Kate Rhodes: Crossbones Yard (2012)

Crossbones Yard

When I reviewed Nicci French’s third Frieda Klein novel two weeks ago, Alex (Thinking in Fragments) mentioned Kate Rhodes’ Alice Quentin series as being similar and just as good. Of course, I had to get the first in the series Crossbones Yard and read it right away. Reading a new author with a favourite one in mind is often an unfortunate thing, but not in this case. I noticed similarities – a well-described London setting – one protagonist is a psychoanalyst, the other a psychologist – they both work for the police – they both get in trouble – they both have family issues and loyal friends – the pacing is similar and so is the knack for a strong plot. The best news is—Kate Rhodes’ book is still different enough to be interesting. I think one reason is that Alice is at least ten years younger than Frieda. She sounds and feels younger. She goes clubbing and drinks too much on occasions. She’s a professional, but she’s working for a hospital, not for herself, like Frieda. The London described in Crossbones Yard is edgier, it also seems bigger, as Kate Rhodes mentions more neighbourhoods.

The novel opens with a prologue. A flashback: an abusive father, a child in hiding. At the beginning of the novel, Alice avoids taking the elevator to her office on the 24th floor. She’d rather jog. Although she’s a successful psychologist, she suffers from claustrophobia. She’s working at a hospital where she has her practice and helps the police. Not surprisingly then, DCI Burns comes to fetch her. He wants her to talk to a man who is in prison for murder but will be released soon. Burns wants Alice to assess how dangerous he really is. She finds him creepy but mentally challenged and doesn’t see him as a risk. Unfortunately, just after he’s been released, a young woman, who’s obviously been held captive, is brutally murdered. Her face and abdomen were carved. Alice finds her body when she goes jogging one evening. The woman’s been dumped on the former burial ground Crossbones Yard. Nowadays it’s just a wasteland and happens to be exactly where Alice goes for her evening runs.

It will not be the last body Alice finds. At the same time she receives threatening letters and Alice knows that whoever kills these women is after her as well.

The book is swarming with suspects and many of them are somehow linked to a couple of serial killers. The husband is already dead but his wife is still serving time and the new murders look strikingly like those they committed.

I really liked Crossbones Yard a great deal in spite of feeling let down by the ending. The red herrings were too obvious; instead of misleading me, they led me to discover the murderer a bit too early. Still, this is a promising beginning to a series and I’m looking forward to read the sequels. Alice is a strong character and her troubled family history adds to her complexity. Another aspect I liked is that the comments Alice makes on psychology and human behaviour are eve more pertinent than those coming from Frieda Klein. And the descriptions of London are fantastic.

Nicci French: Waiting for Wednesday (2013)

Waiting for Wednesday

If you follow this blog you know I’m a fan of crime writing duo Nicci French. Having read the first two in the Frieda Klein series and spotting number four on the shelves of a local bookshop, I had to finally read Waiting for Wednesday. I really like this series, despite the fact that this is the weakest of the three. It’s an in-between book, a warm up for what will come next. That doesn’t mean it’s not gripping, it’s just that there are two plot-lines, which run parallel, and Frieda isn’t really part of the main plot, but investigating something else.

The book starts strong. Ruth Lennox, a middle-aged housewife with an untarnished reputation and a slightly perfectionist streak when it comes to housekeeping, is found brutally murdered. Her smallest daughter, Dora, finds her when she comes back from school. Why would anyone want to kill a perfect mother and wife, a model neighbour? Maybe she isn’t as exemplary as everyone believes? DCI Karlsson investigates this murder, unfortunately not with the help of psychotherapist Frieda Klein, but with another therapist, Hal Bradshaw,  who hates Frieda’s guts. Although Karlsson is told not to use Frieda’s help, he goes to see her anyway, as he senses the assigned therapist is pompous and useless.

Like in the other books of the series, Frieda’s private life takes a lot of space. Her last case with Karlsson has left her wounded and somewhat traumatized. I can’t reveal too much because that would spoil book number two. In any case, she’s not safe. Or will not always be safe and she knows that.

Her home is Frieda’s refuge. She loves her small house in London, but in this book she hardly ever has it to herself, as it’s invaded by friends and family and finally even by the family of the murdered woman because her niece, Chloë, is friends with the oldest boy.

While Karlsson and his team feverishly investigate the murder, Frieda’s rival, psychotherapist Hal Bradshaw, plays a dirty trick on her, trying to discredit her and some other therapists. A minor thing someone mentions in this charade, makes Frieda look for a girl who has gone missing a while ago. During her investigation, her path crosses with that of a journalist who has spent his whole life investigating the cases of missing girls.

It’s typical for Frieda that she puts herself at risk, so, once again, she makes a narrow escape – that’s not a spoiler as book 4 is already out and we know she’ll survive. Frieda’s love life has gained more importance as well, although her boyfriend Sandy lives in New York.

