Peter Stamm – The Sweet Indifference of the World (Die sanfte Gleichgültigkeit der Welt)

Published in German in 2018, The Sweet Indifference of the World – Die sanfte Gleichgültigkeit der Welt, is Peter Stamm’s seventh novel. For a while I read almost everything he published but this one somehow passed me by until I found it among the free books in the open-air library in our neighborhood.  What a lucky find. I loved this so much.

The Sweet Indifference of the World tells the story of a middle aged author, Christoph, who meets his young doppelgänger. The doppelgänger doesn’t only look like him but he seems to live the exact same life the writer lived when he was the doppelgänger’s age. The encounter is uncanny and unsettling for many reasons, especially because the doppelgänger also seems to have the exact same girlfriend, Magdalena, our writer had. Christoph never got over Magdalena or the fact that his only novel was the reason he lost her.

The book begins in Stockholm. Decades ago Christoph and Magdalena were in Stockholm together, just like his doppelgänger and his girlfriend are now. Christoph writes a note for Magdalena and asks her to meet him in the cemetery in the afternoon. He wants to tell her a story. Magdalena really meets him in the park and Christoph tells her his story. The story of his life, their love story, how he lost her, how he met his doppelgänger, and why he wanted to meet her.

Of course, she doesn’t believe him at first but she listens and they spend a lot of time together, go for a walk, go for a drink, visit a library, and other places. And they compare notes, you could say, because many details of these parallel lives are different. Christoph is called Chris, Magdalena is called, Lena. Lena and Chris are married. Chris has yet to write his novel and there are many other differences.

Stamm’s novel is about the possibility of other lives. Small events might change the course of a life but there is also the possibility to be someone else. Just like Lena, who is an actress like Magdalena, can be many people, depending on which play she’s in, a writer inhabits different worlds. Why would people in general not be able to do this? We could decide to be someone entirely different, if we wanted, the novel seems to say. But we can’t undo the past.

More than an exploration of different lives, the novel is an examination of memory. There are so many things that don’t align with what Christoph remembers that we begin to wonder whether the differences of these parallel lives aren’t rather due to distortions of Christoph’s memory. We all know how notoriously difficult it is to remember certain things and how people who were all present during an event, might remember it differently. How unsettling would it be to watch yourself living your past life and realize things might have been very different.

As you may have deduced, this isn’t a straightforward story and in the hands of another writer, it would probably have failed catastrophically. But Stamm is a master of describing small scenes and infusing them with his melancholy tone and so the story felt realistic because of its parts even though the whole was far from it.

The Sweet Indifference of the World is a beautiful novel, one of Stamm’s best, I would say. It even reminded me of some of Modiano’s novels in which memory is always a key theme. Nonetheless, if you have never read him before, I wouldn’t pick this one as your first. Rather go for one of his short story collections or the equally beautiful but straightforward novel On a Day like This which I have reviewed here.

 

Welcome to German Literature Month XVI November 2026

Welcome to German Literature Month XVI.

Hopefully you have a nice selection of books or a reading list for #germanlitmonth.

Remember  – anything that was originally written in German can be read during #germanlitmonth. You don’t have to follow Tony’s and my schedule but if you choose to do so, here’s the full schedule for the month:

November 1st-8th: Fiction Week
In the spirit of “Read as you please”, we kick off with something that everyone would probably choose anyway.

November 9th-15th: Ingeborg Bachmann Week
This year marks the 100th anniversary of the birth of Austrian author Ingeborg Bachmann, who was born in Klagenfurt on June 25, 1926. This week will give us the opportunity to celebrate her life and work.

November 16th-22rd: Non-fiction Week
Non-fiction isn’t a genre we included very often in the past, which is a shame as there is a lot to discover.

November 23th- 30th: Rainer Maria Rilke Week
2026 marks the 100th anniversary of the death of beloved Austrian poet Rainer Maria Rilke, who passed away on December 29, 1926.

