William Trevor: My House in Umbria (1991) Novella and Movie

My House in Umbria is one of two longer novellas contained in the book Two Lives. The other one is called Reading Turgenev. I’ve had the book for a while and since Mel u’s Irish Short Story Week has been prolonged, I decided to read it now. William Trevor is one of those authors I always wanted to read more of.

My House in Umbria is a surprisingly somber and complex novella. As lovely as the setting is, a villa located near Siena, there are some dark undercurrents, nasty secrets and a back story unlike any other to discover.

The story is told in the very unique voice of Mrs. Emily Delahunty. Delahunty is one of a few names she has chosen for herself. She is a romance novelist with a more than troubled past. Sold by her parents as a child, abused by her step-father and later abandoned by a lover and stranded in a hotel in Africa where she meets Quinty. Quinty isn’t any less mysterious or adventurous than Emily and this strange couple forms an interesting alliance. At the beginning of the story they live in the afore-mentioned villa in Umbria. Surprisingly Emily’s novels have brought money and fame and she lives a comfortable life. She is haunted by the past but her incredible imagination helps her to flee to nicer places whenever the clouds get to dark. And there is always alcohol as well, to help circumnavigate the roughest cliffs.

At the beginning of the story she boards a train to Milano. The wagon she is sitting in is blown up and most of the passengers die. Only Emily, a young German man who loses his girlfriend, an old general who loses his daughter and Aimée a little American  girl whose whole family dies, survive.

After a stay at a hospital, Emily invites the three people to stay with her in her house in Umbria. The calm and peacefulness of the country-side, the beauty of the house, will help them recover, she hopes.

These four highly traumatized and maimed people share some moments of great intimacy, – reminiscent of the group in Enchanted April – until the day Aimee’s uncle announces that he will come and fetch the girl.

What follows is equally sad and dramatic and what little peace these wounded  people  have acquired is shattered for good. The idea that a man she has never seen before and who seems distant and unlikable, comes to get the girl who still suffers from amnesia is particularly painful for the three other victims.

Mrs Delahunty sounds like an unreliable narrator for most of the book but she isn’t. Some of the things she tells sound unbelievable but they turn out to be true, only, she mixes things she imagines with things that happened. She has a a habit of inventing back stories for each and every person she meets. It’s not surprising she has become a novelist. Hearing her we think she would have had what it takes to write great literature, yet she chose to write romances as a means to escape the memory of her past. Not only was she abused but it seems that before discovering that she is a writer, she was an escort girl in Africa.

It’s not often that I watch a movie based on a book right after having finished the book but I watched My House in Umbria the day after finishing Trevor’s novella.

I really enjoyed how the movie brings to life the great character of Mrs Delahunty. Maggie Smith is amazing in this role. They way she plays this very kind, vulnerable and sad woman is touching and funny at the same time. The movie changed the ending completely but stayed true to the rest of the story. It underlines and enhances the characters and episodes in the novella and I would say I liked it even better. Others may prefer the darker novella; I liked the way the movie interpreted some facts and changed a few others. In any case they work extremely well together. What the movie offers, apart from great acting, is enchanting pictures of a beautiful landscape and some truly comical moments when the worlds of Mrs Delahunty and Aimée’s uncle clash. It’s one of my favourite movies so far this year. But don’t get me wrong, the book is excellent as well.

It’s rare that a main character in a book is so memorable but I’m beginning to think that creating great characters is one of William Trevor’s strengths.

 

The Fiction of Nella Larsen Part I: Quicksand (1928) A Classic of Harlem Renaissance

Born to a white mother and an absent black father, and despised for her dark skin, Helga Crane has long had to fend for herself. As a young woman, Helga teaches at an all-black school in the South, but even here she feels different. Moving to Harlem and eventually to Denmark, she attempts to carve out a comfortable life and place for herself, but ends up back where she started, choosing emotional freedom that quickly translates into a narrow existence.

The foreword states that if we don’t call Jane Toomer’s Cane a novel then the most accomplished novel of the Harlem Renaissance movement would be Nella Larsen’s Quicksand.  I discovered Nella Larsen just recently while compiling books for different reading projects I have started, one of them being dedicated to African-American writers. Nella Larsen is, like Zora Neale Hurston, and some other African-American writers, a mystery.

Nella was born to a Danish mother and a West Indian father. These mixed origins are reflected in her work. She wrote only two novels, Quicksand and Passing (which I will review later) and three short stories. After an unsavoury accusation of plagiarism concerning her last short story, she stopped writing. This may or may not have been the reason, it isn’t exactly clear. Before she started writing she was a nurse, later became a librarian and after she stopped writing, worked as a nurse again during the last 30 years of her life. A lot – like in Zora Neale Hurston’s case – isn’t clear. It was never really established when she died, she went under many different names and she fabricated stories around her biography which obscured the facts.