The book switches from the Ruth Lennox case to Frieda’s investigations and her life. Since Nicci French are excellent at what they do, the book felt seamless. It may not have been as gripping as the last, but it sure put me in the mood to grab the next one right away.

I would recommend this book if you like the series, but I’m not so sure how well it works when you haven’t read the first two. Starting with this one isn’t a good option as book two would be seriously spoilt.

Here’s Guy’s take on the novel. 

Eugenio Fuentes: The Depths of the Forest – El interior del bosque (1999)

El Interior del Bosque

In a guardian article on best crime fiction in English translation Ann Cleeves mentioned Eugenio Fuentes’ novel The Depths of the Forest – El interior del bosque. Since Stu‘s and Richard‘s Spanish Literature Month was upcoming and I’ve never read a Spanish crime novel before, I thought it would be an excellent choice.

The book starts chillingly with the POV of the first victim. Gloria, a beautiful painter, is hiking alone in Paternóster, a remote nature reserve, in Spain. She feels dread but since she’s all alone, there doesn’t seem to be any reason. A few minutes later she’s murdered brutally. This isn’t a spoiler. Her murder is revealed on the bokk cover and happens in the first few pages. The next POV is quite unusual. A rat finds Gloria’s body. The following paragraphs are written from the point of view of a group of young boys who torture scorpions and discover Gloria’s body. The POV switches again, this time we are in the head of Richard Cupido, the PI hired by Marcos, Gloria’s fiancé. Marcos is sure that the Guardia Civil, the local police, are not going to investigate thoroughly and hopes Cupido will find the murderer.

Most of the story is written from Cupido’s perspective but many chapters are told from the point of view of the many suspects. When a second woman is murdered there are even more suspects. In spite of these many different perspectives, the book didn’t feel disjointed.

Most of the men who came in contact with Gloria fell in love with her. And it seems that she had affairs with most of them. Was it a crime of passion? Or has it something to do with an ongoing lawsuit? El Paternóster used to belong to a rich widow who has been fighting to get it back for years. Did she take drastic measures to discourage the public from visiting?

Cupido turns in circles for a long time. He gathers information but it’s leading nowhere. And he becomes obsessed with Gloria himself.

Having finished the novel, I’m facing a huge dilemma. I want to be fair to a novel, which is clearly on the literary side of the crime spectrum, and would most certainly delight many readers, but at the same time I have to admit that this wasn’t for me. Not because it wasn’t good but because it contained a recurring scene of an act of cruelty against an animal (a deer) that made me sick. I skipped most of the parts but still read too much for my own liking. It wasn’t a gratuitous scene but nevertheless, I wonder why an author chooses to include scenes like this. I think this is too bad because if those scenes hadn’t been included I would have liked this book. I thought that all the aspects about nature and how people value it in different ways was thought-provoking and topical. From the nature theme we’re lead to think about human nature. Clearly, the cruelty is part of these explorations. Cupido is a complex character and most of the other character studies were quite fascinating too. The way Fuentes captured this nature reserve and its remoteness, was very well done. Fascinating and eerie at the same time. And I really wanted to find out who killed those women. But overall the novel was too pessimistic for my own liking. While I agree that humans are the most cruel animals in this world, I don’t want to read about it in this way. Or Nnot if illustrating this point includes scenes with cruelty against animals. If this doesn’t bother you and you like your crime novels unusual, literary and very bleak – don’t miss this.

This is my first contribution to Spanish Literature Month hosted by Stu and Richard.

The Depths of the Forest

 

C.E. Lawrence: Silent Screams (2009) Lee Campbell Series 1

Silent Screams

C.E. Lawrence is the byline of the New York-based writer, performer, composer, poet and playwright Carole Buggé. The first time I came across her name was when I was reading a Sherlock Holmes Mystery Magazine (#7 2012). The magazine contained one of Carole’s short stories The Way it Is and an interview with C.E.Lawrence titled The darker half of Carole Buggé. I enjoyed the story and found the interview extremely fascinating. Thanks to the interview I learned that while Carole Buggé has written cozy mysteries and Sherlock Holmes novels, C.E.Lawrence explores the darker side of crime, sending her main protagonist, profiler Lee Campbell, after nasty serial killers. When I discovered that the multi-talent Carole Buggé gave an online course in mystery writing, I signed up. It was instructive and great fun. During the course we “spoke” about setting and when Carole mentioned that New York was as much a character in her novels as Lee Campbell, I picked up Silent Screams, the first in the series.

I’ve read a fair amount of non-fiction on serial killers, watched a few movies and TV shows, but I’ve never read a novel in which a profiler was the main character. I was curious to see how she’d pull it off. It’s a favourite theme in TV series; adding something new, seemed quite difficult.

