Tag Archives: Literature and War Readalong 2013

Anna Funder: All That I Am (2011) Literature and War Readalong May 2013

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All That I AM

It’s not easy to write about this book and what is even worse – this is the very first time I almost forgot to write the review of one of my readalong titles. The book is not bad as such, I didn’t suffer while reading it or want to abandon it or anything like that. It just never reached me, if you know what I mean. It was like listening to the radio while talking to someone at the same time. You hear some individual words which briefly get your attention but overall it’s just background noise. This has certainly nothing to do with the topic as such but was entirely due to its execution. I was wondering before starting the novel why people called this “faction”. Now I know.

All That I Am tells the true story of four friends. Ruth Becker, her cousin Dora Fabian, the playwright Ernst Toller and Ruth’s husband Hans Wesemann. At a time when hardly anyone noticed, they knew that Hitler’s coming to power in 1933 was a very bad thing. Being part of the communist and socialist movement, they were not only in opposition to the National Socialist party but in grave danger from the beginning.

The chapters alternate between the point of view of Ruth Becker and Ernst Toller. They are both told in the present, just before their deaths, at different points in time. Ruth is living in Australia when she is looking back on her life, while Toller stays in the US in 1939 and tells Dora’s story from his point of view. Although they were both important, and, in Toller’s case, even more famous than Dora, their stories focus on Dora who was the center of their respective lives, their best friend and lover.

After a small act of rebellion – Ruth hangs a red flag out of the window, after Hitler comes to power – the four friends have to fear for their lives. People are being arrested and executed if they openly criticise the regime.

The four decide to leave for London and continue their work there. They fight in order to raise awareness of what is happening in Germany and still hope that Hitler will be overthrown.

At first they might have felt like they had escaped but Hitler’s agents were everywhere and even people living abroad were executed. They hear daily about people they know being killed. They must also fear that there is a traitor among them.

I’m not going to reveal more as the book works best, I think, when you don’t know too much in advance. That way it’s at least to some extent surprising. There are a few dramatic events and unexpected developments.

While I didn’t know these particular stories, wasn’t familiar with the four people, I knew enough about German history, so that this particular slice of it, had nothing new to offer. What was new were the stories of the four friends but the way this was told was not very interesting. It’s true, the book picks up speed in the second part but still, it read like Funder had tried to fill facts with life but didn’t really succeed. All we got was a half filled balloon hovering half a meter above the ground. It never managed to fly high up in the sky.

The best parts were the few moments telling Toller’s and Ruth’s final days.

Those who have read Stasiland, Anna Funder’s non-fiction book on Eastern Germany, were all very enthusiastic, which makes me think it would have been better if she had opted for the same approach here. Only, the facts are kind of meagre and maybe she thought turning something you could have told in 50 non-fiction pages would work better if turned into a full-length novel.

As for the topic – Yes, there were people who were aware as soon as 1933 that things were going wrong in Germany. Toller and his friends were not the only ones. There was a large number of writers and artists, communists and socialists who left Germany as early as that. What the book doesn’t explore is the fact that if  the communists and socialists would have been able to overthrow Hitler and his party, Germany might not have been much better off.

Sure, it’s an interesting story, sad and dramatic but told in a lifeless manner and very dry. It certainly didn’t work for me. Luckily it worked for others.

Other reviews

Lindsey (Little REader Library)

Lizzy’s Literary Life

Tony’s Reading List

The review is also a contribution to the Aussie Author Challenge.

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All That I Am was the fifth book in the Literature and War Readalong 2013. The next is the WWII novel Winter in Wartime by Dutch writer Jan Terlouw. Discussion starts on Friday 28 June, 2013. Further information on the Literature and War Readalong, including the book blurbs can be found here.

Literature and War Readalong May 31 2013: All That I Am by Anna Funder

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All That I AM

When I first heard of Anna Funder’s novel All That I Am  I wanted to start reading it right away as it sounded so appealing. The novel is inspired by – or based on – the tragic life of German-Jewish left-wing playwright Ernst Toller. Some have termed the book “faction” but judging from what I read about it, Funder took a lot of liberties, which makes the term “fiction” more appropriate in the  end. All That I Am is Funder’s first novel but she had a huge publishing success with her book Stasiland: Stories From Behind the Berlin Wall.

