Pascal Quignard: Villa Amalia (2006)

I’ve heard so many good things about Pascal Quignard that I finally had to read him. I had two of his books on my piles, Tous les matins du mondeAll the World’s Monrnings and Villa Amalia, which will be published in English later this month. I finally decided to read Villa Amalia because I wasn’t in the mood for historical fiction.

At the beginning of the novel, the musician and composer Ann Hidden follows her boyfriend because she suspects he’s being unfaithful. She’s right and it hurts her terribly. While she does confront him, she’s not really interested in hearing what he has to say. Her mind is made up, she will leave her house, and everything else behind. She sells her house and all of her belongings, telling nobody but an old childhood friend who helps her to disappear. At first, she wants to tell her mother when she visits her in Brittany but their relationship is so tense, she only tells her she will travel.

Even though her childhood friend Georges knows what she’s doing, she also lies to him about her voyage. He thinks she’s in Africa, but she’s actually travelling first to Switzerland, where she stays in the Alps for a while, and then settles on the seaside in Southern Italy, on the island of Ischia. Here, she takes long baths and walks and begins to compose again. Ann has long abandoned giving concerts, she now dedicates her time solely to her own music and the transcription and reinterpretation of old masters, whose music she simplifies.

One day, on one of her walks, she sees a house high up on a hill and falls in love with the place. It’s a love and a longing so intense it seems strange that she feels this for a place and not a person. Villa Amalia has been abandoned for years and it’s not easy to track down the owners. She finds them eventually and is allowed to rent the house and renovate it. For the first time in her life, Ann Hidden is not only happy but has a sense of belonging somewhere. Later, she finds friends, a lover, and lives with a woman and a small child in great harmony until something terrible happens and she begins her wanderings again.

Villa Amalia is an astonishingly beautiful book. Ann Hidden is unlike any character I’ve come across in any book recently. If anything, she reminded me a bit of the one or the other character in Japanese fiction. She’s cold and distant but with a depth of feeling and a sense of beauty that makes her appealing. She carries wounds from her childhood that run very deep and explain why she’s cold and why she abandoned everything to try to find freedom.

The book beautifully explores several themes. The most obvious is how we deal with loss and abandonment. Another theme is life outside of what is considered conventional/normal. Ann finds nontraditional ways to interact and live with people. Every choice Ann makes is surprising because it’s a free choice. Most of us do or have to consider consequences, other people’s feelings, the future etc. Ann never does. She chooses the way that feels right to her at a given time. Another theme that is extremely important is creation. Or, more precisely, the creation of music. Where does music come from? Ann is a taciturn person who loves silence, yet she seems to have a well in her from which one melody after the other pours out.

I liked this book very much but it took me ages to finally review it because it’s so difficult to put into words why this is so beautiful or why I liked it so much. It’s a bit like with an elusive scent. It’s hard to describe it to someone else and explain why you like it.

I would have liked to share quotes but I’ve read this in French and the translation will only be out at the end of the month. I always find it a bit futile to do my own translations, when there is or will be an English version available.

Like All the World’s Mornings, Villa Amalia has been made into a movie starring Isabelle Huppert and one of my favourite actors Jean-Hughes Anglade. I hope to watch it soon.

Irène Némirovsky: Suite Française (2004) Literature and War Readalong October 2017

Suite Française, Irène Némirovsky’s posthumously published novel was written in 1942, rediscovered in 1998 and published in 2004. Originally it was planned as a sequence of five novels, but Némirovksy was deported and murdered in Auschwitz before she could complete it.

The two novels included in Suite FrançaiseTempête en juin and Dolce – can be read individually. There are a few characters that are mentioned in both but that does not affect the plot. Judging from the notes Némirovsky left, part three, would have reintroduced a number of the characters from the first books. We can assume, that all five books together would have worked a bit like Balzac’s Comédie Humaine.

Part one, Tempête en juin, which is much more episodic than part two, begins in Paris, in 1941 when the Germans arrive. Thousands of people flee in panic. The book follows several groups of people who all flee the town. Gabriel Corte, a famous writer, flees with his mistress. Some members of the Péricand family flee to Nîmes, where they have family. One of the sons is in the army, another one runs aways to join the army and a third, a priest, is guiding orphans out of the town. Charles Langelet, an aesthete and collector of art and porcelain, flees in a car. The Michaud’s, two bank employees, try to join the staff of the bank in Troyes. Their son Jean-Marie, who has been wounded, is recovering in Bussy.

