Weird Things Customers Say In Bookshops (2012) by Jen Campbell

Some years ago I worked in a bookshop for a few months and remember how many extremely funny things I’ve heard there. People were looking for the most amazing things. Not always books. Unfortunately I don’t remember many anecdotes, I just remember that I laughed or chuckled quite a bit. Lucky for us, Jen Campbell’s memory is still intact and she wrote down the funniest things she heard or overheard people say or ask in the bookshop she worked in. Apart from those stories she contributed herself, there are numerous examples from other bookshops as well.

I’m glad I downloaded Weird Things Customers Say In Bookshops on the kindle as it has only 100 pages and can be read in little more than an hour or two. Today I saw it in a bookshop and the way it is presented, with the very colorful cover and the drawings between the episodes (you have those in the e-book as well), I thought that this is one of those books which make a nice present.

Many of the examples are funny because the people asking or saying things don’t know a lot about literature. Clearly someone wondering whether Jane Eyre has written other novels isn’t entirely familiar with the Brontës. While we laugh about such things, we occasionally may also feel somewhat unkind. But there are many other examples which people probably would also ask in other types of shops and which do not reveal some possible cultural gap but sheer silliness or cheekiness like the mother asking whether it is ok that her children are climbing the book shelves.

Since I don’t want to spoil the book for anyone who loves this type of anecdotes but to still give you an idea , I’ll only quote a few at random, leaving out the funniest or most surprising.

Customer: “Do you have a copy of Nineteen Eighty Six?

Bookseller: Nineteen Eighty Six?

Customer: Yeah, Orwell.

Bookseller: Oh – Nineteen Eighty Four.

Customer: No, I’m sure it’s Nineteen Eighty Six; I’ve always remembered it because it is the year I was born.

Bookseller: ………..

(Customer is reading a book from the shelf, pauses and folds the top of one of the pages over, then puts it back on the shelf)

Bookseller: Excuse me, what are you doing?

Customer: I was just reading the first chapter of this book, but I’m going to be late meeting a friend for lunch. So, I’m just marking it and I’ll finish reading it when I stop by tomorrow.

Customer: There was a book in the eighties that I loved…but I can’t remember the title.

Bookseller: Can you remember anything about it?

Customer: I think it was called 360 fairy tales.

Bookseller (searches on British library catalogue): Nothing under that name sorry.

Customer. I might have got the number wrong. Could you just type in fairy tales and see what comes up?

Bookseller: …. That could take a while.

I remember one thing I’ve overheard once in a book shop which struck me as very funny. I was standing there browsing some novel or other when I noticed one of the walls was decorated with Truman Capote’s Breakfast at Tiffany’s. It was  the book’s 50th anniversary. Next to me a guy talking to someone spotted the books on the wall as well and shouted really loud “Oh, boy, what a great idea, this Capote guy has actually written a book about that song … “. Yeah, well…

All in all Weird Things Customers Say in Bookshops is a slim book but many of the anecdotes which capture human ignorance and folly are really hilarious.

Have you heard people say funny things in book shops?

On Juan Carlos Onetti’s A Brief Life – La vida breve (1950)

Picture a lazy summer afternoon. The heat is unbearable. You’re in a room with the blinds half down, lying on a bed listening to the voices of complete strangers in the apartment next door. You’re in a languid dreamy mood. Your imagination starts to invent a story based on the snippets of the conversation you hear.  After a while the lives next door seem more real than your own.

Many of the chapters in Juan Carlos Onetti’s famous novel A Brief Life capture this type of mood, describe inertia paired with a vividly active imagination. I liked this, because I like those motionless summer afternoons spend lazily doing nothing else but day-dreaming. I liked the languid and languorous feeling those chapters conveyed. Seeing the narrator Juan María Brausen captivated by his imagination was appealing but the narrator was not. I hated him big time. I rarely if ever use the word “misogynist” but I felt the narrator was exactly that. His wife has just undergone a mastectomy and the way he thinks about her, her pain, her mutilated body, is unfeeling, self-centered and lacking any kind of empathy. It just annoyed me so much that after 150 pages I stopped reading. Because life is indeed very brief, I decided to abandon this novel.

The novel is well written and parts of it had an atmosphere and a mood I liked a lot but it was also confusing at times. It constantly switches from the narrator’s real life to the invented story about a doctor living in the fictional city Santa María. From there it switches to a third narrative strand showing the narrator inventing himself a double life and visiting the woman, a prostitute, who lives next door.

I suppose if the narrator hadn’t annoyed me so much – and not only because he is misogynistic – I would have finished the book as I found the narrative technique interesting.

I was curious to see whether other people had felt the same and googled “Onetti and misogynist”. I’m not sure why I didn’t trust my own impression but I was relieved to see that it was something critics and readers had commented on very often.