She’s pulled it off admirably well because she added two new things. The first is her character, psychologist Lee Campbell. He’s a troubled soul, who, after a breakdown, has spent time in a psychiatric hospital because of depression. When the book starts, he functions but is still not exactly stable. His friend and colleague doubts he’s ready to take on a big case, but Lee feels he must as the dead girl they find shows the signs of ritualistic murder. As I said before, C.E. Lawrence added two new things and the second is tied to the first. Her novels are set in New York and the way she describes it is detailed and fascinating. It shows an insider’s perspective that hasn’t a lot to do with the cliché New York we’ve come to know through movies. Additionally she’s set the book at a special moment in time: a few months after 9/11. And that’s when we understand Lee’s breakdown. He may have been depressed before – some elements of family history we read about may explain it – but 9/11 triggers the breakdown. I don’t think that I’ve ever read a book, which managed to make me experience some of the horror 9/11 must have been for those who lived in New York. At times I forgot this is a crime novel because I was so captivated by the descriptions.

While Lee battles his demons and moves through a traumatized city, the “Slasher”, as they have come to call him, kills another girl. And another one. Early on, Lee himself is targeted as well. It’s that story line in particular that I found gripping. Why would a serial killer target a profiler from the very beginning? Did he have something to do with the disappearance of Lee’s sister a few years ago?

Readers of this blog know that I don’t like frantic pacing. I was very glad that this novel only picked up speed after the first third and even then, it was anything but frantic.

Overall this was an enjoyable read. It had a few flaws – occasionally too much explaining – but they didn’t bother me. What I found really intriguing – other than the amazing way she explored the time and setting – was that this thriller, despite its darkness, had many elements of a cozy mystery: great atmosphere, careful descriptions, likable characters and a laid-back pace. Due to the end, which I won’t spoil here, of course, I’m very curious to see what case Lee will have to solve next and am going to read book two Silent Victim soon.

If you’d like to read some of Carole’s shorter fiction – one of her stories can be found in the anthology Vengeance: Mystery Writers of America Presents, edited by Lee Child.

Her books have been translated into Germand and French.

Gillian Flynn: Gone Girl (2012)

Gone Girl

So now I’m one of those who has read Gone Girl. Some bestsellers put me off because everyone reads them, others still make me want to find out what the fuss is all about. Gone Girl was one of the latter. You can’t pick up a recent crime novel without seeing a reference to Gone Girl, you can’t look at agent’s and editor’s picks without seeing it mentioned. Everyone, it seems, is looking for the next Gone Girl. Most of the time when I finally give in and read a book because of the hype, I’m disappointed. In this case it’s not as bad, but I still feel somewhat underwhelmed. Gone Girl has a major plot twist in the middle and an unexpected ending. And it is hugely manipulative, which may be the reason, why I wasn’t surprised by anything. I just felt I was led to assume one thing, while another was true. I saw the twist in the middle coming and foresaw the end. I also had the impression, I’ve read all this before, but I couldn’t come up with a book title. That’s when I realised that it has a similarity with some TV series like Damages and Breaking Bad, which I watched recently. They are both equally full of twists and turns. And I enjoyed them more.

So what’s it all about? On the day of their fifth anniversary beautiful, intelligent and witty Amy Dunne goes missing. A neighbour calls Nick at work and when he returns home, he finds his house wide open. He sees signs of a struggle in the living room and blood in the kitchen. What has happened to Amy? And why is Nick not as concerned as he should be? Police, media, neighbours, and even Amy’s parents, soon turn against Nick and suspect him to be a murderer.

The book is told by both Amy and Nick. Both are highly unreliable narrators. The only thing we know for sure is that their marriage went down the drain when they both lost their jobs and left New York, Amy’s hometown for Nick’s hometown North Carthage, Missouri. If they had only lost their jobs it would have been bad enough, but Amy, who was incredibly rich, loses most of her money. Amy’s psychologist parents are a successful writer duo. Their children’s book series Amazing Amy has earned them a fortune and made Amy into a celebrity. The only problem: the books are not as successful as they used to be. Bad investments and overspending have done the rest. Amy’s parents are broke and need Amy’s money.

Unfortunately it’s hard to write about this book in any depth without spoiling it. I’m glad I’ve read it. I can see why it appeals to many people. Gillian Flynn writes well and plots well. But from a psychological point of view, I found this unsatisfying. Both characters are described in great detail, but they didn’t come to life; they remain shallow, despicable card-board figures. When I think of the aforementioned series Damages, and the character Glenn Close plays, I see why I didn’t really appreciate Gone Girl. Glenn Close’s character is hateful and despicable, but she’s also admirable and touching. A fascinating, toxic mixture. Nick and Amy are just narcissistic ciphers.

