Susan Hill: The Shadows in the Street (2010) Simon Serrailler 5

I read and reviewed several of Susan Hills books; her WWI novel Strange Meeting, the ghost stories The Woman in Black and The Small Hand, the memoir Howard’s End is on the Landing and recently – not reviewed – Jacob’s Room is Full of Books. I enjoyed them all. What I hadn’t tried yet, was her Simon Serrailler crime series. I can’t remember why I didn’t buy the first in the series but the fifth, I only know I bought it when it was published in 2010 – one of many pointless hardback purchases. Luckily, although it took me seven years to get to it, the novel was a very pleasant surprise.

The Shadows in the Street is set in Lafferton, a fiction cathedral town in Southern England. It opens from the point of view of one of the POV characters, Leslie Blade, a single librarian who lives with his elderly mother. In the evenings, Leslie often visists the young prostitutes of Lafferton and brings them tea and sandwiches. From his point of view the book switches to Abi, one of the young prostitutes the book focuses on. When one of Abi’s colleagues is brutally murdered, Leslie’s quickly one of the main suspects. We’re then introduced to Cat, Simon’s sister, who lost her husband. She’s the council doctor and active in the church and the church choir. The next characters we are introduced to are two young police officers, one who is new on the force and only came to Lafferton because of Simon Serrailler. Simon too makes an appearance but not “on the scene”, but in Scotland, where’s he’s on a holiday. After the first young woman is murdered, another one follows and a third, not a prostitute this time, disappears. And finally, Serrailler, returns to Lafferton.

In many ways The Shadows in the Streets is a peculiar crime novel. It’s part of the series featuring DC Simon Serrailler. Naturally, one would expect a police procedural but that’s not really what this is. It’s a mix between that and a psychological thriller. And one would expect that the main protagonist would be present from the beginning, but he’s absent for almost half of the book. There’s good reason for that – he’s on a holiday, recovering from his last case. While that may be different in other novels, I’m pretty sure many of the other elements are not. As crime novels go, this was one of the more diverse ones I’ve read. It’s written from many different POVs, including that of the perpetrator, but never giving away his identity. I like that. It’s become a staple of recent psychological thrillers to switch POV mid-way through the book and thus reveal the identity of the killer, which I hate. So many of my recent reads have been ruined because of that – last case in point Lisa Jewell’s Then She Was Gone. The Shadow in the Street takes time to introduce us to most of the characters, which gives the book a larger scope and transcends the genre. One can read this like a crime novel or a social commentary. It works well both ways. Clearly, Susan Hill felt strongly about the topic of prostitution and what society could or should do to help the women get out of this occupation. Introducing us to different characters, she paints different portraits, shows the despair, the struggle. Sometimes on both sides. There are well-meaning people who want to help – social workers, doctors, clergy – but they mostly fail.

While Simon Serrailler isn’t present in the beginning of the book, we still get to know him  very well. He’s definitely the kind of investigator I like. A bit of a loner, unpredictable, doing things his way, not following strict orders or procedures. In his spare time he paints. He’s so talented that he could become a full-time painter but he loves to do two very different things. I can definitely relate to that.

As far as crime novels go, this isn’t the tightest but I didn’t mind because I enjoyed reading it. There’s suspense and the ending is not obvious, but at the same time it has a leisurely pace and takes a lot of time to show the characters and explore its main theme – prostitution. Susan Hill is famous for her ghost stories. Ghost stories need strong atmosphere and since she excels in the genre, it’s not surprising that this book is atmospheric too.

This isn’t going to be my last Simon Serrailler. I’m very tempted to go back to the beginning and read the first very soon. Susan Hill’s a skilful story-teller and this series is a great addition to the genre.

Nicci French: Sunday Morning Coming Down (Frieda Klein 7)

Those who know this blog, know how much I like the writer duo Nicci French. The standalone novels as much as the Frieda Klein series. While I don’t think I’ve read any standalone titles that I didn’t thoroughly enjoy, there have been hits and misses in the Frieda Klein series. Because the hits are usually so great, I forgive them their misses and just hope for the best, when I start a new title. Luckily, this seventh instalment is an absolute winner. It’s one of the best of the series. Maybe we get a little less of Frieda Klein herself, but we get a lot of suspense instead.

