Tabucchi Week is already over and I wanted to thank all of you who joined, read along, wrote reviews, commented and read other’s posts. I’m really happy that it was quite interactive and people visited each other’s blogs. There were quite a few very interesting discussions. I’m also happy that those who joined who didn’t know Tabucchi found an author whose work they want to continue exploring and those who knew him felt like returning to an old friend. I enjoyed the two books I chose a great deal and I’m also glad that I have discovered a few new blogs.
What I also loved was that many of the posts showed how wide Tabucchi’s range is and that everyone can find something else in his books. Quite a few people have read Pereira Maintains but every single post was completely different and highlighted other things, something I’ve rarely noticed when many people read the same novel.
Once more – Thank you so much for participating.
Below are all the participant reviews again (they are also in the intro post). In a few days I’ll set up a page which will allow to find the posts more easily. I’m pretty sure this isn’t the last author week I’ve hosted and knowing that I like a bit of a theme the next week will most probably also be dedicated to an Italian writer. No worries, though, not before next year.
I liked Requiem so much but I loved The Edge of the Horizon even more. Once more it’s the story of a quest but this time the narrator is not on a trip to a foreign city but in his hometown. The place isn’t named but it’s a small and old Italian town located on the seaside. Tabucchi’s narrators don’t always have names but this one has, he is called Spino and according to the afterword, the name is a reference to Spinoza.
Spino is in his forties and works at the local morgue. He is a failed student who never finished his studies of medicine. His girlfriend of many years hasn’t really let go of the idea that there might still be time, that there is still something different to come, that he might still be a doctor one day. They have their rituals and one of them is to go to the Laterna Magica on Saturday evenings. It’s an old cinema in a picturesque back yard which shows mostly retrospectives and old movies. Later they go to a bar which does homemade drinks with ice and peppermint. The bar is located high up in the city and from there they have a beautiful view down rambling small alleys illuminated by the many lights in the darkness.
When a young man without identity is shot and his body brought to the morgue, everything changes. Spino is obsessed by the idea to find out the identity of the young man and his quest leads him from one person to the next.
It’s obvious that he identifies with the young man, that he is looking for himself as much as he is looking for that man’s identity.
The story is typical Tabucchi. I loved it for the descriptions, the mood, the atmosphere but I’m aware it isn’t one of his books which is universally liked. The ending is abrupt and mysterious and you really have to decide for yourself what happened.
I liked it because it’s a very melancholic story and the descriptions are wonderful. Instead of taking a trip to Lisbon it was like taking a trip to one of those typical old Italian towns with the narrow and steep alleys. The book has many descriptions of quiet moments like this one towards the end:
When the night began to fall, he turned on the radio without turning on the light. He was smoking in the dark while looking out of the window and observing the lights in the harbor. He let time slip away. He enjoyed listening to the radio in the dark, it gave him a feeling of distance.
The Edge of the Horizon is a short novella and it’s also contained in the book with the title Vanishing Point which has been reviewed for Tabucchi Week by 1streadinghere.
While there are a lot of similarities between Requiem and The Edge of the Horizon, reading them so close together showed how masterful Tabucchi is as the voices of the two narrators are distinct, the writing conveys a similar atmosphere but the style is very different. Despite the mysterious ending, this novella is much more accessible than Requiem. Like Pereira Maintains and Indian Nocturne, it would be a good starting point if you’ve never read Tabucchi.
A few years ago I was on a trip through Spain and stopped in Sevilla. It was the beginning of August and incredibly hot. Most Spanish cities have rivers but you wouldn’t know that if you visit in summer because they are dry. A very peculiar sight for someone from central Europe. The heat was scorching and I was out sitting in a park, it was only 9 a.m. The park’s sprinklers were on and the moment the water hit the asphalt, it turned into mist. So not only was it hot but quite humid. I had not specific plans but just wandered the city and stopped in parks, bars, restaurants and spoke to people. I haven’t done a similar trip in two years but when I started reading Tabucchi’s Requiem. A Hallucination it was exactly like being on my own, without specific plans and just immersing myself in a new place. The place in this case wasn’t Sevilla or any other Spanish city but the capital of Portugal, Lisbon. It’s equally hot in the book as it was on my trip and this catapulted me back in time. I realize I’m writing a lot about myself instead of writing about Tabucchi but there is a reason. I’m trying to put into words why this author means so much to me, why I love his books although they often, like in this case, are rather descriptions of a quest than a real story. There is just something I can relate to on a deeper level than with most other authors.