Onetti was a Uruguayan writer. He is famous for his novels and his short stories. I’ve read the collection Tan triste como ella a few years back and liked the melancholic tone. Onetti fled to Spain after having spent 6 months incarcerated in a mental hospital by the military government. Onetti was married 4 times (why did that not surprise me?).

I’ve read Onetti’s novel for Spanish Literature Month hosted by Richard (Caravana de recuerdos) and Stu (Winstonsdad’s Blog). It’s part of a readalong. It will be interesting to see what others thought, if they finished it and how they liked it.

Tatiana de Rosnay: The House I Loved (2012)

Her newest novel, Rose, is already an early spring hit in France. Again written initially in English, this historical work evokes Paris under the Second Empire and the grand urban redesign ordered by Baron Haussmann: Rose, an aging widow living in her family home in a small street near the church of Saint Germain des Prés, receives a letter announcing that her home is slated for destruction to make way for the new Boulevard Saint Germain.

I haven’t read any of Tatiana de Rosnay’s novels before. Knowing she is one of the most successful French writers made me a bit suspicious but when I saw a copy of Rose in our local bookshop I felt drawn to it immediately as the novel is about Paris. It’s only after browsing the book that I found out, the original, The House I Loved, was written in English and Rose is a translation. I wasn’t even aware that Tatiana de Rosnay has written most of her latest novels in English and – less surprisingly – that this contributed to her international success.

The House I Loved is written in  the form of a long letter from Rose to her deceased husband. She tells him that she has, after all, been informed that she has to move. Her house is among those which will be destroyed to make way for the large boulevards which are part of the redesign of Paris ordered by the Prefect, Baron Haussman. The idea to lose the house breaks Rose’s heart. She loves this house, loves it for its history and because it is the family home of her husband. For her, whose mother was cold and distant, the house has become her home just like his family has become her family.

In this long letter she looks back on her past, how she grew up, how they met, speaks to him about her children, their life together, the sadness about the death of her son, about her husband’s illness, his confusion and his death. The memories and remembrances are often interrupted by the present. The people who will tear down the house will arrive soon but she has still not left. She speaks of the destruction, how the city changes.

I had a bit of a problem with the way this was told. The tone is very sentimental, at times corny, the voice too modern for the time depicted. I think it would have been much better as a third or a simple first person narrative instead of this epistolary confession. Still I’m very glad I have read this. It captured a particular moment in the history of the city of Paris very well. I love Paris for its big Boulevards and Avenues, the Paris of the Baron Haussmann. They represent Paris for me. When those big Boulevards were designed, the old medieval streets had to go, the houses were torn down. I tend to forget at what cost the remodeling of the city was achieved. It is so hard to imagine what it would have meant to own a family house, full of memories and histories and to be informed that it will be torn down and destroyed for the sake of modernisation and sanitation. Tatiana de Rosnay captures the enormity of such a loss very well.

In oder to achieve authenticity, Tatiana de Rosnay said in an interview, she wrote most of the novel with a pen, by candlelight. “I had the idea for this novel 15 years ago, after seeing pictures of streets now forgotten,” she explains. “It contains my two obsessions: memories embedded in the walls and family secrets.”

If anything The House I Loved made me want to pick up a few non-fiction books on this topic or Zola’s novel La Curée – The Kill, which Emma reviewed recently here.

If you don’t mind a sentimental tone and are fond of historical novels and books set in Paris you might enjoy this entertaining novel.

I have attached a video about an exhibition of photos taken during the time. Although it is in French, you see many amazing photos. The person interviewed speaks about the numbers – how many houses were destroyed and why and about the photographer and why there were no people on the photos (at that time they couldn’t capture movement – so the streets had to be empty).

This review is a contribution to Karen’s and Tamaras‘s event Paris in July

The Canadian Book Challenge 6

I was hoping to find a Canadian Literature Challenge. These days I’m very interested in literature written in English outside of the UK and the US. The Canadian Book Challenge seemed just the thing I was looking for. I came across the challenge on Gavin’s blog Page 247.

The host is John Mutford from The Book Mine Set. His blog is dedicated to Canadian literature. If you are interested here’s the sign up post with all the details you need to know. In theory the idea is to read 13 books. It sounds like a lot but interpreting what John writes I would say it doesn’t seem as if you must reach that number. Aim for it, if you read less, it’s not the end of the world, if you read more, all the better.

I have a lot of Canadian literature on my book piles and have read quite a few authors in the past. Authors writing in English and in French. I asked and if you’d like to join, you can choose books written in English or French as long as the author or the topic is Canadian.