The book starts in 1933 with Hitler’s rise to power and tells the story of four young German exiles who try to raise awareness in the UK for the threat the new German government poses. Toller is one of them. In 1933 he lost his citizenship, left Berlin and went to live in London.

Here are the first sentences

When Hitler came to power I was in the bath. Our apartment was on the Schiffbauerdamm near the river, right in the middle of Berlin. From its windows we could see the dome of the parliament building. The wireless in the living room was turned up loud so Hans could hear it in the kitchen, but all that drifted down to me were waves of happy cheering, like a football match. It was Monday afternoon.

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The discussion starts on Friday, 31 May 2013.

Further information on the Literature and War Readalong 2013, including all the book blurbs, can be found here.

Timothy Findley: The Wars (1977) Literature and War Readalong April 2013

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The Wars

Is it possible to write about WWI – including the trenches, the incapable high command, shell shock, gas attacks, rats, mud, facial wounds, the immense body count – and still be original and have something profound and thought-provoking to say? Before reading Timothy Findley’s  The Wars I might have said “possibly” but after finishing it, I have to say “definitely”. This novel proves that in the hands of a powerful writer anything can become extraordinary.

The Wars has an episodic structure but still tells a coherent story, exploring what happened one day, during WWI, when young Officer Robert Ross, broke the ranks, committing an act of total insubordination, shot another officer and freed dozens of horses. How did it come to this? The story is told in a circular way, starting with the end, withholding all the vital information, and then moving back to  the beginning, unfolding every step which led to that fatal day.

I said in my intro post that I was worried the book would contain a lot of animal suffering and it did but in an unusual way. The strength of Findley’s work is that he manages to show, just like Coetzee – another defender of animals – that, at the end of the day, animals and humans are equal. Both feel pain; their lives are precious and must be protected. Being alive is nothing short of a miracle.

This first quote is central in the book and illustrates perfectly what kind of person Robert Ross is

In another hole there was a rat that was alive but trapped because of the waterlogged condition of the earth that kept collapsing every time it tried to ascend the walls. Robert struck a match and caught the rat by the tail. It squealed as he lifted it over the edge and set it free. Robert wondered afterwards if setting the rat free had been a favour – but in the moment that he did it he was thinking: here is someone still alive. And the word alive was amazing.

The instances in which animals die at the hand of men who have gone crazy or are saved by compassionate men are numerous. Madness is an important topic in this novel. Not just in the sense of war is madness but because people lose their minds during battle or under attack. And often they take it out on weaker ones. Wounded Germans, prisoners or animals.

Many of the soldiers in the book question the decisions of their superiors

This – to Bates – was the greatest terror of the war: what you didn’t know of the men who told you what to do – where to go and when. What if they were mad – or stupid? What if their fear was greater than yours? Or what of they were brave and crazy – wanting and demanding bravery from you?

Life in the trenches is constant terror, trying to stay sane and attempting to survive.

Robert had only taken eight hours sleep in the last three days. He was living on chocolate bars and tea and generous portions of rum which he took from the supply wagons. His body was completely numb and his mind had shrunken to a small, protective shell in which he hoarded the barest essentials of reason.

The novel is divided in many short chapters which could be read separately but definitely work as a whole. This isn’t a collection of snapshots, it is a novel but this approach of unfolding the story in short chapters, which change point of view, narrative technique, tone and mood, make every part very powerful. Findley is probably one of the most assured writers I’ve read. This could have been difficult to read but most chapters contain strong and expressive scenes. There is far more show than tell in this book, which makes it accessible but also painful. Death, pain, loss and grief are described in a civilian setting and during war, and finally illustrate that love is all that counts. War is mad, inflicting pain is mad and treating people without respect is mad as well.