The best way to share those reviews and ensure they show up on the index is to leave a comment below. Alternatively advertise your reviews on Twitter (X), Bluesky, FB or Instagram using the hash tag #germanlitmonth.

This is it for now. Happy reading everyone.

Here’s my intro post and here is Tony’s.

Announcing German Literature Month XVI November 2026

November isn’t far away, and you all know what that means – German Literature Month is just around the corner! For the 16th time, we’ll be reading German, Austrian, or Swiss books, enjoying a whole month of German-language literature.

I’m pleased to announce that Tony from Tony’s Reading List will be co-hosting again this year. As many of you know, my co-founder, Lizzy Siddal, of Lizzy’s Literary Life, sadly passed away during last year’s GLM, so the event now also serves as our annual opportunity to remember her and her work in raising the awareness of German-language literature.

If you’d like to participate, there’s only one rule to follow – read books that were originally written in German. Other than that, you can read whatever you like, or you can follow the structure Tony and I are adopting. This is a year of anniversaries, so we will dedicate two weeks to two very special authors, Ingeborg Bachmann and Rainer Maria Rilke. Please find our full schedule below:

November 1st-8th: Fiction Week
In the spirit of “Read as you please”, we kick off with something that everyone would probably choose anyway.

November 9th-15th: Ingeborg Bachmann Week
This year marks the 100th anniversary of the birth of Austrian author Ingeborg Bachmann, who was born in Klagenfurt on June 25, 1926. This week will give us the opportunity to celebrate her life and work.

November 16th-22rd: Non-fiction Week
Non-fiction isn’t a genre we included very often in the past, which is a shame as there is a lot to discover.

November 23th- 30th: Rainer Maria Rilke Week
2026 marks the 100th anniversary of the death of beloved Austrian poet Rainer Maria Rilke, who passed away on December 29, 1926.

German Literature Month is not a challenge, or a competition to read the most books, and reading one item, originally written in German, is enough to participate.

I hope that many of you will join Tony and me on our reading journeys. For those who are happy to do so, you can write blog or Instagram posts, or simply share what you’re reading on X (Twitter), BlueSky or Facebook– and don’t forget to add#GermanLitMonth so we can find you.

I’m planning on reading one of the new Ingeborg Bachmann biographies, maybe some of her short stories, Rilke’s poems, and any of the many unread novels or short story collections on my piles.

What about you? What will you be reading?

 

Daniela Krien’s My Third Life (Mein drittes Leben)

German author Daniela Krien who was born in the former G.D.R. published her first novel We Will Tell Each Other Everything (Wir werden uns alles erzählen) in 2011. Long before Kairos she told the story of a passionate love story between a very young woman and a much older man during the final months of the DDR. I found the book a little mawkish but not bad at all, especially in the parts that introduced us to a world that had already been long gone by then. Sure, Erpenbeck is the better writer but if I had to pick one of the two, I’d say I liked Krien’s novel better.

Since then, she’s published four more novels, two of which were translated – The Fire and Love in Case of Emergency (aka Love in Five Acts). While I got the latter on my piles, I haven’t read the others. When I was at the bookshop the other week, I discovered her latest Mein drittes Leben. It hasn’t been translated yet but given the success of some of her other books in translation, I wouldn’t be surprised if a UK or US publisher picked it up.

The book begins after Linda has moved away from Leipzig to the country, while her husband stayed in their flat in Leipzig. They aren’t divorced, nor are they theoretically separated but Linda needs some time on her own. The village and the house she’s staying in aren’t very appealing. But Linda doesn’t care. She’s looking after the chicken of the former owner and her dog and that’s all she seems to need. Her husband, Richard, visits her every other week and she makes a few friends, but mostly she stays on her own.

Bit by bit the reader discovers that Linda once had what she would have called the perfect life: a kind daughter, a husband she’s still in love with after almost twenty years, and a job as a curator of an art foundation that gave her a great deal of satisfaction. But then a tragedy happens. Her seventeen-year-old daughter is run over by a lorry. Linda and Richard grieve deeply but while Richard gets better, Linda doesn’t. On the contrary. It seems to get worse. When she’s diagnosed with cancer on top of that, she knows she can’t go on like before. Once the chemo is over, she moves.

