My Plans For Reading Ireland Month

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Last year, I missed Cathy’s Reading Ireland Month and so I was glad to see that she and Raging Fluff would host it again in March.

Since I try to read from my piles, I went through my book shelves in search of Irish writers. I found much more Irish books than I thought I would and now I’m spoilt for choice.

Here are a few of the books that I might read, in no particular order:

 

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Elizabeth Bowen The House in Paris

When eleven-year-old Henrietta arrives at the Fishers’ residence in Paris, little does she know what fascinating secrets the house itself contains. Henrietta finds that her visit coincides with that of Leopold, an intense child who has come to Paris to be introduced to the mother he has never known. In the course of a single day, the mystery surrounding Leopold, his parents, Henrietta’s agitated hostess and the dying matriarch in bed upstairs, come to light slowly and tantalisingly.

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Louise O’Neill Asking For It

A soul-shattering novel that will leave your emotions raw. This story will haunt me forever. Everyone should read it’ Guardian

In a small town where everyone knows everyone, Emma O’Donovan is different. She is the special one – beautiful, popular, powerful. And she works hard to keep it that way.

Until that night . . .

Now, she’s an embarrassment. Now, she’s just a slut. Now, she is nothing.

And those pictures – those pictures that everyone has seen – mean she can never forget.

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Molly Keane Time After Time

Durraghglass is a beautiful mansion in Southern Ireland, now crumbling in neglect. The time is the present – a present that churns with the bizarre passions of its owners’ past. The Swifts – three sisters of marked eccentricity, defiantly christened April, May and Baby June, and their only brother, one-eyed Jasper – have little in common, save vivid memories of darling Mummy, and a long lost youth peculiarly prone to acts of treachery.

Into their world comes Cousin Leda from Vienna, a visitor from the past, blind but beguiling – a thrilling guest. But within days, the lifestyle of the Swifts has been dramatically overturned – and desires, dormant for so long, flame fierce and bright as ever.

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Jennifer Johnston Two Moons

In a house overlooking Dublin Bay, Mimi and her daughter Grace are disturbed by the unexpected arrival of Grace’s daughter Polly, and her striking new boyfriend. The events of the next few days will lead both of them to reassess the shape of their lives. For while Grace’s visitors focus her attention on an uncertain future, Mimi, who receives a messenger of a very different kind, must begin to set herself to rights with the betrayals and disappointments of the past.

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Deirdre Madden Time Present and Time Past

When Fintan Buckley develops an interest in old autochrome photographs, strange things start to happen. To all appearances, Fintan holds down a successful job and enjoys life with his conventional middle-class family in Dublin, yet inwardly he starts to experience states of altered consciousness, with unsettling hallucinations and sudden insights. Meanwhile, Fintan’s sister Marina has been unearthing family stories from the past and the two of them, in different ways, find themselves renegotiating their history and the decisions that have brought them to this place, this present.

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Kevin Barry City of Bohane

The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are still some posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin’ that the city really lives.

For years, Bohane has been in the cool grip of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there’s trouble in the air. But now they say his old nemesis is back in town; his trusted henchmen are getting ambitious; and there’s trouble in the air…

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Brian Moore The Lonely Passion of Judith Hearne

A timeless classic dealing with the complexity and hardships of relationships, addiction and faith.

Judith Hearne, a Catholic middle-aged spinster, moves into yet another bed-sit in Belfast. A socially isolated woman of modest means, she teaches piano to a handful of students to pass the day. Her only social activity is tea with the O’Neill family, who secretly dread her weekly visits.

Judith soon meets wealthy James Madden and fantasises about marrying this lively, debonair man. But Madden sees her in an entirely different light, as a potential investor in a business proposal. On realising that her feelings are not reciprocated, she turns to an old addiction – alcohol. Having confessed her problems to an indifferent priest, she soon loses her faith and binges further. She wonders what place there is for her in a world that so values family ties and faith, both of which she is without.