I know that I usually do not stick to my book lists but I still keep on making them. Possible choices for this challenge are

A Map of Glass by Jane Urquhart. Urquhart isn’t an easy writer but she is a fascinating one who writes beautifully.

Margaret Atwood’s Lady Oracle. Atwood is another immensely fascinating author I have meant to return to. I loved Cat’s Eye and Surfacing and some of her short stories.

The Birth House by Amy McKay. I haven’t read this author yet but everyone who read this novel was impressed.

The Stone Angel by Margaret Laurence is a book I discovered not too long ago on Danielle’s blog (A Work in Progress). It sounded like another Canadian must-read.

I would like to read the one or the other novel by Nancy Huston and some other Canadian authors writing in French.  Since I recently discovered Louise Penny’s Canadian crime series, I’ll certainly read one of those as well.

Are you joining? Do you have any Canadian literature suggestions?

Alvaro Mutis: Amirbar (1990) The Fifth Adventure of Maqroll

And if you want to change your life – for the better – and have never read the Colombian novelist Alvaro Mutis, you owe it to yourself to get acquainted with The Adventures and Misadventures of Maqroll. A collection of seven novellas that can be read at a run or singly, it features the greatest rainbow-chaser since Quixote, but a lot sexier and ravenous for both learning and love, not to mention fantastical, doomed schemes to make a pile of loot.

Alvaro Mutis is a Colombian author who lives in Mexico. He is famous for his stories about Maqroll the Gaviero (the Lookout). The Adventures and Misadventures of Maqroll – Empresas y tribulaciones de Maqroll el Gaviero is composed of seven novels and novellas which can be read as a whole or individually. Each tome is around 120 pages long and they seem to vary greatly in style and narrative technique. Some are like diary entries, others are letters, still others contain more straightforward story telling.  I’ve had  the novella Amirbar, part 5 of Maqroll’s story, on my book piles since years and never got around to reading it. Richard’s (Caravana de recuerdos) and Stu’s (Winstonsdad’s Blog) Spanish Literature Month seemed like the perfect time.

Reading Amirbar was an amazing experience. While Mutis is compared to Conrad – although he himself calls Dickens his greatest influence – I felt he was much more like a Latin American Blaise Cendrars. Amirbar reminded me of Cendrars’ amazing book L’or – Gold but is still a very distinct book. It has also something of the Tales from the Thousand and One Nights.

All the Maqroll stories are told by a narrator who works for some big corporate company and meets his friend Maqroll in different countries and cities at different times. Maqroll is a mariner and adventurer who travels the world without ever settling down for long. The sea is his chosen home and when he is at land it’s only to make business, most of it either illegal or highly adventurous. Whenever he meets his friend, the narrator, he tells him all of the stories that have happened in the meantime. When they do not meet, he writes long and winding letters all containing fantastic stories as well.

At the beginning of Amirbar, Maqroll and the narrator are in the US. Maqroll is ill and almost dying, he has contracted some tropical fever. The narrator takes care of him and sends him to live with his brother in California for a while. It is there that Maqroll tells them the story of Amirbar – a gold mine.

This is how the novel begins (translation taken from the English version)

Los dias mas insolitos de mi vida los pase en Amirbar” nos cuenta Maqroll el Gaviero. En Amirbar deje  jirones de mi alma y buena parte de la energiaque encendio mi juventud. De  alli descendi tal vez mas sereno, no se, pero cansaado ya para siempre. Lo que uno despues ha sido un sobrevivir en la terca aventura de cada dia. Poca cosa. Ni siquiera el oceano ha logrado restituirme esa vocacion de soñar despierto que agote en Amirbar a cambio de nada.

I spent the strangest days of my life in Amirbar. In Amirbar I left shreds of my soul and most of the energy that fired my youth. Perhaps I came down from there more serene, I don’t know, but I was everlasting weary too. What has happened to me since then has been a matter of simply surviving each day’s difficulties. Trivialities. Not even the ocean could give back to me my vocation for dreaming with my eyes open; I used that up in Amirbar and received nothing in return.”

Maqroll is driven by the urge to find gold, not so much because of its monetary value as we understand but because it symbolizes much more to him. It’s an obsession, a magical metal, something that calls for him from the entrails of the earth in which it is buried. The mine is in the Colombian Andes. He first discovers another one but has to flee it when they find a grave with people who have been murdered by some sort of Military Junta. Finding the skeletons puts them in grave danger. The next mine he explores is Amirbar. The wind in the tunnels systems of the mine seems to have a voice and what it is calling is the word “A-mir-bar” which has a special meaning for Maqroll.

One of the traits of Maqroll is that he has a lover wherever he is. In Amirbar it is Antonia who gets unhealthily attached to him. The relationship between Maqroll and Antonia is one of many small side stories in the book, one of many stories which turn into a desaster. Another important trait is Maqroll’s love of books. He is always reading. Most of the books he reads are obscure historical texts. He loves to immerse himself in another era and read about people who are long gone.