Since I’ve just read more than one Tabucchi in a very short time, I was reminded of one of the major themes of his work – the quest. His characters,be it in Indian Nocturne or in Requiem, are always looking for someone. Sometimes the person is real, sometimes the person is just some sort of magnet which attracts the narrator but what he really is looking for is himself.
In Requiem the nameless narrator finds himself aimlessly wandering through the sweltering city of Lisbon. He thought he had an appointment with someone at midday but the person didn’t show up and so he’s left on his own for another twelve hours as the meeting will take place at midnight instead. The person the narrator will meet is the famous writer Fernando Pessoa.
The narrator seems to be dreaming with open eyes, no wonder, after all the book is subtitled “A Hallucination” and we follow him from the park to a bar, to the cemetery, to a restaurant, a hotel, an abandoned villa and finally to another restaurant where he will dine with Pessoa. On his meanderings through the hot summer city he will meet people who are dead already, people from his past, people who still exist and some who never existed.
While this may sound confusing, it isn’t because Tabucchi is a very descriptive writer and the book is more than anything else an homage to Lisbon and everything the city represents for Tabucchi. This includes the people, the food, the music, the atmosphere. As dreamlike as the story may be, it is on the other hand described in an amazingly realistic way and you have the feeling to be there and explore the city through the eyes and the other senses of the narrator. It is an atmospherical and sensual account at the same time.
It seems that one of the things Tabucchi must have liked the most about Portugal was the cuisine. He mentions numerous dishes and recipes in the book. It’s interesting because most of the dishes are poor people’s dishes. Things they cook with leftovers. A frequent ingredient is bread. I have never eaten Portuguese cuisine and to be entirely honest it’s not likely I will as they include a lot of ingredients which I do not eat but it’ still interesting and the way the food is described you can almost taste and smell it.
Requiem is a complex book and can be read in many different ways. To fully appreciate it, I would have to read it once more. There were a few things that struck me during a first reading. The love for Portugal and Lisbon, the quest-like search. The admiration for Pessoa. The mysteries and complexities of life. Memories, dreams, illusions.
What I liked best is that reading Requiem felt so much like exploring a city as a traveller not so much as a tourist. When I’m a tourist I might visit all the places you “have to see” but when I travel, I let the city guide me. The city and it’s people. There will always be someone in a foreign city who will show you something which is worth discovering. A hidden street, a secret corner, a bar to which only the natives go. It’s this type of exploration you will encounter in Requiem. It’s a book for those who do not mind getting lost, knowing very well that they find a world worth discovering on their way.
Tabucchi’s love of Portugal and Lisbon was so intense that he wrote this novel in Portuguese stating in the foreword that no other language, other than maybe Latin which he didn’t master, seemed appropriate.
Tabucchi mentions Portuguese music and this reminded me of the wonderful singer Misia and her fados. Her videos are all visually compelling. This one was directed by John Turturro.
While finishing the book I discovered that the book has been made into a movie by Swiss filmmaker Alain Tanner. The movie is in French/Portuguese. I’ve attached it. You can watch the whole of it on YouTube. I’m not sure it exists with English subtitles but it’s possible.
Antonio Tabucchi Week is finally approaching. It’s starting tomorrow and this is really just a very quick introduction to the week and some info for those who participate. I’m going to post two reviews, one on Tuesday and one either Friday or Saturday and will wrap up on Monday in a week.
I spent the last week reading Tabucchi and was quite captivated by my choices. I wanted to read Pereira Maintains but then I dipped into another two of his books and one of them hooked me right away.
Tabucchi has written quite a few very short books, so if you haven’t started yet, there is still time until Sunday.
If you are participating and have reviewed something, please, leave a link in the comment section of this post. I’ll add it to this post. Once the week is over you can still access the links either via this post or via the page I will set up.
In the sweltering summer of 1938 in Portugal, a country under the fascist shadow of Spain, a mysterious young man arrives at the doorstep of Dr Pereira. So begins an unlikely alliance that will result in a devastating act of rebellion. This is Pereira’s testimony.
Ever since Stu’s Henry Green Week I wanted to host something similar for an Italian author and my first choice was always Antonio Tabucchi. He is one of the finest Italian writers and one I admire a lot.
Sadly what should have been a tribute to a living author has now turned into a commemoration as Tabucchi died earlier this year.
