Walter Kempowski: All for Nothing – Alles umsonst (2006) Literature and War Readalong November 2016

alles-umsonstAll For Nothing

Until not too long ago, even Germans thought it was in bad taste to write about German suffering during WWII. The feeling of guilt ran too deep. I still remember the discussion when the movie Anonyma came out in 2008. It’s based on the diary of a German woman who was in Berlin when the Russian army arrived. She was one of 2,000,000 German women who were raped many times by the Russian troops. We may look at the war any which way we want, there’s no denying that the Germans suffered too. We just have to think of the bombing of Dresden, the mass rapes of German women by Russian troops and – of course – the huge number of people who were forced to flee from the East towards the West, when the war was lost. Many of these Germans would never be able to return because the place they came from wouldn’t be part of Germany anymore.

This may seem a lengthy introduction but it’s essential to understand not only the importance but the scope of Walter Kempowskis’ powerful and chilling novel All For Nothing – Alles umsonst .

All for Nothing is set in East Prussia, in the winter of 45. In January, to be precise. The story mostly takes place on the Georgenhof estate, located near Mitkau, not too far from Königsberg. Königsberg which was once famous was almost completely destroyed and is now called Kaliningrad. For further understanding, I’ve added two maps.

east-prussia

The map above shows East Prussia in red. The other one below, is a map from 1945. It is more detailed and shows other territories. It’s easy to understand when you look at the maps, how precarious the situation was for the civilians in East Prussia when the Russians started to advance.

germany-1945

At the beginning of the novel, people already start to flee in the direction of Berlin, only the people on Georgenhof, the von Globig’s, behave as if nothing was happening. This is mostly due to Katharina von Globig’s character. She’s the wife of the estate owner who is serving in Italy. Together with her twelve-year-old son, her husband’s elderly aunt and Polish and Ukrainian servants, she lives a life of carefree ease. She’s someone who likes to withdraw from the world, into her own realm. She lives in an apartment inside of the large estate where nobody is allowed to enter. Here she reads, dreams, smokes, cuts out silhouettes, and thinks of an affair she had some years ago. Possibly the only time in her life in which she was really happy.

The aunt is a typical old maid. In the absence of her nephew, and knowing how little Katharina cares, she is in charge of the estate. Peter, the son, who should be with the Hitler Youth, pretends he’s got a cold and, like his mother, flees to other realms in his imagination.

When the first refugees arrive, the small household welcomes them. They feed and entertain them, just as if they were ordinary guests. Katharina may be distracted but she’s kind and generous. Even though her husband calls her occasionally and urges her to leave, she stays put.

But some of the refugees tell horror stories and even Katharina and the aunt realize that falling into the hands of the Russians might prove fatal. Only their life is so comfortable, so enjoyable, how can they leave everything behind? This is an incredible dilemma, and one can easily understand how so many waited far too long before they finally fled.

In the case of the von Globig’s it needs a tragedy that finally pushes them to make a decision.

The first half of the book tells the story before they flee, the second half, tells the story of the flight.

It was so strange, but reading the first almost peaceful part was really stressful. The reader knows what’s coming but the character’s don’t. It takes so long until it sinks in that all is lost.

The descriptions of the flight, those long, endless treks of refugees is harrowing. Not only are the Russians pushing forward, but the refugees are bombed and dead people and horses are piled up to the left and the right of the roads.

Kempowski did a great job at describing in a poignant way how this must have been without traumatizing the reader. We read, breathlessly, but it’s not too graphic and the characters are held at arm’s length. That doesn’t mean the book left me cold. Not at all but it never felt like it was manipulative and trying to shock and disgust.

People often say “Why didn’t they leave earlier?” when speaking of people who are trapped in a war zone. When you read this, you get a good feeling for the reasons. Not only do they have to abandon everything, but they have no idea whether it will be better where they are going. Besides, back then, all they had was accounts of a few other refugees and British radio. Their own radio told them that it was negative propaganda, that all was well, the frontline still secure. How would you have known for sure?