As fantastic as some of the stories sound they are infused with a high dose of realism. Set in a corrupt country, some of the characters are arrested, the gold is confiscated more than once and those who help Maqroll end up in prison and are tortured.

You can easily read Amirbar or any other story on its own but one thing is for sure, it will very probably make you want to read them all. I’ve read a few reviews since I started the book and it seems Amirbar isn’t even the best of the stories. In Maqroll Mutis has created some sort of alter ego, a character who feels so real that in his real life Mutis speaks about him with his friends as if he really existed.

Amirbar is a wonderful book, full of life, stories and tales. Reading it is an adventure in itself. I think it would be an excellent introduction to Latin American literature because despite of its complexity and exuberant story telling it is a very accessible, entertaining book.

Amirbar is a contribution Richard’s and Stu’s Spanish Literature Month.

Literature and War Readalong July 30 2012: Black Rain – Kuroi Ame by Masuji Ibuse

When I saw Black Rain mentioned by Gary (The Parrish Lantern) on Rise’s blog (in lieu of a field guide) last year, I knew I wanted to include this book in this year’s readalong. Last year we read Marguerite Duras’ Hiroshima Mon Amour and I’m really curious to find out how this horrible event will be treated by a Japanese author. John Hersey’s Hiroshima and Ibuse’s Black Rain are said to be the most important novels on the horror of Hiroshima.

Here are the first sentences

For several years past, Shigematsu Shizuma, of the village of Kobatake, had been aware of his niece Yasuko as a weight on his mind. What was worse, he had a presentiment that the weight was going to remain with him, unspeakably oppressive, for still more years to come.

*******

The discussion starts on Monday, 30 July 2012.

Further information on the Literature and War Readalong 2012, including all the book blurbs, can be found here.

On Jacques-Pierre Amette’s Le Lac d’Or, Léo Malet’s New Mysteries of Paris and Eugène Sue’s Mysteries of Paris

Unfortunately there is no English translation of Amette’s excellent crime novel Le Lac d’Or whose title is the name of a Chinese restaurant that is an important refuge for the main character in this book and aptly indicates the setting, Chinatown in Paris. Only one of Amette’s numerous books – the Goncourt Prize winning  Brecht’s Lover  or La Maîtresse de Brecht – has been translated so far.

It’s a pity as Le Lac d’Or (2008) is a great read and it’s no wonder he has been compared to Léo Malet and Georges Simenon. Like Malet’s Fog on the Tolbiac Bridge – Brouillard au Pont de Tolbiac, Amette’s novel is deeply rooted in the 13th Arrondissment. Place d’Italy, Pont de Tolbiac, Chinatown. It’s not one of my favourite arrondissements but it’s a part of Paris nonetheless. In any case, the 13th is one of those arrondissements that hasn’t any tourist appeal. It is an area with many atypically high buildings, concrete passageways, bridges and as said before, Paris’ Chinatown. But not even Chinatown is very picturesque.

At the heart of the novel is police inspector Barbey who has to investigate the murder of a prostitute. Chloë wasn’t a simple prostitute, she was a police informant and his ex lover. Why they split is not clear as they seem to have been made for each other, what is clear however is that the separation still hurts him, even some years later.

At the time of her murder Chloë was informing on a group of gangsters who regularly rented a few rooms in a hotel in the 13th. They have plenty of reasons why they would want Chloë dead. Reasons and opportunity.

The ending is not what one would expect but it isn’t completely surprising either. Amette’s strength is the description of a lesser known Paris and his likable but sad and exhausted inspector. There were a few interesting bits on the murder of a prostitute and that people think far less in terms of victim when the person who has been murdered was a prostitute. The most important aspect however is that this book is rooted in a tradition that started with Eugène Sue’s Mysteries of Paris.

The book put me in the mood to read some of the Léo Malet titles I haven’t read yet, one of which the afore-mentioned Brouillard sur le Pont de Tolbiac – Fog on the Tolbiac Bridge. Or Eugène Sue. Malet followed Eugène Sue’s famous Les mystère de Paris – Mysteries of Paris, calling his series the “new mysteries of Paris”. Each of his short and taut books is dedicated to another Parisian arrondissement.  I liked all of those I read. He captures the places well, the stories are interesting, the tone is unique.

If you look for a Paris-set series in English, then I’ve heard that Cara Black is quite good but I haven’t tried her yet. I think she also changes arrondissements from one book to the other.

Have you read Léo Malet or Eugène Sue? Or Amette’s Brecht’s Lover?

This post is my first contribution to Karen’s and Tamaras‘s event Paris in July.