And one crime novel

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Tana French In the Woods

When he was twelve years old, Adam Ryan went playing in the woods with his two best friends. He never saw them again. Their bodies were never found, and Adam himself was discovered with his back pressed against an oak tree and his shoes filled with blood. He had no memory of what had happened.

Twenty years on, Rob Ryan – the child who came back – is a detective in the Dublin police force. He’s changed his name. No one knows about his past. Then a little girl’s body is found at the site of the old tragedy and Rob is drawn back into the mystery. Knowing that he would be thrown off the case if his past were revealed, Rob takes a fateful decision to keep quiet but hope that he might also solve the twenty-year-old mystery of the woods.

Have you read any of these? Which ones would you recommend?

Some Thoughts on Margaret Atwood’s The Handmaid’s Tale (1985)

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This isn’t a proper review of Atwood’s famous novel but some of my impressions and reactions to it and a brief summary. Since the US election, the sales of books like 1984 and the Handmaid’s Tale have risen. While I had read the former, I hadn’t read Margaret Atwood’s novel. In many ways it wasn’t what I expected at all. It’s interesting, complex, and clever but I don’t think it’s a book I’ll read again. There are amazing observations, long quotable passages, but as a whole, I found it dull. Even so, reading it infuriated me, which certainly proves that it’s a powerful book. Interestingly though, the element that triggered this response is an element that I haven’t seen mentioned in any of the reviews I’ve come across but it’s something that is essential to totalitarian and oppressive societies. The aspect I’m referring to is the instrumentalising of the oppressed. No matter what toxic system/government/injustice, it is hardly ever maintained without the help of the oppressed. This complicity of the oppressed is something that infuriates me in real life so much that I couldn’t overlook it. The fact that people don’t mention it, shows how astute Atwood’s depictions were. Just like in real life, it’s something so upsetting that it’s like a blind spot.

What is The Handmaid’s Tale about?  The book is set in a near future, in the state of Gilead, formerly known as United States of America. A series of ecological disasters and war have led to its people being mostly sterile. After a coup, a totalitarian group of fanatic Christians has taken power. Women are divided into groups. Those married to government officials, those who breed for those who can’t have children and those who are used in other ways – sent to the colonies where they will discard toxic waste, or those used to make the system work, instruct the breeding women.

Offred, the narrator, is one of the Handmaid’s, destined to breed. At the time when the story is set, this whole system is new, so women like Offred are the first of their kind. What makes their fate particularly harrowing is that they knew a “before”. They used to live normal lives that were pretty much the same lives we still live today. That life ends when their bank accounts are closed and all their money and belongings go to their husbands. Those who’ve had children are then ripped from their families and assigned to rich couples who can’t have children.

Offred describes her life in minute details. They don’t have any freedom at all. They are all dressed the same and basically not allowed to do or say anything, unless it’s according to the new laws. Public executions are a means to make everyone obedient. But there’s an underground movement and, as it seems Offred met one of the women of this movement.

I’ll stop the summary here because if you’ve not read it you might enjoy finding out, how this story is told. It’s structure is one of the best things and the only element that contains a glimmer of hope in an otherwise dark and depressing tale.

Obviously, reading about a world in which women are owned by men and have no freedom whatsoever, is scary and infuriating but that’s nothing compared to the fact that women are in charge of the “training” of the handmaids. The way in which Atwood portrays how this system is regulated and reinforced is so clever.

There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from. Don’t underrate it.

The quote shows that some women accept the explanations given by the government. They also accept to be the instrument of the government. In some instances because they believe that women are, in many ways better off than before, but also because becoming executors, helps them to escape either death or being worked to death in one of the toxic landfills.

Why is it that victims enforce the system that exploits them? Fear and self-preservation are some of the reasons, but there’s also something far more toxic – they have internalized the system.

The Handmaid’s Tale is bleak but there’s a glimmer of hope, as I mentioned before. While some of the oppressed help keep up the system, there are many who plot an uprising.