The narrative moves back and forth between these people, yet the result is anything but disjointed because the tone is so similar and the descriptions so astute. At times it feels like a documentary. The reader is there all the time. We can see, hear and smell the chaos, the fear, the panic. But we also see people at their worst. Most of those Némirovsky chose to describe, with the exception of the Michauds, are rich people. Rich people with a lot of possessions that they don’t want to lose and cling to. People who think that even under dire circumstances, when there’s no food, no shelter, they should still be able to get what they want because they can pay for it. Most of these people are shown as materialistic, ruthless and selfish. They cling to their things in a way that’s absurd. The best example for this is the collector Langelet. He tricks a young couple and steals their petrol, just to save himself and his possessions. In the end, he has nowhere to go and returns to Paris. We see him unwrapping his collection, dine in expensive restaurants and return to his life as a socialite, until he has the most absurd accident.

Part one ends with the armistice and the Germans occupying large parts of France.

Part two begins right after the armistice and is set in the province, in Bussy. It shows how the French dealt with the German occupation and ends when Germany begins the invasion of Russia and the troops stationed in Bussy are sent to the Eastern Front.

Part two has two main story lines. One centers on Lucile Angellier whose husband is a prisoner of war. The Angelliers are one of the richest families of Bussy that’s why a Oberleutnant of the Wehrmacht is billeted at their house. Lucile and the Oberleutnant both seem unhappy in their respective marriages. After long shared walks and endless discussions about music and art, they fall in love but don’t engage in an affair.

The second story line follows a French farmer who was a prisoner of war and escaped. He’s one of those who has the hardest time accepting the new masters. While things look peaceful, under the surface it’s boiling. The French resent the Germans, resent that they eat their food, flirt with their women, live in their houses and make the rules. Who disobeys is shot.

Both parts are very good but I loved the first one more. The descriptions, the choice of details, the characterisations were so captivating that I could hardly put it down. I could also relate to it far more as my father’s family was among those who fled Paris when the Germans arrived. Nobody spoke about it. My dad had just been born, so he didn’t experience it and other members of the family didn’t talk about it. I know they fled to Brittany where my grandmother was from. Brittany was among the parts occupied by the Germans and they spoke about that. Just like in Dolce, they described the Germans as mostly very polite and even kind, but, like in Dolce, they found that even harder to take. Psychologically, an occupation is an extremely difficult experience. So many conflicting emotions play into it. Irène Némirovsky excels at describing this.

Obviously, this novel spoke to me because it shed light on some questions I had about my family’s history, but even without that, I would have loved this book for its minute details and because it focused on  aspects of the war that are often just briefly mentioned. I can’t think of any other novel that focuses on the invasion of Paris and the early occupation. Most other books either focus on the fighting or on the resistance. I also liked how critical she seems of human behaviour. All too often historical WWII novels or period movies choose to show how people grow under the circumstances, how they overcome their pettiness and selfishness, turn into heroes. The shared tragedy brings out the best in them. While I’m sure, this is true for some, for many it isn’t. Since Némirovsky experienced what she described, I’m pretty sure, her description is more realistic than the idealized versions we usually see. In her book, the Michauds are the only people who seem to grow morally under the circumstances.

One could write endlessly about this book. I only scratched the surface. Suite Française is more than just an outstanding novel, it’s an invaluable document. What a terrible shame it wasn’t finished. That said, it doesn’t feel unfinished.

Other Review

TJ (My Book Strings)

 

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Suite Française is the sixth book in the Literature and War Readalong 2017. The next book is the German pre-war novel The Oppermanns  – Die Geschwister Oppermann by Lion Feuchtwanger. Discussion starts on Wednesday, November 29, 2017. You can  find further information on the Literature and War Readalong 2017, including the book blurbs here.