I’ve read a few books about grief, fiction and nonfiction. Guilt is so often part of the grieving process. Here as well. Linda feels particularly guilty because her daughter did something that morning, she wouldn’t have done if Linda had told her not to. But the guilt runs much deeper and that’s where the strength of this book lies. It is tied into her motherhood and the way she became a mother. Richard had been married before and had two beautiful, intelligent children. He didn’t want another child and Linda had to fight very hard for him to give in. Once her daughter is born, Linda wants another child but Richard refuses. Years later, when he finally agrees, it’s too late. One of the things that weighs heavily on Linda’s consciences is the fact that she often compared her daughter to Richard’s first children or to other young people and found her lacking. She seemed too normal, too kind, not particularly beautiful, not fascinating.

Linda has a lot to come to terms with. Her struggles are intense. At times the reader fears she’s going to end it all. And then Richard loses patience. He’s been waiting two years and there is still no sign that Linda will return to Leipzig. The marriage ends when he meets another woman

It may sound like My Third Life is a very depressing book but it’s not. I found it engaging and enjoyable. The way Linda evolves after her marriage ends is uplifting and very relatable. Ultimately, My Third Life is much more than a story about grief, it’s also the story of a marriage. And an exploration of what makes life meaningful. I wouldn’t exactly call My Third Life great literature but it’s very readable. It would make an amazing book club read as it offers so many discussion points. How long should a person grieve? What is the right way to grieve? How do partners survive the loss of a child, especially when they don’t grieve the same way? What about friendships? How do friendships survive something like this?

 

Whatever Happened to My 20 Books of Summer?

Goodness did I fail spectacularly at Cathy’s 20 Books of Summer. My intentions were good, my choices were excellent, and, for a while, I read one book after the other until I realized my pile had one major flaw – there were no crime novels. And once I strayed from the path, it was hard getting back to it. That said, I read seven and a half of the books on my pile before going off course.

Olivier Adam’s Passer l’hiver is a collection of short stories that hasn’t been translated which is too bad. They were outstanding. Melancholy, poignant and so evocative. They show people at their loneliest but mange not to be depressing.

Hilary Mantel’s Learning to Talk is another short story collection and my first introduction to Hilary Mantel. I liked it very much. Especially the first story in the book which reminded me a little of Joyce’s Araby.

Jenny Erpenbeck‘s Kairos. What to say about this? The writing is impressive. If it hadn’t been so great, I wouldn’t have finished it. It’s actually interesting that before this got The International Booker, it wasn’t praised much in Germany. Maybe because of the very toxic nature of the relationship of the two main characters? Or simply because the depiction of the former DDR is anything but convincing.

Willa Cather‘s A Lost Lady. Now this is a novel that will make my best of the year. I liked it so much.

Elizabeth Taylor’s The Wedding Group. I have read a lot of Elizabeth Taylor’s novels and didn’t think I’d ever read one that I didn’t find convincing. Unfortunately, The Wedding Group is not her best. There are things to admire here but overall, it felt disjointed.

Kaye Gibbons‘ Charms for the Easy Life. This is a historical novel, set after WWII. It’s very well written and entertaining but not a favourite.

Kate Zambreno‘s The Light Room is a memoir and I liked it a great deal. She describes the year after her second child is born, which is right at the beginning of Corona. The title The Light Room is an allusion to the Japanese novel Territory of Light, which I’ve read earlier this year. They both have a lot to say about motherhood.

Patricia Lockwood‘ Nobody is Talking About This was praised by so many people, but I found it annoying. It’s uncanny how well she describes Twitter or X but for some reason, it wasn’t for me.