Before ending this post, I’d like to mention one other aspect that I found chilling. One reason why women were so easily disempowered was because pre-Gilead society didn’t use cash but only credit cards. That way it was easy to stop the women’s access and transfer their money to their husband’s account and to disempower them completely. They didn’t even have enough cash to buy a ticket to somewhere else and escape. I found this chilling because I know a great many people who say that we are moving away from cash and to the exclusive use of cards/online banking etc.

When The Handmaid’s Tale was published, readers thought that Atwood depicted a Muslim society. Maybe she did. I think we shouldn’t read it like that. We should read it as a portrayal of the belief system and the functioning of a totalitarian government. Thinking that she wrote about a Muslim society is something we cannot afford. It can happen in other societies as well.

Now on to something different. Look at those covers! And I haven’t even posted all of those I found. Mine is the one on the far left. It’s not my favourite. The one I’m most familiar with is the second to the left, the one I like the most is the fifth from the left but I actually find the first and the last to do the book more justice. Do you have a favourite?

Seicho Matsumoto: A Quiet Place (2016) – Kikanakatta Basho (1975)

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Seicho Matsumoto’s A Quiet Place is the second Japanese crime novel I’ve read this month. While it is very different from Keigo Higashino’s Devotion of Suspect X, they have one thing in common – they are both unusual and full of twists.

However, the similarities stop there. Higashino depicts a modern Japan, while Matsumoto shows us a very traditional Japan. Of course, Matsumoto’s book is much older. It was originally published in 1975. The world it depicts, the world of government officials, still exists, but the society as a whole has undergone changes. It’s a ritualised, rigid, and restrictive world with strict hierarchies and rules. There isn’t a lot of freedom and losing face is something that can happen all too quickly and always has devastating consequences.

This world is the backdrop of Matsumoto’s novel. Tsuneo Asai, a government bureaucrat, is informed of his wife’s death while he’s on a business trip to Kobe. The way he handles this situation, more afraid to inconvenience his superior than to rush home and find out what happened, is typical of his mindset. Unlike most others at the department of agriculture, he doesn’t come from a good family or a prestigious university. He’s not automatically promoted but he has to work hard for every step he wants to climb. His fear, not to get promoted or to displease his superiors is so great that it overshadows every single decision.

Back home in Tokyo, Asai learns his wife died of a heart attack in front of a boutique. He knew she had a weak heart but it is still a shock. She was so careful to avoid exertion. Even though he was fond of her, to find himself widowed again, is more an inconvenience than true heartbreak. What puzzles him the most is the question what she was doing in that neighbourhood. She wasn’t someone who went out much. He knew she attended haiku classes, but other than that, she mostly stayed at home. It isn’t entirely clear why he suddenly gets so obsessed with his wife’s doings but he does. Soon he finds out that he didn’t really know her. He was sure that her haiku writing was mediocre and now he learns she had great talent. When he discovers a hotel near the boutique in front of which she died, he begins to suspect she might have visited that hotel with a lover. He’s wrong but that doesn’t stop his suspicions.

As soon as he begins to suspect his wife, he starts an investigation and even hires a private detective. Asai is as obsessed as he is tenacious. At the same time, he knows that people at work shouldn’t find out what he suspects and what he is doing. The longer he investigates, the more he entangles himself.

I followed this character with great fascination and astonishment, but for the longest time I didn’t understand why this was called a crime novel. It’s clear from the beginning that Asai’s wife wasn’t killed. So why was this labelled crime? I can assure you, it’s labelled correctly but I won’t tell you why.

Apparently Matsumoto was called the Japanese Simenon. While I enjoyed this book a lot – especially for its depiction of Japanese society and certain neighbourhoods in Tokyo – I don’t see a resemblance. Matsumoto was very prolific, so possibly other novels led to that comparison. Luckily, quite a few of them are available in translation.