Literature and War Readalong October 2017: Suite Française by Irène Némirovsky

 

Irène Némirovsky’s posthumously published book Suite Française has been on my pile for ages. I bought the French edition when it came out in 2004. The book consists of two fifths of a novel that was planned to have five parts. Irène Némirovsky wasn’t able to finish her work.  The author, who was of Ukrainian Jewish origin, was deported by the Nazis and killed in 1942.

Usually I start my readalong books later in the month but given that this one is over 500 pages long, I started early. That’s why I can do something, I usually can’t do— urge you to pick this up. I haven’t finished yet but I can already tell – this is fantastic and will make my end of year list.

Most WWII novels we’ve read for the readalong were written either with hindsight or as contemporary historical novels. Not this one. It was written while things happened, which gives it a poignancy, many other books lack. In that it reminds me of Duras’ La douleur.

Here are the first sentences:

Hot, thought the Parisians. The warm air of spring. It was night, they were at war and there was an air raid. But dawn was near and the war far away. The first to hear the hum of the siren were those who couldn’t sleep—the ill and bedridden, mothers with sons at the front, women crying for the men they loved. To them it began as a long breath, like air being forced into a deep sigh. It wasn’t long before its wailing filled the sky. It came from afar, from beyond the horizon, slowly, almost lazily. Those still asleep dreamt of waves breaking over pebbles, a March storm whipping the woods, a herd of cows trampling the ground with their hooves, until finally sleep was shaken off and they struggled to open their eyes, murmuring. “Is it an air raid?”

And some details and the blurb for those who want to join

Suite Française by Irène Nemirovsky, 432 pages, France 1942, WWII

Set during the year that France fell to the Nazis, Suite Française falls into two parts. The first is a brilliant depiction of a group of Parisians as they flee the Nazi invasion; the second follows the inhabitants of a small rural community under occupation. Suite Française is a novel that teems with wonderful characters struggling with the new regime. However, amidst the mess of defeat, and all the hypocrisy and compromise, there is hope. True nobility and love exist, but often in surprising places.

Irène Némirovsky began writing Suite Française in 1940, but her death in Auschwitz prevented her from seeing the day, sixty-five years later, that the novel would be discovered by her daughter and hailed worldwide as a masterpiece.

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The discussion starts on Tuesday, 31 October 2017.

Further information on the Literature and War Readalong 2017, including all the book blurbs, can be found here.

Sylvie Germain: Magnus (2005) Literature and War Readalong February 2017

magnusmagnus-edition-francaise

Sylvie Germain is an author I’ve meant to read for ages. I own half a dozen of her books, but it needed the nudge of my readalong to finally get to her. I’m certainly glad I chose Magnus because I don’t think I’ve ever read anything quite like this. It’s unique in its approach, structure, and complexity.

The prologue or “Ouverture” tells us that the book explores a man’s life. The life of a man with a faulty memory, a memory that has been fed wrong information and is full of gaps and holes. The narrator muses that no life is ever as chronological as we think it is and that all memory and stories are filled with holes and gaps. Because of this logic, the book isn’t divided into chapters but into numbered sections called “fragments”, which alternate with other sections called “Notes”, “Echoes”, “Sequences”. These sections add depth, give background information. They are accompanied by quotes from books and short biographies of real people like Dieter Bonhoeffer.

This might sound like it was a disjointed book but it wasn’t. It felt very organic and dynamic, like watching a puzzle take form. Most fragments were numbered chronologically, some earlier fragments however came later. This mirrored the protagonists way of remembering and let the reader take part in the experience of discovery.

The beginning of the book is set in Germany, during WWII. A little boy called Franz-Georg comes out of a severe illness that has erased the memory of his earlier life. His mother fills the gaps with stories. He cannot make sense of most of what happens around him or of the roles his parents play. He only knows his father is a famous doctor and that when the war ends, they have to flee. Since not only his memory but his consciousness seem to have been wiped out, he knows nothing of the atrocities that took place in Germany and, unlike the reader, never suspects that his father was a doctor in a concentration camp.

Like so many Nazis, his father flees to South America where he dies in an accident. His mother, who doesn’t want to live anymore, sends her son to her brother who lives in London. The two siblings were on opposing political sides before and during the war. Lothar, Franz’s uncle, fought with the resistance with the famous pastor Dieter Bonhoeffer.