What came as a surprise were the many funny moments in this book. Rodwell is an officer who saved some injured animals after an attack

“Where did you find the hedgehog?” Robert asked.

“Under a hedge,” said Rodwell.

Everybody laughed.

“I suppose that means you found the bird in the sky,” said Devlin.

“Would that I had, Mister Devlin,” said Rodwell. “No sir – I found him with the hedgehog. They were crouched there side by side when I got them by putting out my hand to secure the toad. We were all there together, you see. It was a popular hedge just at that moment.”

There are many other funny moments. I was glad for those, otherwise the book would have been really dark.

The Wars is populated by likable characters which makes it a painful read. There are not many men or animals who survive in this book. It’s not too gruesome as wounds and pain are not dwelt on but it has many explicit moments which make it an equally beautiful, powerful and painful read.

Other reviews

Anna (Diary of an Eccentric)

Buried in Print

Danielle (A Work in Progress)

The review is also a contribution to The Canadian Book Challenge.

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The Wars was the fourth book in the Literature and War Readalong 2013. The next is the WWII novel All That I Am  by Australian writer Anna Funder . Discussion starts on Friday 31 May, 2013. Further information on the Literature and War Readalong, including the book blurbs can be found here.

Literature and War Readalong April 29 2013: The Wars by Timothy Findley

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The Wars

On my intro post to the Canadian Book Challenge John, the host of the challenge, suggested I read Timothy Findley’s The Wars. There are quite a few Canadian WWI novels and this is said to be a Canadian classic.

Tomothy Findley wrote novels, plays, short stories and non-fiction. Many of his novels received prestigious prizes.On the back of my copy it says that he is Canada’s greatest living writer. That was back when the book was printed, in 2001. Findley died in 2002.

I must admit the first sentences make me feel anxious. Horses in WWI novels and movies are hardly ever a cheerful thing.

Here are the first sentences

She was standing in the middle of the railroad tracks. Her head was bowed and her right front hoof was raised as if she rested. Her reins hung down to the ground and her saddle slipped to one side. Behind her, a warehouse filled with medical supplies had just caught fire. Lying beside her there was a dog with its head between his paws and its ears erect and listening.

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The discussion starts on Monday, 29 April 2013.

Further information on the Literature and War Readalong 2013, including all the book blurbs, can be found here.

Elizabeth Bowen: The Heat of the Day (1948) Literature and War Readalong March 2013

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The Heat of The Day

Elizabeth Bowen’s The Heat of the Day introduces us to London during WWII. The novel starts on a Sunday in 1942 and ends exactly two years later. London is a ghostly city. Many houses are but ruins, other’s are abandoned. People’s lives have changed, relationships are formed much more quickly but they end as abruptly too. Social differences become smaller, the society is less strict as a whole. Everything is perceived more intensely. The seasons, the hours of the day, the light. The beauty and spookiness of the time is captured in evocative passages like the one below.

Out of the mists of morning charred by the smoke from ruins each day rose to a height of unmisty glitter; between the last of sunset and first note of the siren the darkening glassy tenseness of evening was drawn fine. . . . The diversion of traffic out of blocked main thoroughfares into byways, the unstopping phantasmagoric streaming of lorries, buses, vans, drays, taxis past modest windows and quiet doorways set up an overpowering sense of London’s organic power–somewhere here was a source from which heavy motion boiled, surged and, not to be damned up, forced itself new channels.

The very soil of the city at this time seemed to generate more strength: in parks the outsize dahlias, velvet and wine, and the trees on which each vein in each yellow leaf stretched out perfect against the sun blazoned out the idea of the finest hour. Parks suddenly closed because of time-bombs–drifts of leaves in the empty deck chairs, birds afloat on the dazzlingly silent lakes–presented, between the railings which girt them, mirages of repose. All this was beheld each morning more light-headedly: sleeplessness disembodied the lookers-on.

In reality there were no holidays; few were free however light-headedly to wander. The night behind and the night to come met across every noon in an arch of strain. To work or think was to ache. In offices, factories, ministries, shops, kitchens the hot yellow sands of each afternoon ran out slowly; fatigue was the one reality. You dared not envisage sleep.