Quicksand is a wonderful novel. I enjoyed it a great deal. It has so much to offer and reminded me at times of the novels of Elizabeth Taylor which is high praise. Helga Crane, the main character, is one of the most interesting heroines I’ve come across recently. A fascinating character. Quicksand explores different themes, the most important are race and gender. It was interesting to read about this. What would it be like if you were constantly aware of the color of your skin? If what you look like is more defining than who you are? For Helga this is doubly tragic as she is, like Nella Larsen herself, of mixed origins. The mother is Danish, the father Afro-American. She isn’t accepted by the Whites and mostly has to hide her white heritage from the Black people around her. There is such a thing as a Harlem High Society and Helga, being a beautiful woman, frequents this society, the cabarets, cocktail parties, salons in which endless discussion on race bore her.

At the beginning of the novel she is a teacher in Naxos but restlessness and contempt for the methods that are applied there, lead her to leave and go back to her home town Chicago. This wasn’t such a good idea, as she has to realize, as it is hard for her to find another job. On top of that she loves nice things, clothes, accessories and spends too much.

Luck is on her side and she finds an employer who takes her to New York, introduces her to the high society of Harlem. A beautiful rich widow, Anne, lets her live at her place until, once more, after some months, she is restless and decides to go to Denmark to visit her mother’s sister.

In Denmark she experiences another side of racism. She is paraded and admired like an exotic animal. One of the most famous men, a painter, wants to get married to her. She enjoys her stay in Denmark. Like before in New York, she thinks at first that she has found “her place”, her home. But once more she gets restless and returns to New York.

Offers for marriage are frequent and equally frequent are her refusals. It is also typical for Helga to be happy when she newly arrives in a place and to see it lose its lustre after a while. When the enthusiasm fades, she is prone to nervous attacks, panic and depression. At the end of her second stay in New York, this happens again.

Helga’s life is a sequence of bad choices, of restlessness, pervaded by a deep feeling of not belonging. When, in a stormy night, she lands in some Christian congregation, she grasps the opportunity to be “saved” and when the pastor asks her to marry him, she accepts and follows him to Alabama.

Her first months in Alabama are full of bliss. She enjoys married life, to be the wife of an important man. There are a few signs here and there that this is superficial and the surface will crack soon but before her first child is born, she is feeling happy.

Everything contributed to her gladness in living. And so for a time she loved everything and everyone. Or thought she did. Even the weather. Ad it was truly lovely. By day a glittering gold sun was set in an unbelievably bright sky. In the evening silver buds sprouted in a Chinese blue sky, and the warm day was softly soothed by a slight cool breeze.And night! Night, when a languid-moon peeped through the wide-open windows of her little house, a little mockingly, may be. Always at night Helga was bewildered by a disturbing medley of feelings. Challenge. Anticipation. And a small fear.

The last part shows us a broken Helga. Someone who looks back on a ruined life, who hates motherhood or rather bearing children. By now  she is the mother of five children and we know there will be more.  She tries to make friends but her natural elegance and haughty looks keep her always outside.

I really liked this book, because I liked the writing and I loved Helga Crane. She is an endearing character with all her wishes, her longing, the restlessness and the feeling of being an outsider wherever she goes. We can see in her every outsider, every human being who doesn’t fully belong, every one who is looking for something to transcend the ordinary. She stands for so many people who are different. But she also stands for the many women who find it hard to live the life of a wife and mother, who are worn out by birth. 

Helga is a tragic figure and did remind me of a friend of mine who, full of hope for something better, turned down every good job offer he got and finally, running out of opportunities,  had to go for something far below his capacities in the end.

There are many interesting parts on race and gender and the criticism of many aspects – for example Christian faith and its promises of a later redemption in which so many Afro-Americans believed and which held them down for so long – are intriguing.

I’m looking forward to read her stories and her second novel Passing.

I should add that both novels are very short, only 130 pages long. I hope this tempts you.

Georges Simenon: Maigret’s Christmas or The Girl who believed in Santa Claus aka Un Noël de Maigret (1951)

Nine stories present Simenon’s dauntless detective in a series of cases in which Maigret’s paternal side is activated and his detection efforts considerably aided by some observant and resourceful children.

I haven’t read any Simenon for a long time and when I was browsing amazon. fr. and discovered Un Noël de Maigret I thought it might be fun to read it at this time of the year. I thought it would be a longer book or a collection of short stories but the book contained only a 100 page long novella. It has been taken out of a collection with the same title and reissued on its own. Maybe it was the best and longest story in the original book. The English version Maigret’s Christmas contains still all nine stories, one of which is The Girl who believed in Santa Claus, the story that I have read. So, if you are in the mood for a lot of Christmas themed Maigret, you will have to get the English version.

The story has very melancholic undertones. It is easily summarized in a few sentences. On Christmas day two neighbours of Maigret come to visit to tell him that the little step-daughter of one of the two women pretends that Santa Claus has visited her in her bedroom at night. He offered her a big doll and tried to remove some floorboards in order to access the apartment below. The step-mother, a cold and distant woman, says she doesn’t believe the little girl, she says, she thinks she made everything up. The second woman, a spinster with a crush on Maigret, has a keen interest in the little girl and forced the step-mother to come along and tell Maigret all about the odd story the child is telling.