By the time Franz comes to London, he knows what happened in Germany and what role his parents played. How do you live with this kind of truth? Franz is almost crushed by it but there are other things that make him restless, give him a feeling of not belonging.

The book follows him to South America where he retraces his dad’s journey. Exposed to the sun and extreme emotions he has a breakdown and fragments from his early childhood emerge and he finds out the truth about his so-called illness. I didn’t see this twist coming and it hit me with full force. In this early fragment we are with the child during the bombing of Hamburg and witness a horrific tragedy. I don’t think I’ve ever come across any scene that captures the horror of being bombed so vividly. Nor have I literally felt the gaps of a narrative closing like this. Because a lot of what we read before tells us just as much as Franz knows, we’re stunned when his memory returns and the gaps are filled.

Magnus is the story of a life but it’s also a meditation on memory, loss, and guilt and how we handle them. Just like our own minds add bits and pieces, memories, information and anecdotes, the book adds elements from various sources. There’s a richness of details and information here that function like small doors that one can enter to find out more. You could read it without looking up anything, or you can follow the many leads Sylvie Germain has added. It’s very much Sylvie Germain’s book but enriched by the many quotes taken from other novels (Juan Rulfo’s Pedro Páramo), nonfiction on war (Sebald On the Natural History of Destruction), plays (Shakespeare’s King Lear) and other sources.

The book also explores how postwar society dealt with Nazis. Many escaped and were never found, but some, like Eichmann, were brought to justice long after the war.

Dieter Bonhoeffer and his resistance group serve as a counterbalance to the stories of war criminals. I was familiar with his name but I didn’t know anything about his life. I will be reading more of and about him soon.

Sylvie Germain’s writing is at times almost scientific, then again it’s lyrical but it’s never warm. We’re always held at arm’s length, never get close to Franz.

Later in the book, when Franz has remembered what happened before the so-called illness, he takes the name Magnus. Magnus is the name of his teddy bear, who has been with him all of his life. The use of this bear is another arresting element of the book. He too, undergoes changes, not only physically but his meaning changes too. He’s a sort of guide for Magnus because as long as he hasn’t solved the meaning of certain elements – the name that sounds nordic, a ear that has burn marks – Magnus, the man, still doesn’t own his story. It’s no surprise then, that Fragment 1, which comes in the middle of the book, reveals the bear’s secret.

I’m afraid, I could only scrape the surface of this beautiful and complex novel. I’d say it’s one of the best books on war and memory and the importance to remember our own story and the history of our society. For such a sophisticated novel, Magnus is surprisingly captivating and suspenseful. There are two powerful twists that I didn’t see coming. Truly a tour de force.

Other Review

Danielle (A Work in Progress)

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Magnus is the second book in the Literature and War Readalong 2017. The next book is the Czech WWII novel Closely Observed Trains by Bohumil Hrabal. Discussion starts on Friday 31 March, 2017. You can  find further information on the Literature and War Readalong 2017, including the book blurbs here.

Literature and War Readalong February 28 2017: Magnus by Sylvie Germain

magnus

Sylvie Germain is a highly acclaimed French author of fiction and nonfiction. She earned a PhD in philosophy and studied with the famous French philosopher Emmanuel Levinas. Most of her novels have won multiple prizes. The most famous ones are Le livre des nuitsThe Book of Nights, Nuit d’ambreNight of Amber, Jours de colèreDays of Anger and Magnus. 

 

Here are the first sentences of Magnus:

Prologue

A meteorite explosion may yield a few small secrets about the origin of the universe. From a fragment of bone we can deduce the structure and appearance of a prehistoric animal; from a vegetal fossil, the presence long ago in a now desert region of luxuriant flora. Infinitesimal and enduring a plethora of traces survive time out of mind.

A scrap of papyrus or a shard of pottery can take us back to a civilisation that disappeared thousands of years ago. The root of a word can illuminate for us a constellation of derivations and meanings. Remains, pit-stones always retain an indestructible kernel of vitality.

In every instance, imagination and intuition are needed to help interpret the enigmas.