I came across Matsumoto’s book on Guy’s blog here.

japanese-literature-challenge-x

This review is my third contribution to Bellezza’s Japanese Literature Challenge X

Here’s the review list.

Agnes Ravatn: The Bird Tribunal (2016) – Fugletribunalet (2013)

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Agnes Ravatn is a Norwegian journalist, essayist and short story writer. The prize-winning crime novel The Bird Tribunal (Fugletribunalet) is her second novel.

Allis has done something terrible. What it is we’ll only learn later in the book. We only now it’s something shameful and it made her leave her life and her husband behind. Since she was a public figure, many people know about it and she’s scared of being recognized in the streets. That’s why she applies for a job as a housekeeper and gardener for the summer in a remote house on a fjord.  To her surprise, her employer, Sigur Bagge, isn’t elderly but a 44-year-old man. He says that he needs help while his wife is away.

Sigur’s age isn’t the only thing that surprises Allis. She’s also puzzled by the way he wants them to live together. Strictly apart. She’s to prepare his food but eat on her own, after he’s finished. She is not do disturb him or talk with him.

Allis isn’t used to so much isolation but at first she plays along. In a way, it’s even soothing. She’s too glad he doesn’t know her or her story and that his way of life allows her to stay hidden. As much as Sigur may want them to stay apart, it’s difficult when you share a house and they finally get to know each other anyway. Allis is glad but at the same time there are so many things that make her uneasy that she’s not sure the new situation is really a blessing.

This book is so eerie. It made me feel uncomfortable from the beginning. The last thing I would want, is to share an isolated house with a brooding, taciturn stranger. Not even the descriptions of the beautiful fjord made me ever forget what this would be like. And in Allis’ situation at that. She’s really done herself a huge disservice in doing what she did back home. Her life is shattered and the things she did has left her very vulnerable. While she hopes things can only get better, the reader senses from the beginning that the house on the fjord might not be a safe haven. There are too many sinister indications that something’s wrong, and that Sigur might be hiding a secret of his own.

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Agnes Ravatn does a great job at creating an eerie atmosphere. I also liked how she uses foreshadowing and the way she infuses her story with dream segments and stories of Nordic mythology.

The Bird Tribunal is a claustrophobic story, dark and mysterious, and held me captivated until the end.

I discovered The Bird Tribunal on Raven Crime’s end of year list, which is a list I look forward to every year. As he focusses on crime, his list is dangerous. It always makes me buy books.

Banana Yoshimoto: Moshi Moshi (2016) – Moshi-moshi Shimokitazawa (2010)

Book Cover Moshi Moshi

A few years ago, I used to read every book by Banana Yoshimoto. With the exception of Goodbye Tsugumi, I liked or loved them all. Why did I stop reading her you may wonder? Because her best books are very similar. She returns to the same topics and themes again and again and while these are themes I’m drawn to, I still felt I needed to wait a little before returning to her.

Moshi Moshi tells the story of twenty-year old Yotchan whose father, a musician, has committed suicide together with another woman than his wife. Yotchan and her mother are devastated and trapped in their grief. Yotchan had just graduated from a culinary school and wanted to open her own restaurant. Grief and the realization she might not be ready makes her rethink her plan. Watching Ichikawa Jun’s film ‘Zawa Zawa Shimokitazawa, she decides that changing the neighbourhood and moving from Tokyo’s posh Meguro district to the colourful Shimokitazawa neighbourhood might help her.

During the day, Yotchan works in the bistro of a friend, in the evenings she explores Shimokitazawa. One day, her mother stands in front of her door and tells her she will move in. Yotchan isn’t happy about this but she agrees anyway. Yotchan is afraid that her mother might interfere with her life but she shouldn’t have worried. Her mother too, wants to change, shed her old self, find new meaning.

Both women begin to enjoy life again, but the dark mystery surrounding her father’s death still weighs heavy on both. Without telling her mother, Yotchan investigates and finds out that he woman with whom he committed suicide was a very dark person. Charismatic in a destructive way.

