I read and reviewed several of Susan Hills books; her WWI novel Strange Meeting, the ghost stories The Woman in Black and The Small Hand, the memoir Howard’s End is on the Landing and recently – not reviewed – Jacob’s Room is Full of Books. I enjoyed them all. What I hadn’t tried yet, was her Simon Serrailler crime series. I can’t remember why I didn’t buy the first in the series but the fifth, I only know I bought it when it was published in 2010 – one of many pointless hardback purchases. Luckily, although it took me seven years to get to it, the novel was a very pleasant surprise.

The Shadows in the Street is set in Lafferton, a fiction cathedral town in Southern England. It opens from the point of view of one of the POV characters, Leslie Blade, a single librarian who lives with his elderly mother. In the evenings, Leslie often visists the young prostitutes of Lafferton and brings them tea and sandwiches. From his point of view the book switches to Abi, one of the young prostitutes the book focuses on. When one of Abi’s colleagues is brutally murdered, Leslie’s quickly one of the main suspects. We’re then introduced to Cat, Simon’s sister, who lost her husband. She’s the council doctor and active in the church and the church choir. The next characters we are introduced to are two young police officers, one who is new on the force and only came to Lafferton because of Simon Serrailler. Simon too makes an appearance but not “on the scene”, but in Scotland, where’s he’s on a holiday. After the first young woman is murdered, another one follows and a third, not a prostitute this time, disappears. And finally, Serrailler, returns to Lafferton.

In many ways The Shadows in the Streets is a peculiar crime novel. It’s part of the series featuring DC Simon Serrailler. Naturally, one would expect a police procedural but that’s not really what this is. It’s a mix between that and a psychological thriller. And one would expect that the main protagonist would be present from the beginning, but he’s absent for almost half of the book. There’s good reason for that – he’s on a holiday, recovering from his last case. While that may be different in other novels, I’m pretty sure many of the other elements are not. As crime novels go, this was one of the more diverse ones I’ve read. It’s written from many different POVs, including that of the perpetrator, but never giving away his identity. I like that. It’s become a staple of recent psychological thrillers to switch POV mid-way through the book and thus reveal the identity of the killer, which I hate. So many of my recent reads have been ruined because of that – last case in point Lisa Jewell’s Then She Was Gone. The Shadow in the Street takes time to introduce us to most of the characters, which gives the book a larger scope and transcends the genre. One can read this like a crime novel or a social commentary. It works well both ways. Clearly, Susan Hill felt strongly about the topic of prostitution and what society could or should do to help the women get out of this occupation. Introducing us to different characters, she paints different portraits, shows the despair, the struggle. Sometimes on both sides. There are well-meaning people who want to help – social workers, doctors, clergy – but they mostly fail.

While Simon Serrailler isn’t present in the beginning of the book, we still get to know him  very well. He’s definitely the kind of investigator I like. A bit of a loner, unpredictable, doing things his way, not following strict orders or procedures. In his spare time he paints. He’s so talented that he could become a full-time painter but he loves to do two very different things. I can definitely relate to that.

As far as crime novels go, this isn’t the tightest but I didn’t mind because I enjoyed reading it. There’s suspense and the ending is not obvious, but at the same time it has a leisurely pace and takes a lot of time to show the characters and explore its main theme – prostitution. Susan Hill is famous for her ghost stories. Ghost stories need strong atmosphere and since she excels in the genre, it’s not surprising that this book is atmospheric too.

This isn’t going to be my last Simon Serrailler. I’m very tempted to go back to the beginning and read the first very soon. Susan Hill’s a skilful story-teller and this series is a great addition to the genre.