Best Books I Read in 2020

Evening at home
       Edward John Poynter (UK, 1836-1919)

I think I’ve been saying this for three years in a row now, but I have to say it again – this wasn’t a great reading year. Looking over the list of books I read, most would say I didn’t pick many duds but unfortunately, I still didn’t like them. Of the books I’ve read, I found 60% disappointing and underwhelming, a few even quite bad. That’s possibly why I reviewed so little. I just didn’t want to write one negative review after the other, although some books would deserve it and I may still do it (“Queenie” I’m looking at you). Once you stop reviewing, it gets hard to get back into it again and so, sadly, I also didn’t review some of those I liked a great deal.

Leaving all the books that annoyed me aside, I was still left with something like thirty that I enjoyed, seventeen of which I loved. So maybe that’s enough? None of them made it onto the “all-time favourites” list though. That’s always a bit disappointing.

Best literary fiction

  

Cormac McCarthy – The Road – I read this early last year. Before the pandemic. I liked it more than I thought I would. Liked the style, the mood, atmosphere. I did, however, hate that it was so anthropocentric. The loss of animals isn’t mentioned or mourned. I can’t say that I found the thought that humans survive while all the other animals are gone uplifting or hopeful.

Richard Russo – That Old Cape Magic – One of the books that surprised me the most. I expected something more lyrical, which it wasn’t but instead it was witty, funny, and just brilliant.

From my review:

When I started this book, I expected something different. Something more lyrical, more atmospheric. But that’s not the way Russo writes. There’s a subtlety here but its more psychological, sarcastic, and humorous. I think it says a lot about a book when someone like me, who prefers lyrical, atmospheric books, ended up enjoying this as much as I did. It’s not only funny but says so much about family dynamics, marriage, broken dreams, family rituals, coming to terms with the past, and also the bond between parents and children and between spouses.

Angela Carter – Love – I loved this. One of the best Angela Carter books I’ve ever read, and I haven’t read anything bad by her so far.

From my review:

Opening an Angela Carter novel is like entering an opulent, sumptuously decorated room. It’s lush, it’s whimsical, it’s anything but minimalist. Love is no exception; it might even be one of the lusher ones I’ve read. Heroes & Villains has always been my favourite because of the imagery. Love has similar elements. The landscape, the apartment, the people, they are a bit wild, a bit mad, and reflect Angela Carter’s very distinct aesthetic. The book also reminded me of one of Le Douanier Rousseau’s paintings. He used to be my favourite painter as a child.

Molly Keane – Time After Time – My second Molly Keane. A delightful story about an eccentric and very dysfunctional family who lives in an old house that has seen much better days.

From my review:

In her foreword Emma Donoghue compares Molly Keane to Jane Austen and Charles Dickens. The book combines, as she says, social comedy, grotesque descriptions and plot twists. I’m not so fond of comparisons like that, but I agree, Time After Time, has all these elements, combined with a terrific writing style, that’s very much her own. For some people these characters might be a bit over the top, but I liked them very much. They are eccentric and mean, but tragic in their own way. And, most importantly, never dull.

Elizabeth Taylor – The Soul of Kindness – While this isn’t one of my favourite Elizabeth Taylor’s novels, as it focuses on too many people, it’s still in many ways a typical Taylor and therefore had to be on this list.

From my review:

There’s a lot to enjoy in this novel but I don’t think it’s as good as others. I believe it doesn’t succeed at being the portrait of one central character like Angel for example, but that’s how the beginning reads. All the initial chapters place Flora at the centre but this cohesion eventually fizzles out. As if Elizabeth Taylor had realized too late that Flora wasn’t a big enough character to carry a whole story. I could be totally wrong, of course, as critics have called this one of her, if not her best book.

Best classics

Hermann Hesse – Knulp – Three short stories about the life of the vagabond Knulp. They tell his story chronologically and from different points of view. I absolutely loved this and would urge anyone to read it, especially if you like Hesse anyway. For others, it’s a nice introduction to his writing.

Henry James – Daisy Miller – Daisy Miller is one of many of Henry James’ tragic heroines. It’s cruel to watch how she moves towards her undoing.

From my review:

The society James describes in this novella, is very cruel. They have their rules and if you don’t play by them you get shunned or ostracized. No matter how rich you are.