And some details and the blurb for those who want to join

Magnus by Sylvie Germain, 190 pages, France 2005, WWII

Magnus is a deeply moving and enigmatic novel about the Holocaust and its ramifications. It is Sylvie Germain’s most commercially successful novel in France. It was awarded The Goncourt Lyceen Prize. Magnus’s story emerges in fragments, with the elements of his past appearing in a different light as he grows older. He discovers the voices of the deceased do not fall silent. He learns to listen to them and becomes attuned to the echoes of memory.

 

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The discussion starts on Tuesday, 28 February 2017.

Further information on the Literature and War Readalong 2017, including all the book blurbs, can be found here.

Literature and War Readalong 2017

house-made-of-dawnmagnusclosely-observed-trainsthe-warpoems-of-the-great-warvoices-from-stone-and-bronzeconvoymemorandumceremonysuite-francaisethe-oppermanns

Some Literature and War Readalong lists took a long time. Not this one. The only thing that took some time was deciding whether I wanted to choose twelve books like I used to or only five like I did in the last two years. In the end, I decided for a compromise and that’s why this year’s list has ten titles, three of which will be the readalong books for May. Usually the summer months and the end of December have never been ideal dates, so I’m skipping those.

Now to my book choices. As you will see, with one exception, they are all focussing on WWII. I always strive for diversity and this year is no exception. There are books from five different countries on the list. Every year I include American novels, this year, to make a statement, I chose two Native American writers. Three of the other novels are French, one is Czech, and one German. May’s choice(s) are special because, for the first time, I decided to include poems. We will be reading and discussing British war poems. Some from poets who wrote during WWI, some from contemporary poets like Vanessa Gebbie and Caroline Davies. I’d like to thank Caroline for suggesting I include poems.

Here are the books and their blurbs.

house-made-of-dawn

January, Tuesday 31

House Made of Dawn by N. Scott Momaday, 208 pages, US 1966, WWII

The magnificent Pulitzer Prize-winning novel of a stranger in his native land

A young Native American, Abel has come home from a foreign war to find himself caught between two worlds. The first is the world of his father’s, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world — modern, industrial America — pulls at Abel, demanding his loyalty, claiming his soul, goading him into a destructive, compulsive cycle of dissipation and disgust. And the young man, torn in two, descends into hell.

magnus

February, Tuesday 28

Magnus by Sylvie Germain, 190 pages, France 2005, WWII

Magnus is a deeply moving and enigmatic novel about the Holocaust and its ramifications. It is Sylvie Germain’s most commercially successful novel in France. It was awarded The Goncourt Lyceen Prize. Magnus’s story emerges in fragments, with the elements of his past appearing in a different light as he grows older. He discovers the voices of the deceased do not fall silent. He learns to listen to them and becomes attuned to the echoes of memory.

closely-observed-trains

March, Friday 31

Closely Observed Trains – Ostře sledované vlaky by Bohumil Hrabal, 96 pages, Czech Republic 1965, WWII

For gauche young apprentice Milos Hrma, life at the small but strategic railway station in Bohemia in 1945 is full of complex preoccupations. There is the exacting business of dispatching German troop trains to and from the toppling Eastern front; the problem of ridding himself of his burdensome innocence; and the awesome scandal of Dispatcher Hubicka’s gross misuse of the station’s official stamps upon the telegraphist’s anatomy. Beside these, Milos’s part in the plan for the ammunition train seems a simple affair.