The story behind the Santa Claus and the solving of the mystery is not that gripping. The charm of this book lies in the person of Maigret and his psychological analysis. Maigret treats people with amazing respect, he is truly non-judgemental. The book is also infused with his and his wifes sadness about their childlessness. Christmas, being the family holiday it is, reminds them of their fate in a painful way.

Simenon excels in descriptions and psychological analysis. I could compare him to some other crime authors but that wouldn’t do him any justice. He wrote before Rendell, Mankell and all the others. He is very subtle, very poignant. This is not one of his great works but it is well done and his craftmanship can be perceived in every sentence. There is no superfluous word in this book, it’s soothingly unadorned.

I have read a few non Maigret books that I enjoyed a lot (Three Bedrooms in Manhattan aka Trois chambres à Manhattan is wonderful)  but I am not too familiar with his Maigret books.

Who has read any? Which did you like? Or do you prefer those without the inspector?

Teresa Rodriguez: The Daughters of Juárez (2007) Roberto Bolaño, Bordertown and The Story That Wants to be Told

For more than twelve years, the city of Juárez, Mexico — just across the Rio Grande from El Paso, Texas — has been the center of a horrific crime wave against women and girls. Consisting of kidnappings, rape, mutilation, and murder, most of the atrocities have involved young, slender, and poor victims — fueling the premise that the murders are not random. As for who is behind the crimes themselves, the answer remains unknown — though many have speculated that the killers are American citizens, and others have argued that the killings have become a sort of blood sport due to the lawlessness of the city itself. And despite numerous arrests over the last ten years, the murders continue to occur, with the killers growing bolder, dumping bodies in the city itself rather than on the outskirts of town, as was initially the case, indicating a possible growing and most alarming alliance of silence and cover-up by Mexican politicians.

The subtitle of this book reads A True Story of Serial Murder South of the Border. Ciudad de Juárez must be one of the most dangerous cities on Earth. For women and men alike. I heard about the serial murders on poor maquiladora (assembly factories) workers while reading a blog post on MAC’s tasteless new cosmetics series, dedicated to the dead women of Juárez. I started to investigate and found numerous films online. I read that there has been a movie starring Jennifer Lopez, Bordertown (don’t think it is very good), which is dedicated to the Juárez murders and that even Bolaño’s novel 2666 was in large parts dedicated to those crimes. I had decided to tell their stories long before I read about Bolaño and since I haven’t read him yet, there is no actual influence here. My story is progressing slowly. Too many points of view. But I can’t stop. The story wants to be told. It feels odd. While writing I am stiil researching as well. This is the first nonfiction book on those dead women I picked up. It is probably what is called a true crime book. Something I never read but the story has a hold on me.

Ciudad the Juárez is a Mexican border town that has grown from 200’000 to 2’000’000 in 40 years. Factories from across the border have opened up their doors and hire cheap workers by the thousands. Preferably young women and girls. They make 3 – 5 dollars a day in 9-14 hour shifts. Many are as young as 12 and work with forged passports. Girls are preferred as they are cheaper and said to be more accurate on the assembly lines. In the factories they have air conditioning, clean toilets, showers, and light. I mention this because when they come home, they don’t have that. Many of them live in shacks. No lighting, no electricity, no warm water and a hole in the floor instead of a toilet. These are the poorest of the poor. Many of these girls and women work double shifts or go to school as well. They disappear on their way home from work or school. One after the other. Their families are so poor, they have no telephone, no mobile phone. When the girls go missing  a manifold ordeal begins. How do you get to the police to tell them someone is missing without a car? Once you are there, they tell you to wait 72 hours and come back. And they laugh and say your daughter is a loose girl and that she will come back eventually.

This happened to thousands of families. Many of the girls were never found. The others were found dead. I spare you too many details, just let me say that they were raped, tortured and mutilated and either left dying in the desert or disposed openly near the city.  And almost none of the killers has been found. Who kills the girls of Juárez? The police? Serial murders from the US? People who do snuff movies? Frustrated Mexican men? Drug dealers? Brujos? Satanists? The dead girls look all similar. They are between 17 and 25, slender, petite, with long dark hair and very pretty faces.

I am haunted by these stories. I cannot help much but I can raise awareness. And I can tell their stories. Below you see the remembrance crosses of some of the victims and an Amnesty International clip. Women’s organizations try to help now. Tereza Rodriguez is a reporter with Univision. Her book is full of stories and full of loose ends about the possible killers. It’s interesting and horrible to read. If you would like to know more, just go to youtube and type Ciudad the Juárez. There are movies from Women’s groups and mothers who mourn their daughters. Be prepared, this might be one of the darkest stories you will ever hear. No wonder some of the families think it’s the devil commiting these crimes. It is hard to believe that one human being does this to another one.