It takes Yotchan and her mother the whole book to come to terms with the suicide of their beloved father and husband, but when they do, they have found a way to integrate him into their life and, at the same time, leave their old life behind.

I loved this novel. It’s beautiful and melancholic, a celebration of the transitoriness of life and of what the Japanese call “exquisite sadness”. Shimokitazawa is described as a very lively place. Full of bistros, cafés, restaurants that attract artistic, bohemian people. Since Yotchan is a chef, she’s particularly attracted by the culinary side of this neighbourhood. It was fascinating to read about her trips to restaurants and cafés which included the descriptions of the places and the food. There’s such a wealth of food in this book, none of which I’ve ever tasted. All I know of Japanese cuisine is Miso soup, Sushi and Ramen. Not one of these is ever mentioned. I loved that because it introduced me to what the Japanese really eat.

Yotchan, who is the first person narrator of this novel, is a lovely character. She’s enthusiastic and keenly aware of the people and places around her. Her appreciation of beauty and the fleetingness of things infuses the story with a bitter-sweet mood.

I don’t want to spoil the book, so I won’t go into any details, but there a few very beautiful descriptions of locales, places and trees which by the end of the book will not exist anymore.

Banana Yoshimoto has a knack for capturing fleeting beauty, for using unusual, eccentric characters and situations. She’s also known for writing about death and the influence of the dead on the living. This book contains all of that and more. Because it is longer than most of her other books, the reader has time to get fully immersed in this world. I was sad when I finished the book. It reminded me of a time when I was twenty and, like Yotchan, knew that many of the people and places I loved would possibly not stay in my life forever. It’s peculiar to look back and remember this odd clarity. Maybe this happens to most people at that age. Like Yotchan, I enjoyed the company of some people and at the same time I knew, I would move on.

It takes a lot of skill to write about the sad aspects of life but to do so in a way that is uplifting, that doesn’t shy away from describing futility but in doing so guarantees that what is gone is not forgotten but won’t trap you in the past.

Since I liked this so much, I was glad to discover that I had another one of her novels, Amrita, on my piles.

I read the German translation of Moshi Moshi that’s why I didn’t add any quotes. I wonder if the English edition contains as many footnotes as the German translation. I was thankful for those footnotes as they explained the food that was mentioned and some expressions I wasn’t familiar with.

Until now, Kitchen was my favourite Yoshimoto novel, but I liked this one just as much.

japanese-literature-challenge-x

This review is my second contribution to Bellezza’s Japanese Literature Challenge X

Here’s the review list.

Keigo Higashino: The Devotion of Suspect X – Yôgisha X no kenshin (2005)

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Every year I want to participate in Bellezza’s Japanese Literature Challenge but most of the time I miss it. This year I thought I won’t make plans but if I happen to read Japanese literature, I will join spontaneously. Towards the end of December I felt the urge to read Japanese literature. I enjoyed my first book so much, that I’ve already read two other Japanese books. One is nonfiction, one is literary fiction, and this one, Keigo Higashino’s The Devotion of Suspect X, is a crime novel. I’d bought the German translation of this book a year ago, but only remembered it when I came across the review of another of Higashino’s novels, Malice, on Guy’s blog. I’m so glad, I finally read it. What a fantastic novel. Unusual and surprising and with such a special atmosphere. I was almost sad when it was finished.

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The premise is original. For once it’s not a “whodunnit” nor a “whydunnit” but rather a “will they get away with it”. We know from the beginning who is the murderess and why she committed the crime. Yasuko, who works in a bento shop, has killed her violent ex-husband. The only witness is her twelve year old daughter. Or so she thinks. Soon she finds out that there’s another witness – her neighbour Ishigami. She knows Ishigami by sight. Every morning, before work, he buys a bento in the shop where she works. The owners think it’s funny. They are sure he’s got a crush on her. Yasuko never even thought about it. She’s happy she’s left her ex-husband behind and doesn’t work in a bar anymore. Her life with her daughter, her work at the bento shop, fulfill her. She’s not interested in men. Ishigami has heard the fight through the thin walls and interpreted correctly that Yasuko killed her husband in self-defence. Because her daughter is in part responsible for the killing, she doesn’t want to go to the police and Ishigami tells her that he will take care of it. He will provide her with the perfect alibi.