The luckiest thing may have been that they fled back to their own homeland and could stay on territory in which their own language was spoke. While many didn’t make it and many had a very uncertain future, they had at least that. Unlike the refugees that come to Europe from the war zones in the Middle East.

Before ending, I’d like to say a few things about the characters and Kempowski’s style. He does something I’ve never seen before. Almost every other sentence ends in a question mark. It’s really bizarre and I’m surprised it didn’t annoy me. Interestingly, it felt like we hear the characters question themselves all the time. I read a few reviews and apparently he tried to show the general confusion. I’d say he was very successful but it takes some getting used to. His characters are very well drawn. Even minor characters come to life. Most of the time he uses indirect speech but you can still hear the different mannerisms. People repeat the same stories again and again. Just like in real life. Sometimes that’s quite funny. People can be so absurd. Petty. Self-absorbed. Ridiculous. Under the circumstances it’s tragically comic. As I said, Kempowski keeps the reader at arm’s length, that’s why there isn’t a character I loved but there were two I genuinely disliked. One of them was Peter. I would love to know if anyone who read this had a similar reaction. The more I approached the end, the more I disliked this kid. Such a cold fish.

I’m so glad that I chose this novel for the readalong because it’s not only powerful but important. It tells a story that needed to be told and does so masterfully. Raising awareness for a tragedy, making characters  come to life on the page, but not bang your readers over the head or traumatize them – that’s no mean feat.

Other reviews

 

 

 

*******

All For Nothing is the fifth book in the Literature and War Readalong 2016. The list for next year’s Literature and War Readalong will be published in December. Further information on the Literature and War Readalong 2016, including the book blurbs can be found here.

Literature and War Readalong November 2016 Meets German Literature Month: All For Nothing – Alles umsonst by Walter Kempowski

All For Nothing

The last title of this year’s Literature and War Readalong is Walter Kempowski’s All For Nothing – Alles umsonst. It was Kempowski’s last novel. Walter Kempowski was born in 1929 in Rostock and died in 2007 in Rotenburg. He was famous for his autobiographical novels, one of which Tadellöser & Wolff, was made into a mini-series, and his huge project Echo Soundings – Echolot, subtitled “A collective diary”. In this project he collected and juxtaposed excerpts of diaries, letters ,and documents to illustrate and capture history.

Here is the first sentence of All for Nothing

The Georgenhof estate was not far from Mitkau, a small town in East Prussia, and now, in winter, the Georgenhof, surrounded by old oaks, lay in the landscape like a black island in a white sea.

And some details and the blurb for those who want to join

All For Nothing – Alles umsonst by Walter Kempowski, 352 pages, Germany 2006, WWII

Here’s the blurb:

Winter, January 1945. It is cold and dark, and the German army is retreating from the Russian advance. Germans are fleeing the occupied territories in their thousands, in cars and carts and on foot. But in a rural East Prussian manor house, the wealthy von Globig family tries to seal itself off from the world. Peter von Globig is twelve, and feigns a cough to get out of his Hitler Youth duties, preferring to sledge behind the house and look at snowflakes through his microscope. His father Eberhard is stationed in Italy – a desk job safe from the front – and his bookish and musical mother Katharina has withdrawn into herself. Instead the house is run by a conservative, frugal aunt, helped by two Ukrainian maids and an energetic Pole. Protected by their privileged lifestyle from the deprivation and chaos around them, and caught in the grip of indecision, they make no preparations to leave, until Katharina’s decision to harbour a stranger for the night begins their undoing. Superbly expressive and strikingly vivid, sympathetic yet painfully honest about the motivations of its characters, All for Nothing is a devastating portrait of the self-delusions, complicities and denials of the German people as the Third Reich comes to an end.

*******

The discussion starts on Friday, 25 November 2016.

Further information on the Literature and War Readalong 2016, including all the book blurbs, can be found here.