The main story centers on Stella, her lover Robert, her son Roderick and the intelligence agent Harrison. The side story involves two girls, Louie and Connie. It’s a peculiar story. Harrison visits Stella one night and tells her that Robert is a spy working for the Nazis. Harrison could protect him to some extent if Stella was willing to become his lover.

It’s hard to imagine what it would feel like to hear something like this about the man you love. Stella doubts it at first but Harrison has proof and after a few months she accepts it and confronts Robert.

I’m not exactly sure why Elizabeth Bowen chose this topic or why she chose to paint the portrait of a likable Nazi spy. I didn’t feel this was believable at all.

If you put the story aside and concentrate on other elements, you will find an excellent description of wartime London. I liked the many side stories far more than the main story as such. The female characters are all interesting. There is Stella who was perceived as a fallen woman as it was said she had walked out on her husband. Nettie, the wife of a distant Irish uncle lives in a home for mentally ill patients but is perfectly fine. Louie sleeps with various men, to feel closer to her husband who is stationed in India. The status of women has changed a lot at the time, the society is less rigid, many could finally break free,

Robert, although far less of a character than most women in this novel, is interesting because he symbolizes the wounded men who came back after Dunkirk, unfit for future service. Many of these men must have been very bitter. I’m not sure though that an experience like this would have pushed many to become Nazi spies.

All in all this was a disjointed reading experience. I liked the atmosphere and the mood, didn’t care for the story and often had the feeling Elizabeth Bowen cannot write novels. As much as I liked her shorter prose and could forgive her for many convoluted sentences, in this book she went too far. According to Glendinning’s biography, her editor changed many sentences and told her many times to work on them. It’s not that they are long – long sentences hardly bother you when you read German or French literature – but the structure is weird. Let me give you a few examples.

In the street below, not so much a step as the semi-stumble of someone after long standing shifting his position could be, for the fist time by her, heard.

Or her way to break up dialogue and add long complicated tags

“This is certainly,” she agreed, with the affability of extreme disdain, “rather a point.”

This one is hilarious

“Absolutely,” he said with fervour, “not! Though you know I do wish I knew what’s rattled you.”

While I would still recommend to read The Heat of the Day for many different elements, I’m not so keen on reading another of her novels soon unless someone tells me there is one in which the sentences are not as contorted. For the time being I’ll stick to the short stories.

Other reviews

Anna (Diary of an Eccentric)

Lizzy (Lizzy’s Literary Life)

TBM (50 Year Project)

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The Heat of the Day was the third book in the Literature and War Readalong 2013. The next is the WWI novel The Wars by Canadian writer Timothy Findley. Discussion starts on April 29, 2013. Further information on the Literature and War Readalong, including the book blurbs can be found here.

Literature and War Readalong March 28 2013: The Heat of the Day by Elizabeth Bowen

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The Heat of The Day

March is Elizabeth Bowen month for me. I’m reading her short stories and Victoria Glendinning’s Bowen biography. It’s time to get to one of her novels and I’m looking forward to reading The Heat of the Day. In the foreword to her biography Glendinning writes

She is to be spoken of in the same breath as Virginia Woolf, on whom much more breath has been expended. She shares much of Virginia Woolf’s perception and sensibility: but Elizabeth Bowen’s perception and sensibility are more incisive, less confined, more at home in the world as well as in world’s elsewhere.

The Heat of the Day is set in London in September 1942. It’s called “a noir” which isn’t exactly a genre I would have expected from Elizabeth Bowen but she has a knack for the mysterious and less obvious which, I’m sure, will make this a great read.

Here are the first sentences

That Sunday, from six o’clock in the evening, it was a Viennese orchestra that played. The season was late for an outdoor concert; already leaves were drifting on to the grass stage – here and there one turned over, crepitating as though in the act of dying, and during the music some more fell.

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The discussion starts on Thursday, 28 March 2013.

Further information on the Literature and War Readalong 2013, including all the book blurbs, can be found here.