When the dead man’s found near a river, the police soon question Yasuko and her daughter. For some reason they suspect her. But almost every element of the alibi holds up. The police also find out about Ishigami and his infatuation, and so the two are scrutinized even more closely. The detective who is in charge of the murder investigation is friends with a famous physician Dr. Yukawa. When he tells him of the investigation, they find out, that Yukawa and Ishigami used to be friends. Intrigued, Yukawa contacts Ishigami. At first he wants to renew their friendship but then he starts to suspect something and starts his own investigation.

The story is multilayered and told from different perspectives. It’s also psychologically complex. This complexity is part of the mystery. Yasuko meets Kudo, someone from her days at the bar, and begins a relationship with him. As soon as this happens, everything shifts. There’s the fear Ishigami may betray her out of jealousy. The police suspect her again because they think maybe her new lover helped her get rid of her ex-husband. And Ishigami is afraid that she might tell Kudo something.

The whole time, the reader wonders how Ishigami did it. How could he provide them with such an alibi? The end was very different from what I expected. It had two twists I didn’t see coming. While the book works as a crime novel, it’s just as good on many other levels. The characters are unusual and well-rounded. The relationships are complex and interesting. Ishigami, who’s the first narrator, is by far the most intriguing protagonist. Not only because he helps Yasuko, but because of everything else we find out about him. Not an everyday character by any means. It feels like they are all trapped in a web, and every tiny movement, affects them all. Even the police. The possible outcome, the course of the investigation is much more important for the detective than it usually is in a crime novel, because his best friend begins to investigate as well.

The Devotion of Suspect X is a very clever novel. It’s as subtle as it is complex, told in a cool tone and infused with a gentle, melancholic mood. I absolutely loved it.

japanese-literature-challenge-x

The review is my first contribution to Bellezza’s Japanese Literature Challenge X

Here’s the review list.

Literature and War Readalong 2017

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Some Literature and War Readalong lists took a long time. Not this one. The only thing that took some time was deciding whether I wanted to choose twelve books like I used to or only five like I did in the last two years. In the end, I decided for a compromise and that’s why this year’s list has ten titles, three of which will be the readalong books for May. Usually the summer months and the end of December have never been ideal dates, so I’m skipping those.

Now to my book choices. As you will see, with one exception, they are all focussing on WWII. I always strive for diversity and this year is no exception. There are books from five different countries on the list. Every year I include American novels, this year, to make a statement, I chose two Native American writers. Three of the other novels are French, one is Czech, and one German. May’s choice(s) are special because, for the first time, I decided to include poems. We will be reading and discussing British war poems. Some from poets who wrote during WWI, some from contemporary poets like Vanessa Gebbie and Caroline Davies. I’d like to thank Caroline for suggesting I include poems.

Here are the books and their blurbs.

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January, Tuesday 31

House Made of Dawn by N. Scott Momaday, 208 pages, US 1966, WWII

The magnificent Pulitzer Prize-winning novel of a stranger in his native land

A young Native American, Abel has come home from a foreign war to find himself caught between two worlds. The first is the world of his father’s, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world — modern, industrial America — pulls at Abel, demanding his loyalty, claiming his soul, goading him into a destructive, compulsive cycle of dissipation and disgust. And the young man, torn in two, descends into hell.

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February, Tuesday 28

Magnus by Sylvie Germain, 190 pages, France 2005, WWII

Magnus is a deeply moving and enigmatic novel about the Holocaust and its ramifications. It is Sylvie Germain’s most commercially successful novel in France. It was awarded The Goncourt Lyceen Prize. Magnus’s story emerges in fragments, with the elements of his past appearing in a different light as he grows older. He discovers the voices of the deceased do not fall silent. He learns to listen to them and becomes attuned to the echoes of memory.