Gone Girl is entertaining, but I don’t think it has anything pertinent to say about marriage or relationships, other than dysfunction + dysfunction = ultimate dysfunction. This was my second Gillian Flynn novel and I liked it less than the first, Sharp Objects. I’m curious to find out how Dark Places compares to these two.

Lucie Whitehouse: Before We Met (2014)

Before We Met

Lucie Whitehouse’s latest novel Before We Met, was a quick, fast-paced read. The book falls under the sub category of “domestic noir”. I didn’t even know that a sub-genre like that exists before I read Marina Sofia’s take on the term “chick noir”. I’m not sure I’m happy about these labels either. The only thing “domestic noir” tells us basically, is that it’s a married woman who gets in trouble. Before We Met was compared to Gone Girl, but since I haven’t read it that wasn’t something that made me pick it up. But when I saw Lucie Whitehouse compared to Nicci French in Guy’s review, I knew I had to read it as I’m a huge Nicci French fan. There are similarities, although, funny enough, the husband/wife duo Nicci French rarely write about married women. Their protagonists are mostly single women. The similarity is in the writing, and the pacing. Lucie Whitehouse and Nicci French both know how to write an engaging, well-plotted story that moves forward at a steady pace.

Hannah is a Brit who works in New York, where mutual friends introduce her to Mark who is British as well. Their relationship and the speed with which it develops catches them both unawares. Hannah didn’t really think she was the marrying kind, but handsome, attentive Mark wins her over and within a couple of months they are married. Mark is the owner of a successful British company, located in London. Hannah has a succesful career in New York. After they get married, she decides to relocate and follows Mark to London.  At the beginning of the novel they have been married for eight months. They live in a beautiful, huge house and are very happy together. Hannah is a little worried because she ‘s still not found a job but other than that everything is great. Until the day Mark doesn’t come home from a business trip.

That he doesn’t come home and tells her on the phone he’s lost his cell phone, is annoying, but it doesn’t alarm Hannah. What alarms her though is to find out that Mark has emptied her bank account and that a mysterious woman calls at his office.

I can’t write much more as the less you know, the more you will like this novel. It has quite a few unexpected twists and turns. For every explanation Hannah finds there’s a new unanswered question and in the end she doesn’t know whether she’s being protected or whether she is in danger.

As I said at the beginning, this was a quick read. It’s suspenseful and the writing is very smooth, very readable. My only negative comment would be that I found some of Hannah’s’ decisions not clever, but people react in strange ways under stress.

Ken Bruen: The Dramatist (2004) A Jack Taylor Novel

The Dramatist

The impossible has happened: Jack Taylor is living clean and dating a mature woman. Rumour suggests he is even attending mass…The accidental deaths of two students appear random, tragic events, except that in each case a copy of a book by John Millington Synge is found beneath the body. Jack begins to believe that ‘The Dramatist’, a calculating killer, is out there, enticing him to play. As the case twists and turns Jack’s refuge, the city of Galway, now demands he sacrifice the only love he’s maintained, and while Iraq burns, he seems a step away from the abyss.

I probably have to thank Guy (His Futile Preoccupations) for discovering Irish crime writer Ken Bruen as he has reviewed a couple of his books, although not The Dramatist. Bruen has written standalones, one of which London Boulevard, has been made into a movie and he’s written the series, featuring the luckless, loveless, ex-Cop turned PI Jack Taylor.

Jack Taylor is a cynic, disillusioned tough-guy with a good heart. He stumbles through live and his cases, gets beaten up, finds love, loses it again, battles addiction and his demons. All this are ingredients which are quite common in PI series, still I found this to be extremely original. The voice is very unique and the fact that Jack Taylor is a great reader adds an additional layer to the books.

The Dramatist is the fourth in the Jack Taylor series. Jack is newly clean and sober and even gives up smoking in the middle of this novel. It’s not easy for someone like him to stay away from booze as he lives in a hotel and spends most of his free time in bars. At the beginning of the novel he visits his ex-dealer in jail. The guy’s sister was found dead. Allegedly she fell down the stairs but her brother thinks it was foul play and wants Jack to investigate. Jack doesn’t buy the murder idea, but must admit that it’s weird that a book with Synge’s plays was found under the student’s body. When a second student dies the same way, also found with a book by Synge, Jack is convinced as well that it is murder.

I really liked The Dramatist and will read the first in the series soon. The mix between crime, character study and insights into contemporary Ireland and Irish culture worked extremely well for me. The novel is much more about Jack Taylor and his bad luck than it is about the crime, but since I really like this character, I liked the book. I’m tempted to compare Taylor to Marlowe, but I’d say he’s a tad more cynic and much more talkative. While his views on society and his own character are dark, he hasn’t given up the fight. He still hopes for love and a sober life. Maybe this sounds as if this was a one-man show, but it isn’t. Jack has a few enemies, but he also has a lot of friends and a knack to talk with “little people”, which is endearing.