Daisy Miller is highly readable and very accessible. Even though the end is tragic, it’s neither sombre nor depressing as so many of James’ other books.

Gustave Flaubert – Un Coeur Simple – This impressed me because Flaubert manages to capture a whole life in a few pages.

From my review:

It’s a story that is famous for the way Flaubert handles time. It’s masterful. In sixty pages, he manages to tell the story of a whole life, alternating between fast-forwarding and slowing down. At the end, we almost think, we’ve read a novel because, thanks to his writing style and technique, there’s so much to find in this novella.

Eduard von Keyserling – Am Südhang (not translated)

From my review:

It’s a beautiful novella. Rich in emotions and descriptions. Nature and the weather always play important parts, mirroring the feelings of the protagonists. In this story, the garden descriptions are so very lush. Von Keyserling paints with words. He captures scents and sound, colours and forms. We sit next to Karl Erdmann in his carriage and feel the cool shade under the trees, hear the soft rustling of the dew in the leaves. We can see the family waiting for Karl Erdmann’s arrival, the women in their white summer dresses standing on the stairs.

André de Richaud – La douleur (not translated)

Albert Camus said that André de Richaud’s novel La douleur  – The pain – inspired him to become a writer. When it came out in 1930, it created a scandal. The author was just twenty-three years old and had sent his manuscript to the Jury of the Prix du premier roman of the Revue Hebdomadaire. The jury was so shocked but impressed by the writing, that nobody won the price that year. While they considered La douleur too shocking for publication, it was clearly the best book. Despite the risk of a potential scandal, Bernard Grasset published the novel anyway that year, as he liked it so much.

From my review:

Edith Wharton – Summer – This was not what I had expected. I knew it was called the summer version of Ethan Frome and for some reason that made me assume it was more light-hearted. It isn’t. It’s just as tragic as Ethan Frome, only takes place in summer. As usual, I was impressed by Wharton’s style.

Best YA

Jacqueline Woodson – If You Come Softly – This moved me so much. It’s a love story with a tragic ending. It shows that if you’re an African-Americaa, one tiny little mistake can have fatal consequences.

From my review:

As I said before, this is a short book but it’s powerful and tightly written. You won’t find a superfluous word or passage. Only key scenes that manage to move and touch.

Best crime /sadly none of them reviewed)

At the beginning of the pandemic, I couldn’t read any crime anymore. Crime usually works as escapism, but not in this context. From May on though, I read one after the other and several were very good, some more than just good.

Good

Jane Harper – Force of Nature

Emily Barr – The Sleeper

Nicci French – The Lying Room

These three books have a lot in common. They were highly readable, absolute page turners, each with a striking premise but sadly, all three of them with a slightly implausible denouement. In each case, I found the perpetrator unbelievable, but since they were so well written and gripping, they still deserve to be among the best of.

In Force of Nature, a survival workshop goes very wrong. One woman doesn’t return.

In Emily Barr’s The Sleeper, a woman who usually takes the sleeper train to London, disappears. The first parts, told from the POV of the woman who uses the sleeper train was so good. It gave me a great idea of what it must be like to commute like this every week.

In The Lying Room an adulterous woman finds her dead lover and tries everything to cover up the relationship.

Very good

Benjamin Myers – These Darkening Days – I regret that I didn’t review this as I found it amazing. It’s obvious that Myers is way more than ‘just a crime writer’. He’s a stylist. His writing is impressive, and the story and characters were convincing too.

Megan Abbott- The Song is You – The Song is You is historical crime fiction based on a true story, the disappearance of. the starlet Jean Spangler in 1949. She left for a night shoot and never returned. Abbott is a wonderfully atmospheric writer, and this was as good as some of the noir it was inspired by.

Max Billingham – Lifeless – This book has been on my piles for ages. Last year, I read an interview with Billingham and liked what he said about writing. Remembering that I got this on my piles somewhere, I picked it up and finally read it. The book is set in London among the homeless community. The detective who works on the case goes undercover and investigates among the homeless. It’s a chilling read. We learn a lot about what it means to be homeless. After a while, I forgot that this was a crime novel. I was far more interested in the social commentary. That it was suspenseful was just a bonus.

*******

I hope your year has started well and wish you all an excellent reading year ahead.