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March, Friday 31

Closely Observed Trains – Ostře sledované vlaky by Bohumil Hrabal, 96 pages, Czech Republic 1965, WWII

For gauche young apprentice Milos Hrma, life at the small but strategic railway station in Bohemia in 1945 is full of complex preoccupations. There is the exacting business of dispatching German troop trains to and from the toppling Eastern front; the problem of ridding himself of his burdensome innocence; and the awesome scandal of Dispatcher Hubicka’s gross misuse of the station’s official stamps upon the telegraphist’s anatomy. Beside these, Milos’s part in the plan for the ammunition train seems a simple affair.

the-war

April, Friday 28

La douleur  – The War by Marguerite Duras, 217 pages, France 1985, WWII

This 1944 diary of a young Resistance member, written during the last days of the French occupation and the first days of the liberation, is only now being published – Duras says she forgot about it during the intervening years, and only recently rediscovered it in a cupboard. The loneliness and ambivalence of love and war have appeared in Duras’ work before, from The Lover to Hiroshima Mon Amour, in which a Frenchwoman reveals to her Japanese lover, after the bomb, that she was tortured and imprisoned in postwar France for her affair with a German soldier. In the first section of The War, Duras the heroine waits for her husband to return from the Belsen concentration camp. When De Gaulle (“by definition leader of the Right – “) says, “The days of weeping are over. The days of glory have returned,” Duras says, “We shall never forgive him.” It’s because he’s denying the people’s loss. When her husband returns, she has to hide the cake she baked for him, because the weight of food in his system can kill. (We are spared no detail of his physical degradation, even to being told the color of his stools.) When he is stronger, she tells him she is divorcing him to marry another Resistance member. In the second section, set earlier, at the time of her husband’s arrest, a Gestapo official plays a cat-and-mouse game with Duras, to whom he’s attracted, preying on her desperation to help her husband. In the third section, post-liberation, she switches roles, becomes an interrogator as Resistance members torture a Nazi informer. She also half-falls in love (with characteristic Duras dualism) with a young prisoner who childishly joined the collaborationist forces out of nothing more than a passion for fast cars and guns. In her preface, Duras says it “appalls” her to reread this memoir, because it is so much more important than her literary work. Certainly, like everything she has written in her spare, impassive voice, the book is at once elegant and brutal in its honesty: in her world, we are all outcasts, and the word “liberation” is never free of irony. A powerful, moving work. (Kirkus Reviews) –This text refers to an out of print or unavailable edition of this title.

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May, Wednesday 31

Poems of the Great War

Published to commemorate the eightieth anniversary of Armistice, this collection is intended to be an introduction to the great wealth of First World War Poetry. The sequence of poems is random – making it ideal for dipping into – and drawn from a number of sources, mixing both well-known and less familiar poetry.

Voices from Stone and Bronze by Caroline Davies

A moving, honest and never sentimental collection that gives a voice to London’s many war memorials.
In her second poetry collection Caroline Davies turns her attention to the War Memorials of London. Voices from Stone and Bronze brings to life those who fought and died and those who survived, including some of the sculptors who had themselves come through trench warfare to a changed world.
Meticulously researched and deeply humane, these narrative poems apply a lyrical sensibility without sentimentalism; a deeply affective collection.