Literature and War Readalong 2016

Storm Warning1914The HuntersBilly Lynn's Halftime WalkAll For Nothing

A few of you have already been wondering whether or not there will be another Literature and War Readalong. As you can see, there will be another one, but, like last year, it will be a mini-edition, although I included one book more.

Storm Warning

February, Monday 29

Storm Warning: Echoes of Conflict by Vanessa Gebbie, 120 pages, UK, 2010, WWII

Here’s the blurb:

Storm Warning explores the echoes and aftershocks of human conflict in a series of powerful stories in which the characters are tested, sometimes to breaking point. Gebbie pulls no punches, exploring the after-effects of atrocity and sometimes, the seeds of atrocity itself.

1914

March, Thursday 31

1914  – 14 by Jean Echenoz, 120 pages France 2012, WWI

Here’s the blurb:

Jean Echenoz turns his attention to the deathtrap of World War I in 1914. Five Frenchmen go off to war, two of them leaving behind young women who long for their return. But the main character in this brilliant novel is the Great War itself. Echenoz, whose work has been compared to that of writers as diverse as Joseph Conrad and Laurence Sterne, leads us gently from a balmy summer day deep into the relentless – and, one hundred years later, still unthinkable – carnage of trench warfare.

The Hunters

May, Tuesday 31

The Hunters by James Salter, 233 pages, US 1957, War in Korea

Here’s the blurb:

Captain Cleve Connell arrives in Korea with a single goal: to become an ace, one of that elite fraternity of jet pilots who have downed five MIGs. But as his fellow airmen rack up kill after kill – sometimes under dubious circumstances – Cleve’s luck runs bad. Other pilots question his guts. Cleve comes to question himself. And then in one icy instant 40,000 feet above the Yalu River, his luck changes forever. Filled with courage and despair, eerie beauty and corrosive rivalry, James Salter’s luminous first novel is a landmark masterpiece in the literature of war.

Billy Lynn's Halftime Walk

September, Friday 30

Billy Lynn’s Long Halftime Walk by Ben Fountain,  307 pages, US 2012, War in Iraq

Here’s the blurb:

His whole nation is celebrating what is the worst day of his life

Nineteen-year-old Billy Lynn is home from Iraq. And he’s a hero. Billy and the rest of Bravo Company were filmed defeating Iraqi insurgents in a ferocious firefight. Now Bravo’s three minutes of extreme bravery is a YouTube sensation and the Bush Administration has sent them on a nationwide Victory Tour.

During the final hours of the tour Billy will mix with the rich and powerful, endure the politics and praise of his fellow Americans – and fall in love. He’ll face hard truths about life and death, family and friendship, honour and duty.

Tomorrow he must go back to war.

All For Nothing

November, Friday 25

All For NothingAlles umsonst by Walter Kempowski, 352 pages, Germany 2006, WWII

Here’s the blurb:

Winter, January 1945. It is cold and dark, and the German army is retreating from the Russian advance. Germans are fleeing the occupied territories in their thousands, in cars and carts and on foot. But in a rural East Prussian manor house, the wealthy von Globig family tries to seal itself off from the world. Peter von Globig is twelve, and feigns a cough to get out of his Hitler Youth duties, preferring to sledge behind the house and look at snowflakes through his microscope. His father Eberhard is stationed in Italy – a desk job safe from the front – and his bookish and musical mother Katharina has withdrawn into herself. Instead the house is run by a conservative, frugal aunt, helped by two Ukrainian maids and an energetic Pole. Protected by their privileged lifestyle from the deprivation and chaos around them, and caught in the grip of indecision, they make no preparations to leave, until Katharina’s decision to harbour a stranger for the night begins their undoing. Superbly expressive and strikingly vivid, sympathetic yet painfully honest about the motivations of its characters, All for Nothing is a devastating portrait of the self-delusions, complicities and denials of the German people as the Third Reich comes to an end.

*******

Five books from four countries, covering four different wars. The books are all rather short and quite diverse. For the first time, I have included a collection of short stories. And I included the first novel on the war in Korea.

As always, I hope that many of you will feel tempted to join me.