Tabucchi was a novelist, short story writer and academic. One striking feature was his love for Portugal, the Portuguese language and Fernando Pessoa. He didn’t only teach Portuguese literature at the university but he lived in Portugal (as a reaction among other things to Italian politics), wrote a novel in Portuguese and translated Pessoa.
He is one of the rare authors not writing in English who has been extensively translated. While I will read him in Italian, all those who would like to join can choose from a variety of other languages. He is available in English, French and German and most probably also in Spanish and Portuguese.
Tabucchi’s Indian Nocturne is one of my all-time favourite books. It has been made into a movie. I just read and reviewed Sogni di Sogni – Dreams of Dreams – a collection of imagined dreams attributed to famous writers, musicians and artists. But there are others that I want to re-read or discover for the first time like Tristano muore. Una vita.
If you have never read anything by this author I would suggest you start with one of his more famous novels like Pereira Maintains (Sostiene Pereira) or Indian Nocturne (Notturno Indiano). If you like short stories you may enjoy the beautiful collection of fictitious letters It’s Getting Later All the Time. If you go for quirky and inspiring, Dreams of Dreams may be the thing. But there are more.
In order to motivate you to join I’m giving away one copy of one of his most famous novels which has also been made into a movie with Marcello Mastroianni.
In the sweltering summer of 1938 in Portugal, a country under the fascist shadow of Spain, a mysterious young man arrives at the doorstep of Dr Pereira. So begins an unlikely alliance that will result in a devastating act of rebellion. This is Pereira’s testimony.
The giveaway is open internationally. If you would like to win this book, just leave a comment. The only condition is that you take part in Tabucchi Week. What you will read is up to you, it doesn’t have to be the book you won.
The winner will be announced on Friday August 17 2012.
Elaborately imagined…mini-catalog of great artists’ dreams and the author’s interpretation of the last three days in the life of Portuguese poet Fernando Pessoa. Tabucchi’s rich language and his magical-realist charm tinge the volume with a visionary glow.
Antonio Tabucchi’s Sogni di sogni or Dreams of Dreams is a collection of sketches or short pieces, circling around the life and work of different authors, painters, musicians and other famous people. Arranged in chronological order they all tell of an imaginary dream of the person to whom the story is dedicated. At the end of the book, a short biography of each of the men gives some of the most important details about their life.
While this may not be an ideal starting point for someone who isn’t familiar with Tabucchi, it’s an amazing introduction into the Western European cultural heritage. It’s an amazing little book. To be able to write something that is equally enchanting, inspiring and instructive, is admirable. On the other hand it shows what a wonderful writer Tabucchi was. The short sketches are written in a beautiful and highly evocative prose that reminded me of the intensity of elaborate and sumptuous Persian miniatures.
If you are familiar with the men included in the book, it will enhance the experience but it’s not necessary.
To give you an idea of what Tabucchi does in this book, I’ll pick the example of Ovid. In his dream, Ovid sees himself not only loved by his emperor but transformed into a giant butterfly. Only when he stands in front of the emperor and should perform one of his poems, all that comes from his mouth is a high-pitched whistling sound. He tries to move his wings instead and perform his poem like a pantomime but this infuriates the emperor. Angered he has Ovid’s wings cut off. When they fall to the ground, Ovid knows he will die.
Hidden behind this sketch is an allusion to Ovid’s most famous work, the Metamorphoses and the whole tragic life story of one of the greatest poets of all times, who spent his last years disgraced and banned from Rome, in Tomis, on the Black Sea.
Here is the list of all of the people included in the book:
Daedalus
Ovid
Lucius Apuleius
Cecco Angiolieri
François Villon
François Rabelais
Caravaggio
Francisco Goya
Samuel T. Coleridge
Giacomo Leopardi
Carlo Collodi
R. L. Stevenson
Arthur Rimbaud
Anton Chekhov
Claude Debussy
Henri de Toulouse-Lautrec
Fernando Pessoa
Vladimir Mayakovsky
Frederico Garcia Lorca
Sigmund Freud
Sogni di sogni is highly imaginative and one of those books that opens doors. It will make you want to explore the people and works behind each chapter. It certainly made me want to read more of Tabucchi, one of the most amazing and creative Italian writers who sadly died earlier this year.
It’s often difficult to find Italian books in translation but Tabucchi is one of the rare authors who has been extensively translated. Some of the newest books are not out in English yet but most of his earlier ones are.
Have you read Tabucchi? Would you be interested in a Tabucchi week?
Beauty is a Sleeping Cat 