Dorthe Nors: Mirror, Shoulder, Signal – Spejl, Skoulder, Blink (2016) Danish Literature

Dorthe Nors is a Danish writer who has written novels, novellas, and short stories. Her short stories have appeared in Harper’s Magazine, the Boston Review, and The New Yorker. Mirror, Shoulder, Signal was shortlisted for the Man Booker International Prize last year. Several of her books have been translated.

Mirror, Shoulder, Signal tells the story of Sonja, a single woman in her forties, who lives in Copenhagen and wants nothing more than learning to drive. It seems such a modest wish but for Sonja, who suffers from positional vertigo, it’s huge. The doctor actually told her she cannot learn how to drive but here she is anyway, getting driving lessons and failing miserably. Not because of the vertigo but because she just can’t figure out how to change gear. In itself, even though she urgently wants to learn to drive, this wouldn’t be so dramatic but there’s so much more that doesn’t really work in Sonja’s life that the failed driving lessons take on gigantic proportions.

Sonja moved to Copenhagen from rural Jutland. She’s the first of her family to study and after getting her degree in literature she moves to the exciting big city where she works as a translator of Swedish crime writer Gösta Svensson’s bloody serial killer novels. Not exactly the life she’d expected but then again what life did Sonja expect? That’s the question that not only Sonja asks herself during the course of this novel but also the reader. Sonja is the kind of character many readers seem to hate. She’s almost anachronistic in her failure to figure out what she wants and then go and get it. Because she is in many ways weak, people take advantage of her. Strangers and friends alike. Most people see her as someone they can use to talk endlessly about themselves, to show off, to bully, to patronise or, as her newest driving instructor, to have an affair with.

Sonja knows that her life is off its rails and she knows she’s missing direction but she can’t figure out how to get out of this mess other than to daydream or think about the past.

I was so not sure whether I liked this book or not until I read the last pages and everything came together. The ending was so sad, moving, and poignant that I ended up really liking this novel and it’s passive, at times annoying protagonist.

Everybody wants to read about strong, assertive characters and, of course, that’s inspiring but there’s so much truth in Sonja. I’m sure there’s so much hidden human misery in every big city, certainly also in small cities, that I found this story of a woman who had big dreams but ended up lonely and miserable very touching. It takes a special kind of character to survive in big, cold cities, especially when you were born elsewhere. And not everyone is capable of forming meaningful relationships, not everyone has the knack to be socially integrated. I’m very glad that Dorthe Nors chose to write about a quiet character whose struggles go unnoticed by those who surround her. At first even Sonja herself doesn’t notice. Only when she realises all of her struggles are futile does it dawn on her.

This could have been a sad and depressing story but it’s not because there are many funny moments. Sonja may not see herself as clearly as she should at first but she sees others all the more clearly. She has no illusions about those around her and her observations are often funny and laconic. There are the scenes with her massage therapist who also wants her to join her meditation group that are absolutely priceless.

As I said, there were moments when I wasn’t too sure about this book but in the end I liked the book and its old-fashioned heroine very much.

Pia Juul: The Murder of Halland – Mordet på Halland – Das Leben nach dem Happy End (2009)

The Murder of Halland

If you know that Pia Juul’s novel The Murder of Halland (Mordet på HallandDas Leben nach dem Happy End) plays with reader expectations, then you might enjoy this novel. If, however, you expect a conventional crime novel, you might be a little disappointed. Yes, it’s about a crime, but not a crime novel per se.

Pia Juul is a Danish writer, that’s why I read the German translation (I think that German is closer to most Nordic languages than English). While the English title is a literal translation of the Danish title, the German publisher chose to call the book “Life after the Happy End”. I don’t like the title but, at least, it didn’t sound like it was a crime novel.

The book opens with the murder of Halland. Or rather the discovery of his dead body. The man who found him says that Halland’s last words were “My wife killed me.” The reader knows that Bess, his partner, didn’t kill him. She was in the house, while he was shot.

Bess is a writer who left her first husband and her daughter because of Halland. She hasn’t seen her daughter since the girl was fourteen years old and has suffered because of this separation ever since. The daughter is now a young woman of 24.

Like most readers, even though I knew this wasn’t a typical crime novel, I assumed that the book would explore who shot Halland and why. The police does investigate, but it’s a half-hearted investigation. Of course, that’s not realistic, it was the writers choice to present the story this way. The reason for this is revealed later in the book when Bess watches a crime movie on TV and tells the reader that she’s never interested in the “who did it part” of a crime story and mostly forgets the end. She is much more interested in the people involved. The life of the victim, the investigator, and the friends and relatives of the victim. I feel a lot like Bess. I read crime novels for many reasons. Finding out who did it isn’t that important for me.

When Bess hears of Halland’s death, her first reaction is to call her estranged daughter. That reaction alone makes it clear we’re not going to read an ordinary story and from here on, Bess reacts in a rather unconventional way. And this is exactly why I found this book so great. Luckily, most of us will not encounter murder. We won’t find our partners shot dead or be friends with someone whose partner has been shot dead. So, why do we assume we know how a person would react under the circumstances? We think we know because we see how people in movies and books react. But maybe they wouldn’t cry and grief, maybe they would just go a little crazy? Maybe they would be so shocked that they wouldn’t react at all and just withdraw from the world?

Bess does go a little crazy but there are a lot of other things that are strange and the reader discovers with Bess that Halland may not have been who she thought he was and that he had secrets. Here again, expectations are not met. There are secrets but they are different from what we assume and possibly do not have anything to do with the murder as such. Or maybe they do? That’s for you to find out.

I really enjoyed this book. I found it refreshing, loved the brittle tone and how surprising it was. It’s never forseeable how Bess will react and in what direction the story will go next.

It’s a thought-provoking book that leaves a lot open. If you prefer the end of your novels to be less enigmatic, then this isn’t a book for you. If you like something more unusual, with unpredictable characters, then give it a try.

Here’s another take on the novel from Guy’s blog.

Das Leben nach dem Happy End