I’m not too bothered that I didn’t manage to finish reading my pile, I’m more annoyed that I didn’t review them. Or any other of the books I read and really enjoyed this summer like Hollinghurst’s The Line of Beauty which has been on my shelves since 2005. Definitely another novel that will make my Top 10 this year.

20 Books of Summer

I just realized, I’m late to Cathy’s 20 Books of Summer. It’s my first time participating and I had no idea it didn’t start at the beginning of summer but at the beginning of June.

I was always tempted to participate but for some reason never could come up with a list of books. The other day, I was looking at a pile of unread books  on one of the shelves of my newest bookcase and noticed that there were almost 20 very tempting books. I added a few more to have at least one German and one French title, plus one memoir.

Normally, I don’t like to plan my reading but recently decision fatigue has kept me from actually reading and so, having a smaller pile to choose from, sounded like a great idea. It’s a bit like the capsule wardrobes that many people with too many clothes resort to.

Most of the books are rather slim with the exception of Erpenbeck’s Kairos and Edith Wharton’s The Custom of the Country. I’ve already read one book, Willa Cather’s A Lost Lady and am about halfway through Kate Zambreno’s The Light Room.

There are three books of short stories:

Olivier Adam’s – Passer l’hiver

Hilary Mantel’s – Learning to Talk

Chimamanda Ngozi Adichie’s The Thing Around Your Neck

The rest are all novels:

Jenny Erpenbecck – Kairos

Edith Wharton – The Custom of the Country

Willa Cather – A Lost Lady

Elizabeth Taylor – The Wedding Group

P. G Wodehouse – Summer Lightning

Pamela Frankau – The Willow Cabin

Janet Frame – Living in the Maniototo

Penelope Lively – Moon Tiger

Sandra Cisneros – The House on Mango Street

Kaye Gibbons – Charms for the Easy Life

Elaine Dundy – The Dud Avocado

Patricia Lockwood – Nobody is Talking About This

Natasha Brown – Assembly

Jen Craig – Since the Accident

Danielle Dutton – Margaret the First

Kate Zambreno – Drifts

One memoir

Kate Zambreno – The Light Room

I’m very pleased with my choices. There are so many books on this pile that I had wanted to read for ages like The Custom of the Country and Moon Tiger and A Lost Lady that I think, I might actually manage to stick to them.

The Best Books I Read In 2023

This is a bit of a déja-vu situation. At the beginning of last year, I returned to blogging with my best of list and then wrote a post for January in Japan. I had every intention of blogging regularly again but so many things went wrong, so many heartbreaking things happened. GLM was the date I had fixed to finally return but plans were made without me. I wish I had at least been consulted or informed . . . It felt like having climbed a mountain only to be pushed down again upon arrival. In many ways, that fit well into the overall theme of 2023. What a sad and exhausting year. But enough of this. Lets get to my list.

At the beginning of 2023 I went through an Elizabeth Strout phase, reading many of her books. I didn’t get to the Olive Kitteridge books or they might have been on the list but I read all the Lucy Barton novels and really loved them. Reading them felt like listening to someone tell you about their life. I can’t remember all the details but I remember how much I enjoyed them.

Maybe one could say, this was the year of life stories as I’ve read a few of them this year. Marzahn Mon Amour was one of my favorites. At forty, the author, an unsuccessful writer,  decided to become a chiropodist and was working in Marzahn. Marzahn used to be the biggest prefabricated housing estate in the former GRD.

When I visited Berlin, I went to see Gropius Stadt, which is similar, but not as huge. The atmosphere in Marzahn is quite oppressing, yet the people Katja Oskamp meets are full of life, colorful, eccentric. I highly recommend this book. I read it in German, so I don’t know who translated it but since it was published by Pereine, I’m sure it was done very well.

I don’t think that Volker Weidermann’s  Mann vom Meer has been translated yet but since other books by Weidermann have, it is posible this will be picked up by an anglophone publisher. I liked the idea and the book very much. It looks at Thomas Mann’s life and novels by focusing on his love for the sea. It contains a lot of quotes from his masterpieces like Buddenbrooks or Der Zauberberg. The book made me want to reread and read everything Mann has written. I also learned quite a few things about his life I didn’t know or had forgotten.