Geling Yan: The Flowers of War – Jingling Shisan Chai (2006) Literature and War Readalong February 2013

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The Flowers of War

Geling Yan’s novel  The Flowers of War – Jingling Chisan Chai is set in Nanking in 1937 during The Rape of Nanking or The Nanking Massacre, when the city was occupied by Japanese troops. The story which is inspired by true events takes place in the compound of an American church. Father Engelmann hides a group of school girls and when some prostitutes from the nearby brothels climb over the wall, he hides those as well. Later, three Chinese soldiers, two of which are badly wounded will also come and seek refuge. Their presence endangers the others greatly.

The Rape of Nanking is one of those horrific events which are hard to imagine and I was very curious to see how the author would handle this. I must say she’s written an amazingly powerful and beautiful book which gives us a good impression of what has happened without dragging the reader down too much. Still, especially due to the very sad ending, we never doubt for one minute how atrocious this must have been, notably for women.

Having a group of beautiful and very seductive prostitutes hide in the compound also leads to comical moments. The girls are still very young and pious and hate “those women” with a vengeance. The prostitutes on the other hand love to provoke and shock the priests and the girls.

In the beginning of the novel nobody expects that the Japanese occupation will turn into such a nightmare and Father Engelmann frequently says that he knows the Japanese to be very polite and expects that they will stay civilized and follow the Geneva Convention. When rumours of rapes and executions are spread he learns that he was wrong.

Because the church is neutral territory, Engelmann lives under the assumption that they are all safe inside of the compound. Safe but hungry because there is hardly any food left in Nanking. However Engelmann is wrong and the end of the story is harrowing. The Japanese don’t only enter the compound because they are looking for food but also because they are looking for women. It is known that the Japanese took female prisoners and used them as so-called “comfort women” and turned them into prostitutes or rather sex slaves.

I didn’t expect to love this book so much but I did. Geling Yan tried to show that war brings out the worst in people but also the best. It explores different moral choices and questions what is really good and what is bad. In the end, the prostitutes who are seen as bad, are the ones who prove to be capable of the greatest kindness and compassion.

The characters are very well-developed. We learn the back story of almost all of the characters and truly care for them by the end. There are numerous moments in which two people are listening and caring for each other and manage to share true beauty despite of the mayhem that is raging outside.

It occurred to Fabio that he might stop drinking if he had someone to tell his troubles to. A listening face like hers was intoxicating enough.

I thought this was one of the most subtle books on war I’ve read so far. It’s written in a very simple, straightforward and engaging way and tells a story of beauty, humour, sacrifice, compassion and hope without ever letting us forget the horrors or minimizing them. The biggest strength were the many characters which came alive in a few sentences.

When I choose a book for the readalong I tend to focus on the war aspect but ultimately The Flowers of War has a lot to say about the precarious condition of women.  The stories of the prostitutes are heartbreaking. It’s also well shown how conditioning makes other women, in this case the girls, hate them because of their trade. They are treated like the scum of the earth although they are good-hearted and kind and in most cases had no other choice. Many come from poor families and have been sold to brothels at a very young age.

One of the core messages of the book is captured in this quote in which Father Engelmann speaks to one of the Chinese soldiers who hides in the compound

“God used him to give me inspiration. He wanted me to save myself by saving others. God wants people to help each other especially when they are injured or weak. I hope you will trust in God. It is God you should trust, not weapons, when you are powerless to control your fate, as you are now.”

I’m looking forward to read what others thought of this novel. I liked it a great deal.

Other reviews

Book

Anna – Diary of an Eccentric

Danielle – A Work in Progress

JoV’s Book Pyramid

Movie

The Flowers of War – Novia (Polychrome Interest)

Book and Movie

Kevin (The War Movie Buff)

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The Flowers of War was the second book in the Literature and War Readalong 2013. The next is The Heat of the Day by Irish writer Elizabeth Bowen. Discussion starts on Thursday 28 March, 2013. Further information on the Literature and War Readalong, including the book blurbs can be found here.