The Stranger Diaries by Elly Griffiths

I’ve long been a fan of Elly Griffith’s Dr Ruth Galloway mysteries, slowly reading one book after the other. There are twelve books by now, four of which I’ve read. She’s also been writing a new series, The Stephens and Mephisto mysteries. I was quite pleased to see that she’s now also writing standalone novels and since The Stranger Diaries, published last year, has gotten so much praise and was called a “modern Gothic”, I decided to read it.

The story is told from three different points of view. Clare Cassidy, a fortysomething English teacher, Detective Inspector Harbinder Kaur, and Georgia or Georgie, Clare’s daughter.

Clare teaches English at a school, parts of which are located in the house of a Victorian writer. R. M. Holland was famous for his chilling short story The Stranger. In her spare time, Clare is writing a book on the author. She used to be best friends with another English teacher, Ella, but for some reason, they aren’t really close anymore. When Ella is found murdered, Clare is unsettled for many reasons, one of which is a note found next to the body. It’s a line taken from The Stranger, a short story that hardly anyone knows.

Detective Kaur instantly dislikes the tall, beautiful Clare and suspects her to either know more than she admits or to be involved in the murder. When another body is found, under even more sinister circumstances, Clare begins to fear that she and her daughter might be next.

I absolutely loved the beginning of the story, told from Clare’s point of view. I loved the setting, the mystery, the characters, but then the book switched to Detective Kaur’s point of view and while her POV is convincing, I found the book immediately lost some of its drive and most of the atmosphere. When the third narrator was introduced, Georgie, it fizzled out even more. I did not care for her parts and would have wished they’d been left out.

That said, there were still elements that made this a gripping read, I just wished, she’d told it differently. What did not work for me at all was the ending. Was it a twist? Yes. Was it believable? Absolutely not.

I’m really in two minds about this book. There’s a lot to like here but, ultimately, because of the ending, it was a disappointment. I’ll still read more of Elly Griffiths but stick to the Ruth Galloway mysteries.

Killer in The Rain by Raymond Chandler – Precursor of The Big Sleep – A Post a Day in May

The novelette Killer in the Rain is one of the later short works of Raymond Chandler. He reused some of the elements with great effect in his first novel The Big Sleep.

As a teenager and early teen, I read all of Chandlers novels and loved them very much. Whenever someone asked me who my favourite writer was, I didn’t need to think twice – Chandler. As much as I loved him, I didn’t return to him because I rarely reread books. So, a few years back, someone asked me the question again and I said “It used to be Chandler”. That made it sound as if I didn’t like him anymore, but that wasn’t what I meant, it just meant – it’s been so long, I can’t be sure anymore. While I read and loved all of his novels, I hardly read any of his short stories and novellas, so it was with a lot of trepidation, that I started Killer in the Rain. What an experience this was. This isn’t as good as any of the novels, but it already has all the trademarks and reminded me why he once was my favourite author. Next time someone will ask me the question again, the answer will be – Chandler. And not in past tense, no.

Killer in the Rain is set in LA in the 30s and tells the story of a PI – probably Marlowe – who is asked to look after the daughter of a rich client. She’s been blackmailed and her dad is afraid that she’s got caught up in something sinister. Marlowe finds out the blackmailer owns a lucrative porn book lending business. When he goes to visit him, he finds him dead, his client’s daughter sitting stark naked and completely stoned on a chair, and someone running from the crime scene as soon as Marlowe enters. A little later, one of Steiner’s cars is found in a river, with a body in it.

Telling you more would spoil the story, but I think, this gives you an idea of what to expect.

Killer in the Rain is the novelette that’s closest to his novels in style. We can already see how different from other hard-boiled detectives Marlowe is – he isn’t named in the story, but we can assume it’s him. Marlowe cares. He’s anything but tough. Sure, he can act tough, doesn’t shy away from using a gun and shoot at someone, but he doesn’t do it lightly. As in all the later novels, solving the murder isn’t that important. Marlowe wants to help his client, keep him or her safe. While not as developed as in other books. there’s a social commentary here as well. The corruption of the police is obvious. Marlowe is one of two things that make me love Chandler so much. The other is his style. His books are written in a slang that’s not always easy to understand, especially not since a lot is made up. Chandler loved figures of speech and used them extensively in the novels. Here too, I found many wonderful sentences that made me chuckle.

“Carmen Dravec sat in Steiner’s teakwood chair, wearing her jade earrings.”