Josie George suffers from a condition that causes her incredible pain. She’s had it since she was a child and it has affected every area of her life. Most days she can barely walk. Doing things takes immense strength, leaving her exhausted. But A Still Life is more than an account of an incurable illness and the frustrations that come with it (also regarding doctors and medicine). It’s a story of remarkable resilience and of someone who is able to capture the beauty of the smallest things. The book is full of beautiful descriptions and observations. Its wise and gentle and ultimately very uplifting.

Whenever I read one of Eduard von Keyserling’s novels, it is bound to be among my favorites. I just love his writing so much. Abendliche Häuser is another one of those mournful tales of a dying society. In this novel, duels and class consciousness are slowly perceived as being less honorable than absurd. At the heart of Abendliche Häuser is a strong, independent young woman who follows her own heart and convictions. It seems this novel, which was published in 1914, was translated into English in 1927 but I don’t think it’s still available.

In Ascension is such a haunting novel. I always find it fascinating to read about people who are so passionate about what they are doing. The protagonist of this novel, Leigh, is a microbiologist. She first joins a team that explores an unexplainable deep vent in the ocean and then  goes on a space mission. The story of this book is captivating but what I liked even more was the atmosphere. It’s hard to describe but it’s so lovely and amazing to see and experience the world trough Leigh’s eyes. Some parts towards the end reminded me a bit of the movie Gravity.

At Weddings and Wakes was my second Alice McDermott novel and once again, I was in awe of her writing. Is there anyone else who writes scenes like she doe? Her style is so amazing. But I also like her protagonists and settings. Most of her books are set in Brooklyn among Irish Catholic immigrants. Needless to say, religion plays a role. The family in this story is very eccentric which I enjoyed a lot. It was often like reading about big Italian families and since I’m half Italian, many characters felt familiar.

Cold Enough For Snow might be my favourite novel of 2023. It’s a bit surprising as initially I didn’t think it was all that good. Funny enough, I’m still not sure it is but I loved it. I loved it because it spoke to me and reminded me of places and things that are important to me. It also reminded me a bit of some of Tabbucchi’s stories. The main character and her mother are on a vacation in Japan. The descriptions are beyond beautiful. But there are other descriptions of places which I liked even more. The protagonists mother is from Hong Kong and there are passages describing the beauty of Hong Kong that capture it exactly as I remember it. The landscape around it, the mountains, the lights and skyscrapers and that balmy air I’ve experienced nowhere else. The book also explores a theme that fascinates me a lot – the way families tell their stories and how sometimes they tell various versions of a  story. In the end, nobody knows, which is the true story.

Ogai Mori’s The Wild Geese was the only book I reviewed last year. Here’s a snippet from my review:

What impressed me the most, is how immersive this story was. Reading it felt like making a trip to a distant place and time. The imagery, themes, and story are so haunting, I don’t think I’ll forget them any day soon.

The link  to the review is here.

Kick the Latch is such a unique book. Until you pick it up for yourself, you’ll probably never understand what makes it so great. It is based on a series of interviews that Katrhryn Scanlan did with Sonia, a horse trainer from the Midwest. Scanlan herself stays completely out of this, also its not rendered in interview form but like short and very short accounts of a very unique life and a world most of us haven’t experienced. To say, Scanlan stayed out of the story is misleading though. She’s not present as a character or the interviewer but she is very present in the way she chose to tell this story, in the way she condensed, chose titles for even the shortest chapters. It’s brilliant. I loved the book as much for its style and form as for the subject matter. Its touching, moving, heartbreaking and infused with a strange, wild beauty.

I might not have read as much as I usually do, but I’ve read a few books, especially at the beginning and towards the end of the year, that I’m not likely to forget.

How about you? Which books stood out for you?