the-war

April, Friday 28

La douleur  – The War by Marguerite Duras, 217 pages, France 1985, WWII

This 1944 diary of a young Resistance member, written during the last days of the French occupation and the first days of the liberation, is only now being published – Duras says she forgot about it during the intervening years, and only recently rediscovered it in a cupboard. The loneliness and ambivalence of love and war have appeared in Duras’ work before, from The Lover to Hiroshima Mon Amour, in which a Frenchwoman reveals to her Japanese lover, after the bomb, that she was tortured and imprisoned in postwar France for her affair with a German soldier. In the first section of The War, Duras the heroine waits for her husband to return from the Belsen concentration camp. When De Gaulle (“by definition leader of the Right – “) says, “The days of weeping are over. The days of glory have returned,” Duras says, “We shall never forgive him.” It’s because he’s denying the people’s loss. When her husband returns, she has to hide the cake she baked for him, because the weight of food in his system can kill. (We are spared no detail of his physical degradation, even to being told the color of his stools.) When he is stronger, she tells him she is divorcing him to marry another Resistance member. In the second section, set earlier, at the time of her husband’s arrest, a Gestapo official plays a cat-and-mouse game with Duras, to whom he’s attracted, preying on her desperation to help her husband. In the third section, post-liberation, she switches roles, becomes an interrogator as Resistance members torture a Nazi informer. She also half-falls in love (with characteristic Duras dualism) with a young prisoner who childishly joined the collaborationist forces out of nothing more than a passion for fast cars and guns. In her preface, Duras says it “appalls” her to reread this memoir, because it is so much more important than her literary work. Certainly, like everything she has written in her spare, impassive voice, the book is at once elegant and brutal in its honesty: in her world, we are all outcasts, and the word “liberation” is never free of irony. A powerful, moving work. (Kirkus Reviews) –This text refers to an out of print or unavailable edition of this title.

poems-of-the-great-warvoices-from-stone-and-bronzememorandum

May, Wednesday 31

Poems of the Great War

Published to commemorate the eightieth anniversary of Armistice, this collection is intended to be an introduction to the great wealth of First World War Poetry. The sequence of poems is random – making it ideal for dipping into – and drawn from a number of sources, mixing both well-known and less familiar poetry.

Voices from Stone and Bronze by Caroline Davies

A moving, honest and never sentimental collection that gives a voice to London’s many war memorials.
In her second poetry collection Caroline Davies turns her attention to the War Memorials of London. Voices from Stone and Bronze brings to life those who fought and died and those who survived, including some of the sculptors who had themselves come through trench warfare to a changed world.
Meticulously researched and deeply humane, these narrative poems apply a lyrical sensibility without sentimentalism; a deeply affective collection.

Memorandum by Vanessa Gebbie

Memorandum is a haunting collection of poems that summons voices from the shadows of the First World War. Vanessa Gebbie transforms prosaic records of ordinary soldiers, and the physical landscape of battles, war graves and memorials, into poignant reflections on the small and greater losses to families and the world. Vanessa Gebbie is a writer of prose and poetry. Author of seven books, including a novel, short fictions and poetry, her work has been supported by an Arts Council England Grant for the Arts, a Hawthornden Fellowship and residencies at both Gladstone’s Library and Anam Cara Writers’ and Artists’ Retreat. She teaches widely. http://www.vanessagebbie.com “From the idea of a shell reverting to its unmade, peaceful state to dead men buried in Brighton and France being mourned by their mother in Glasgow … heartrending images such as the Tower of London’s ceramic poppies seen as callow recruits, doubts about a corpse’s identity and how dregs at the bottom of a cup can be reminiscent of the deadly Flanders mud. This is a modern view, wise and compassionate, of Europe’s fatal wound.” Max Egremont, author of Siegfried Sassoon and Some Desperate Glory, The First World War the Poets Knew “Vanessa Gebbie is that rare breed of poet who understands the trials and tribulations of the ordinary Tommy.” Jeremy Banning, military historian and researcher, battlefield guide “The dead who linger around memorials and battlefields slowly step again into the light. History may remember them collectively, but Gebbie’s achievement is to present, with sensitivity and without sentimentality, lives rooted in the particular rhythms of hometowns, families, and memories.” John McCullough, author of Spacecraft and The Frost Fairs “These poems rise like ghosts from a scarred landscape.” Caroline Davies, author of Convoy

ceremony

September, Friday 29

Ceremony by Leslie Marmon Silko, 243 pages, US 1977, WWII

The great Native American Novel of a battered veteran returning home to heal his mind and spirit
More than thirty-five years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature, a novel that is itself a ceremony of healing. Tayo, a World War II veteran of mixed ancestry, returns to the Laguna Pueblo Reservation. He is deeply scarred by his experience as a prisoner of the Japanese and further wounded by the rejection he encounters from his people. Only by immersing himself in the Indian past can he begin to regain the peace that was taken from him. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power. The Penguin Classics Deluxe Edition contains a new preface by the author and an introduction by Larry McMurtry.

suite-francaise

October, Tuesday 31

Suite Française by Irène Nemirovsky, 432 pages, France 1942, WWII

Set during the year that France fell to the Nazis, Suite Française falls into two parts. The first is a brilliant depiction of a group of Parisians as they flee the Nazi invasion; the second follows the inhabitants of a small rural community under occupation. Suite Française is a novel that teems with wonderful characters struggling with the new regime. However, amidst the mess of defeat, and all the hypocrisy and compromise, there is hope. True nobility and love exist, but often in surprising places.