“Then all the expression went out of her white face and it looked as intelligent as the bottom of a shoe box.”

“Her giggles ran around the room like rats.”

As the title of the novelette evokes – it’s raining a lot in this book. The weather is always important in Chandlers work. It helps to create a moody atmosphere. I can’t remember if it rains often in his other books, but it does here and in The Big Sleep.

If you’ haven’t read Chandler yet and don’t know where to start this is a good pick. If you like it, you’ll already know that there’s much more and much better stuff where this came from. As for me, I might actually become a rereader after all.

Do you have a favourite Chandler novel? Mine is The Long Goodbye.

Best Books I Read in 2019

There hasn’t been a year since I started blogging in which I reviewed as little as in 2019. I also read less, or rather, I finished less books. I have two huge stacks of almost finished and half-finished books next to my bed. I’ve never done this before, given up on a book twenty to thirty pages before its ending but I did this year. Some of them will still be finished someday but many, I guess, won’t. Not sure why this happened. Did I make bad choices? Was I in a reading slump? A bit of both, I suppose.

That said, I have read some wonderful books this year.

And here they are, in no particular order.

Fiction

William Maxwell – They Came Like Swallows

Tragic and beautiful, Maxwell’s book is one of the few I reviewed. Here’s what I said:

I’m full of admiration for the craft and looking forward to reading The Château next. And I think it’s an outstanding portrayal of grief and the awkward ways people treat the bereaved. It also shows very well how devastating the influenza pandemic was.

Philippe Delerm Sundborn ou les jours de lumière

Anglophone readers might not be familiar with Philippe Delerm, but let me just tell you – it’s an absolute shame. He’s one of my favourite French writers. After having read Autumn, his book on the Pre-Raphaelites, I chose to read Sundborn last year. Sundborn focusses on the Scandinavian artists surrounding Swedish painter Carl Larsson. Delerm is outstanding at capturing colours, landscapes moods, and this book is no exception. Anyone who loves Carl Larsson or Soren Kroyer would love this book. It needs to be translated.

Carl Larsson

Soren Kroyer

Barbara Pym – Excellent Women and Some Tame Gazelle

No need to introduce Barbara Pym to the readers of this blog. She’s a favourite of many. These were two excellent, witty, sharp, and at times amusing books. I couldn’t say which one l liked better. Possibly, Some Tame Gazelle, as it is a bit gentler. I’m a bit mad at myself for not reviewing them but when I read them, I was still in too much back pain to sit at my desk.

E.F. Benson Mapp and Lucia

While I didn’t review Barbara Pym, I did write a post on E. F. Benson’s famous Mapp and Lucia. What a delightful book. One that left me with a serious “book hangover”. It took weeks until I was able to move on and properly enjoy something else.

Here’s a bit from the review:

And there’s life at Tilling. A carefree life that’s so different from most of our lives nowadays. Not only because it’s set before WWII, but because it’s set among the British upper middleclass. Nobody works in this book. All the main characters own beautiful houses. All they think about is where they will dine next, who gives the best tea party. Gossip and petty quarrels aside, it’s a peaceful world. The conflicts are entirely the character’s own making. Nothing dramatic ever comes from outside. At least not until the end. After a while, I found spending time in this world very comforting. And funny. It’s a terrific social comedy. Lucia’s pretence to know Italian is hilarious and so is the way they constantly try to outsmart each other.

Joseph Roth Der Radetzkymarsch

Death, dying, and the end of an era are all themes in this marvellous novel. Sometimes you wonder why a book is a classic. Not in this case.

Vigdis Hjorth Will and Testament

This novel by Norwegian writer Vigdis Hjorth was so good and I did review it.  Here’s a bit from the review:

Will and Testament was a huge success in Norway, and I can see why. It’s highly literary but nonetheless as captivating as a thriller. The plot is moving back and forth in time, slowly revealing the dark secrets at the heart of the dysfunctional family depicted in the novel.