Memorandum by Vanessa Gebbie

Memorandum is a haunting collection of poems that summons voices from the shadows of the First World War. Vanessa Gebbie transforms prosaic records of ordinary soldiers, and the physical landscape of battles, war graves and memorials, into poignant reflections on the small and greater losses to families and the world. Vanessa Gebbie is a writer of prose and poetry. Author of seven books, including a novel, short fictions and poetry, her work has been supported by an Arts Council England Grant for the Arts, a Hawthornden Fellowship and residencies at both Gladstone’s Library and Anam Cara Writers’ and Artists’ Retreat. She teaches widely. http://www.vanessagebbie.com “From the idea of a shell reverting to its unmade, peaceful state to dead men buried in Brighton and France being mourned by their mother in Glasgow … heartrending images such as the Tower of London’s ceramic poppies seen as callow recruits, doubts about a corpse’s identity and how dregs at the bottom of a cup can be reminiscent of the deadly Flanders mud. This is a modern view, wise and compassionate, of Europe’s fatal wound.” Max Egremont, author of Siegfried Sassoon and Some Desperate Glory, The First World War the Poets Knew “Vanessa Gebbie is that rare breed of poet who understands the trials and tribulations of the ordinary Tommy.” Jeremy Banning, military historian and researcher, battlefield guide “The dead who linger around memorials and battlefields slowly step again into the light. History may remember them collectively, but Gebbie’s achievement is to present, with sensitivity and without sentimentality, lives rooted in the particular rhythms of hometowns, families, and memories.” John McCullough, author of Spacecraft and The Frost Fairs “These poems rise like ghosts from a scarred landscape.” Caroline Davies, author of Convoy

ceremony

September, Friday 29

Ceremony by Leslie Marmon Silko, 243 pages, US 1977, WWII

The great Native American Novel of a battered veteran returning home to heal his mind and spirit
More than thirty-five years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature, a novel that is itself a ceremony of healing. Tayo, a World War II veteran of mixed ancestry, returns to the Laguna Pueblo Reservation. He is deeply scarred by his experience as a prisoner of the Japanese and further wounded by the rejection he encounters from his people. Only by immersing himself in the Indian past can he begin to regain the peace that was taken from him. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power. The Penguin Classics Deluxe Edition contains a new preface by the author and an introduction by Larry McMurtry.

suite-francaise

October, Tuesday 31

Suite Française by Irène Nemirovsky, 432 pages, France 1942, WWII

Set during the year that France fell to the Nazis, Suite Française falls into two parts. The first is a brilliant depiction of a group of Parisians as they flee the Nazi invasion; the second follows the inhabitants of a small rural community under occupation. Suite Française is a novel that teems with wonderful characters struggling with the new regime. However, amidst the mess of defeat, and all the hypocrisy and compromise, there is hope. True nobility and love exist, but often in surprising places.

Irène Némirovsky began writing Suite Française in 1940, but her death in Auschwitz prevented her from seeing the day, sixty-five years later, that the novel would be discovered by her daughter and hailed worldwide as a masterpiece.

the-oppermanns

November, Wednesday 29

The Oppermanns  – Die Geschwister Oppermann by Lion Feuchtwanger, 416 pages, Germany 1934, WWII

First published in 1934 but fully imagining the future of Germany over the ensuing years, The Oppermanns tells the compelling story of a remarkable German Jewish family confronted by Hitler’s rise to power. Compared to works by Voltaire and Zola on its original publication, this prescient novel strives to awaken an often unsuspecting, sometimes politically naive, or else willfully blind world to the consequences of its stance in the face of national events — in this case, the rising tide of Nazism in 1930s Germany. The past and future meet in the saga of the Oppermanns, for three generations a family commercially well established in Berlin. In assimilated citizens like them, the emancipated Jew in Germany has become a fact. In a Berlin inhabited by troops in brown shirts, however, the Oppermanns have more to fear than an alien discomfort. For along with the swastikas and fascist salutes come discrimination, deceit, betrayal, and a tragedy that history has proved to be as true as this novel’s astonishing, profoundly moving tale.

 

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I’m looking forward to reading these books and hope that some of you might be tempted to join me and join the discussions.

For those who are new to this blog – you can either read the book and just join the discussion or you can post a review on your blog/Goodreads  . . . as well. I post my review on the announced date and will link to anyone else’s review. The discussion normally begins that day and lasts several days.