Irène Némirovsky began writing Suite Française in 1940, but her death in Auschwitz prevented her from seeing the day, sixty-five years later, that the novel would be discovered by her daughter and hailed worldwide as a masterpiece.

the-oppermanns

November, Wednesday 29

The Oppermanns  – Die Geschwister Oppermann by Lion Feuchtwanger, 416 pages, Germany 1934, WWII

First published in 1934 but fully imagining the future of Germany over the ensuing years, The Oppermanns tells the compelling story of a remarkable German Jewish family confronted by Hitler’s rise to power. Compared to works by Voltaire and Zola on its original publication, this prescient novel strives to awaken an often unsuspecting, sometimes politically naive, or else willfully blind world to the consequences of its stance in the face of national events — in this case, the rising tide of Nazism in 1930s Germany. The past and future meet in the saga of the Oppermanns, for three generations a family commercially well established in Berlin. In assimilated citizens like them, the emancipated Jew in Germany has become a fact. In a Berlin inhabited by troops in brown shirts, however, the Oppermanns have more to fear than an alien discomfort. For along with the swastikas and fascist salutes come discrimination, deceit, betrayal, and a tragedy that history has proved to be as true as this novel’s astonishing, profoundly moving tale.

 

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I’m looking forward to reading these books and hope that some of you might be tempted to join me and join the discussions.

For those who are new to this blog – you can either read the book and just join the discussion or you can post a review on your blog/Goodreads  . . . as well. I post my review on the announced date and will link to anyone else’s review. The discussion normally begins that day and lasts several days.

Literature and War Readalong March 31 2016: 1914 by Jean Echenoz

1914

This month’s readalong title is the slim novel 1914  – 14 by prize-winning French author Jean Echenoz. He has won the Prix Médicis for Cherokee and the Prix Goncourt for I’m off – Je m’en vais, both prestigious prizes, and a number of smaller prizes as well. He’s been on my radar for a long while and when I saw he wrote a novel set during WWI, I was immediately tempted. To be honest, the book has received mixed reviews. I’m very curious to find out on which side I’ll be.

Interestingly, the French title is 14 not 1914. One could probably discuss endlessly why they chose 1914 for the English translation and whether it’s right to change it like that. When I compared the beginning of the two books in French and English I noticed considerable differences. Those who read it in English, will have to tell me what they think of the translation.

Here are the first sentences:

Since the weather was so inviting and it was Saturday, a half day, which allowed him to leave work early, Anthime set out on his bicycle after lunch. His plan: to take advantage of the radiant August sun, enjoy some exercise in the fresh country air, and doubtless stretch out on the grass to read, for he strapped to his bicycle a book too bulky to fit in the wire basket. After coasting gently out of the city, he lazed easily along for about six flat miles until forced to stand up on his pedals while tackling a hill, sweating as  he swayed from side to side. The hills of the Vendée in the Loire region of west-central France aren’t much, of course, and it was only a slight rise, but lofty enough to provide a rewarding view.

And some details and the blurb for those who want to join

1914  – 14 by Jean Echenoz, 120 pages France 2012, WWI

Here’s the blurb:

Jean Echenoz turns his attention to the deathtrap of World War I in 1914. Five Frenchmen go off to war, two of them leaving behind young women who long for their return. But the main character in this brilliant novel is the Great War itself. Echenoz, whose work has been compared to that of writers as diverse as Joseph Conrad and Laurence Sterne, leads us gently from a balmy summer day deep into the relentless – and, one hundred years later, still unthinkable – carnage of trench warfare.

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The discussion starts on Thursday, 31 March 2016.

Further information on the Literature and War Readalong 2016, including all the book blurbs, can be found here.