Willa Cather – The Professor’s House

Since I’ve started blogging, almost tens year go, I came across so many raving reviews of Willa Cather’s work. Every year I said the same – I need to read her but then I didn’t. Last year, finally, I read my first Willa Cather and the only thing I regret is that I didn’t review it. What a wonderful book. One could say it’s almost two books in one, something I’m usually not keen on but it really worked. First we have the more interior parts, told from the point of view of Professor St. Peter. Anyone who has ever tried to carve out some time for her/himself, will know how hard it can be to work either creatively or do research when there are many demands from friends, family,  . . . Professor St. Peter tries very hard and succeeds and the time he spends on his own turns into a trip down memory lane. He thinks about his former student and friend, Tom Outland, who died in the Great war. His death brought great wealth to St. Peter’s family but also complexity and animosity. The second book inside of the book is Tom Outland’s story. And in that part we see what Willa Cather was so famous for – her landscape descriptions. It’s quite magical.

Crime

Simenon – Maigret et l’Homme tout seul – Maigret and the Loner

It’s been a while since I’ve last read a Maigret. They are a bit hit or miss, but this one was fabulous. A homeless man has been killed and it seems so absurd. He kept to himself, had no possessions. What could anyone gain from killing him? Maigret’s in the dark for a long time. The end is surprising.

Sarah Vaughan Anatomy of a Scandal

This is embarrassing. I read this last January, didn’t review it and have practically forgotten everything about it. I just remember I LOVED it.

Carlo Lucarelli Almost Blue

I love a good noir. The mood, the atmosphere. This has all that and more. It’s a rare beast as it’s a genre blend. A serial killer noir. Don’t let that put you off. It really is good.

Nonfiction

Amy Liptrot – The Outrun

Another one of the very few I’ve reviewed. Such an amazing memoir about the way nature can help us heal.

Here’s a bit from the review:

I can’t recommend this highly enough. It’s an amazing insight into someone’s addiction and recovery and a fabulous account of life on Orkney. I could see the many migratory birds, feel the icy cold of the water, the force of the gales, and the beauty of the constellations in the night sky.

In defiance of this dissatisfaction, I’m conducting my own form of therapy through long walks, cold swims and methodically reading old journals. I’m learning to identify and savour freedom: freedom of place, freedom of damaging compulsion. I’m filling the void with new knowledge and moments of beauty. (p.180)

Elizabeth Tova Bailey – The Sound of a Wild Snail Eating

If I had to pick one favourite of all the books I’ve read, I’d say it was this one. It’s beautiful and fascinating. Elizabeth Tova Bailey contracts a mysterious viral or bacterial infection that leaves her tied to her bed for years. During an especially bad phase, a friend gifts her a terrarium with a tiny forest snail in it. This tiny being becomes her companion. She’s so fascinated by it that she begins to read up on gastropods. The world she discovers is amazing. (Did you know snails have between 1’000 and 12’000 teeth?). The result of her research is an absolute gift to the reader. But the tiny snail does more than fascinate. It gives her comfort and solace.

Simone Buchholz – Blue Night – Blaue Nacht – German Literature Month Crime Readalong

Blue NightBlaue Nacht is the sixth book in Simone Buchholz’ Chastity Riley series and the first to be translated into English. I discovered the book last year in a book shop, not realizing it was part of a series, or I would have started with book one. Oddly, the English translation has the subtitle “Chastity Riley book 1”. Be it as it may, I’m so glad I finally read it. I love noir and this is noir at its best.

State attorney Chastity Riley has done a few stupid things and so she’s not working in the state attorney’s department anymore but for the witness protection. This bores her no end. Feeling she needs some change, she takes her car and drives to the country. The car breaks down and Chastity is stranded somewhere on the road. Where other people would look for the beauty around them, all she sees is a lack of streets and people. And too much countryside. Yikes. Barely gone for a few minutes, she misses Hamburg, the Reeperbahn, the seedy haunts, her ex-gangster lover Klatsche, and the bars where she drinks until the early hours. This beginning sets the tone and introduces a character who is witty, sarcastic, laconic, lyrical, and always different.

Back in Hamburg, she’s assigned to look after a man who has almost been killed. He’s been beaten up severely and has lost one finger. It looks a lot like retribution. With cunning, kindness, and a lot of beer, Chastity manages to get his trust. While he doesn’t reveal his identity, he gives her enough information to begin investigating a crime ring.

The story is definitely interesting and offers a look into the drug problems big cities with large ports like Hamburg face these days. Cheap, dangerous drugs, produced in the East, are distributed in the West with maximum profit. The people in charge are able to wash their money and while everyone knows it, the law can’t touch them.