Book number 6 has ended on a major cliff hanger and, so, book 7 begins where that one ended – Frieda finds a dead body in her house. And now I already don’t know what else to say because everything can potentially spoil one of the earlier books. Tricky. Let’s just say that someone who has played a major role in all of the novels has left the dead man in Frieda’s house as a sign or a warning. Unfortunately, the police aren’t convinced that this person is still alive. This makes it even more difficult for Frieda. Not only has her sacred haven been violated, but the police think she’s a bit nuts. And, on top of that, all of her friends and family are in danger. The police aren’t too keen on letting Frieda help with the investigation. It takes violence and another dead body until she’s involved. While the man who left the dead body in her house is a real threat, it seems as if the person targeting her friends and family could be someone else. Is it a copy cat or an assistant of the other man?

It’s entirely possible that this book works as a standalone, and that readers who aren’t familiar with the series would find it suspenseful. I’m only not sure that they would care as much about the fate of the characters as someone who has read all or most of the novels. Frieda’s family and friends are important in all of the books. Over the course of the series, Frieda has made new friends and the circle of endearing and quirky characters has grown even more. Putting most of them in harm’s way, was a clever decision. I can’t imagine that anyone liking this series will stay cold reading Sunday Morning Coming Down.

I though that this would be the last of the series but Day of the Dead has just been published. It will be the series’ finale, in which Frieda and her nemesis are pitted against each other.

 

Ken Bruen: The Dramatist (2004) A Jack Taylor Novel

The Dramatist

The impossible has happened: Jack Taylor is living clean and dating a mature woman. Rumour suggests he is even attending mass…The accidental deaths of two students appear random, tragic events, except that in each case a copy of a book by John Millington Synge is found beneath the body. Jack begins to believe that ‘The Dramatist’, a calculating killer, is out there, enticing him to play. As the case twists and turns Jack’s refuge, the city of Galway, now demands he sacrifice the only love he’s maintained, and while Iraq burns, he seems a step away from the abyss.

I probably have to thank Guy (His Futile Preoccupations) for discovering Irish crime writer Ken Bruen as he has reviewed a couple of his books, although not The Dramatist. Bruen has written standalones, one of which London Boulevard, has been made into a movie and he’s written the series, featuring the luckless, loveless, ex-Cop turned PI Jack Taylor.

Jack Taylor is a cynic, disillusioned tough-guy with a good heart. He stumbles through live and his cases, gets beaten up, finds love, loses it again, battles addiction and his demons. All this are ingredients which are quite common in PI series, still I found this to be extremely original. The voice is very unique and the fact that Jack Taylor is a great reader adds an additional layer to the books.

The Dramatist is the fourth in the Jack Taylor series. Jack is newly clean and sober and even gives up smoking in the middle of this novel. It’s not easy for someone like him to stay away from booze as he lives in a hotel and spends most of his free time in bars. At the beginning of the novel he visits his ex-dealer in jail. The guy’s sister was found dead. Allegedly she fell down the stairs but her brother thinks it was foul play and wants Jack to investigate. Jack doesn’t buy the murder idea, but must admit that it’s weird that a book with Synge’s plays was found under the student’s body. When a second student dies the same way, also found with a book by Synge, Jack is convinced as well that it is murder.

I really liked The Dramatist and will read the first in the series soon. The mix between crime, character study and insights into contemporary Ireland and Irish culture worked extremely well for me. The novel is much more about Jack Taylor and his bad luck than it is about the crime, but since I really like this character, I liked the book. I’m tempted to compare Taylor to Marlowe, but I’d say he’s a tad more cynic and much more talkative. While his views on society and his own character are dark, he hasn’t given up the fight. He still hopes for love and a sober life. Maybe this sounds as if this was a one-man show, but it isn’t. Jack has a few enemies, but he also has a lot of friends and a knack to talk with “little people”, which is endearing.