, der brennt (2016) German Crime at its Best

I discovered Friedrich Ani on the list for the German Book Prize. Several years, until 2016, he occupied the second place. Last year, finally, he won the prize with his novel Der namenlose Tag – The Nameless Day. If I’m not completely mistaken, that will be his first English translation. It’s due out in December.

I’m surprised he hasn’t been translated earlier as he’s published so much. If Nackter Mann, der brennt Naked Man, Burning – is anything to go by, this was a huge omission. He’s fabulous. This novel reminded me a lot of Pascal Garnier’s novels, only I’d say, Ani’s better; his writing is more original. The way he plays with words, uses quotes from songs or films, his interesting sentence structures and the way he combines words is unique.

Naked Man, Burning is a dark tale, a real noir. Coelestin fled his home village at the age of fourteen. Forty years later, under a fake name and looking nothing like he used to, he returns. The book opens with Ludwig getting ready for a funeral. This is how the novel begins (my translation)

Praised be Jesus Christ, I thought, crossed myself and opened the door to the storeroom, where my guest was hatching his fear. He stared at me and I closed the door again. This was going to be a day to my liking.

Soon the reader understands that Ludwig doesn’t only hold someone captive but that he might have had something to do with the death of the person being buried.

Why did Ludwig disappear? Why did he change his name and looks? And why is he threatening older men? The reader knows very quickly that they are responsible for a  lot of ugly things that happened a long time ago. Bit by bit we learn what that was and then we watch, with uneasy fascination, how Ludwig illustrates the old saying – revenge is a dish best served cold.

I hope this book will be translated. It’s chilling, original, dark, and has a pretty unexpected ending. And the strong voice and language are so amusing, eloquent, and fresh. I can assure you, there aren’t many crime writers like Ani.

I picked this book because the premise appealed to me and because it’s a standalone. Most of his other novels are part of  a series.