As interesting as the story is, it pales in comparison to the cast of characters and the style. Chastity Riley is a loner at heart but one with a crowd of friends. Some were formerly criminals, some are policemen, bar tenders, restaurant owners. A charming element of the book is that they all get a voice. In between the regular chapters are chapters in which each of the protagonists, including the nameless man, the criminals, Chastity and her friends get their say. In some books this type of approach doesn’t work, but here it lifts the book to another level.

I read a lot of crime novels this year, but this is the one I liked the most. The voice is so unique, the style so brilliant that it can keep up with a lot of literary fiction that is published these days. And the mood and tone are reminiscent of some of the best noir I’ve read in recent years.

I read this in German, that’s why there are no quotes. Please visit Pat’s blog (added below) to get an idea of the style

Other reviews:

Pat – South of Paris Books

 

A Very Short Review – Belinda Bauer: Snap (2018)

I’ve wanted to read Belinda Bauer for ages because I’ve heard so many good things about her books. Even so, I was surprised to see her on the Man Booker longlist. I don’t think many crime novels are included usually. And so, even though Rubbernecker is on my piles, I went and got Snap. I finished it two days ago and am still baffled. Baffled it made the Booker longlist. Not only baffled – sad really – because if the typical Booker longlist reader usually doesn’t read crime and this is his introduction to the genre  . . . Not ideal. Baffled also because it’s such a weak book. There’s some nice writing there, good characterisations, but the story is unbelievable, relies heavily on coincidences – one after the other  – and the killer’s motive is so far-fetched that it’s painful.

The premise is interesting enough. A pregnant mother leaves her kids in the car to get petrol and never returns. Later, her body is found. She’s been murdered. There are no suspects and soon it’s a cold case. Three years later, the three kids are living on their own in the messiest place one could imagine. What happened? The dad couldn’t cope and left the three children to fend for themselves. The oldest, Jack, provides for them by breaking and entering into houses whose owners are on holidays. Unfortunately, (biggest coincidence) one house isn’t abandoned and inside Jack finds not only a pregnant woman, but an object he believes had something to do with his mother’s death.

If I didn’t already own Rubbernecker, I’m pretty certain, I would not return to Belinda Bauer. But since I do, I might give her another try. I’m not sure though. I’ve read many great crime novels this year and also a few mediocre ones, but none was as unbelievable as this.

Why did I finish it, you may wonder? For the longest time, I thought it might go into another direction. Sadly it didn’t. And there was zero atmosphere.

 

Nicci French: Sunday Morning Coming Down (Frieda Klein 7)

Those who know this blog, know how much I like the writer duo Nicci French. The standalone novels as much as the Frieda Klein series. While I don’t think I’ve read any standalone titles that I didn’t thoroughly enjoy, there have been hits and misses in the Frieda Klein series. Because the hits are usually so great, I forgive them their misses and just hope for the best, when I start a new title. Luckily, this seventh instalment is an absolute winner. It’s one of the best of the series. Maybe we get a little less of Frieda Klein herself, but we get a lot of suspense instead.

Book number 6 has ended on a major cliff hanger and, so, book 7 begins where that one ended – Frieda finds a dead body in her house. And now I already don’t know what else to say because everything can potentially spoil one of the earlier books. Tricky. Let’s just say that someone who has played a major role in all of the novels has left the dead man in Frieda’s house as a sign or a warning. Unfortunately, the police aren’t convinced that this person is still alive. This makes it even more difficult for Frieda. Not only has her sacred haven been violated, but the police think she’s a bit nuts. And, on top of that, all of her friends and family are in danger. The police aren’t too keen on letting Frieda help with the investigation. It takes violence and another dead body until she’s involved. While the man who left the dead body in her house is a real threat, it seems as if the person targeting her friends and family could be someone else. Is it a copy cat or an assistant of the other man?

It’s entirely possible that this book works as a standalone, and that readers who aren’t familiar with the series would find it suspenseful. I’m only not sure that they would care as much about the fate of the characters as someone who has read all or most of the novels. Frieda’s family and friends are important in all of the books. Over the course of the series, Frieda has made new friends and the circle of endearing and quirky characters has grown even more. Putting most of them in harm’s way, was a clever decision. I can’t imagine that anyone liking this series will stay cold reading Sunday Morning Coming Down.

I though that this would be the last of the series but Day of the Dead has just been published. It will be the series’ finale, in which Frieda and her nemesis are pitted against each other.