Category Archives: Literature

Matthias Politycki: Next World Novella (2011) aka Jenseitsnovelle (2009)

Posted in Books, Fiction, Germany, Literature, Novella by

Hinrich takes his existence at face value. His wife, on the other hand, has always been more interested in the after-life. Or so it seemed. When she dies of a stroke, Hinrich goes through her papers, only to discover a totally different perspective on their marriage. Thus commences, a dazzling intellectual game of shifting realities.

How do you picture the afterlife? Like a cold dark lake you have to cross? Do you picture how you will be surrounded by loneliness and obscurity and that you will know before you even start to dip into those icy waters that you will never make it across and that you will die a second time while attempting to reach the other shore?

Probably this is not your idea of the next world but it is Doro’s. The thought of it terrifies her and when she confides in Hinrich, telling him of her terrors, they form a bond and eventually become a couple. Before she reveals herself, Hinrich, a professor of sinology, secretly pines after Doro the young specialist of the I Ging who occupies a room on the same floor of the department of sinology. While he is very much in love and provides her with a pot of green tea every afternoon, she doesn’t seem to care for him at all. But suddenly one afternoon, to show Hinrich what her idea of the after world looks like, she takes him to an art museum and shows him a painting. The painting isn’t named but from the detailed description it seems they stand in front of Böcklin’s Toteninsel. Of course Hinrich doesn’t take her fears seriously. This is as much mystical rubbish to him as the I Ging. Still he promises her that he will wait for her on the other shore.

However these days are long gone and the memory of the beginning of their story provides only one part of the things Hinrich will remember on a beautiful autumn morning on which, like every day, he gets up late only to find Doro already sitting at a table and correcting what he has written the day before. The moment he enters the room he realizes something is wrong. The room is filled by an overpowering smell and the fact that Doro sits here correcting something is a little strange as well as he hasn’t written anything in a long time.

What we finally discover through Hinrich’s eyes is the fact that Doro has died inexplicably and that the text she not only corrected and annotated but tried to finish as well is an old fragment of a novel that Hinrich has written some thirty years ago. It is the story of Marek the drunkard who gets involved and hurt by a beautiful waitress. Marek is as opposed to Hinrich as can be imagined.

From the moment of the discovery of her body until the very end of the novel the book takes a few very surprising twists and turns.

Hinrich and Doro’s story alternates with the parts of the fragments of the novel that Hinrich rereads. The tone of the interwoven texts is very different. The novel uses outdated slang, the other parts are written in a very polished and literary German.

Hinrich, a man who had extremely bad eyesight and could hardly see a thing, decided late in life to have a laser operation. To be able to see clearly has transformed him into a completely different person. Before his opperation he was dedicated to Doro, content with a life filled with books that took place either at the university or at home. Since he can see he goes out in the evenings with his students, chats up waitresses and discovers a completely new side to himself.

What he didn’t know and discovers now through reading the annotations and the letter that Doro has left for him is not only that she knew about his affairs but also that she hated and despised him and that she has taken revenge.

I did absolutely not like this novel at first as I found Hinrich Schepp to be such a boring and narrow-minded character. But I should have known better when embarking on reading a book whose main character has such a name.  Surely no one would choose a name like that for his protagonist if he wasn’t poking fun at him. All the infuriating and annoying bits about Hinrich’s charcter and his actions fall into place at the end and their meaning changes one’s view of Hinrich. One could even say that Hinrich becomes endearing.

 

As said before, the book has a few extremely surprising twists and turns to offer and from page to page we see things and people in a new light until, at the end, everything changes again.

There are a few painful moments in which Hinrich’s mask is ripped off and he finds himself exposed and ridiculed. Shame is one of the strong feelings that pervades the whole novella.

 

Next World Novella is a quirky book that touches on a lot of different things. It explores the fear of dying and death as well as marriage, love and self-deception. The most interesting aspect for me was the exploring of the ideas of an after life and the dimension added by the references to the I Ging, a text that I find highly fascinating. But also the discovery of how much “unlived” life there is hidden in an ordinary life is interesting. Every human being has a potential that would allow him or her to live many lives that would maybe look very different from the one chosen.

I have read the German book and insofar I cannot say much about the translation. I thought for a long time about the title and if Next World Novella is really how I would have translated Jenseitsnovelle. For different reasons I don’t think so. The sense is the same but I had a feeling “Jenseits” sounds more poetical than “Next Life”. The word “next” contains a very hard consonant whereas “Jenseits” has a soft and flowing sound. That is why I would have tended towards a title containing hereafter or after life. I’m sure Anthea Bell who is a renowned translator had her reasons. As for the rest of the text, I got the impression the German is more old-fashioned and mannered than the English translation.

All in all I can only recommend this book. It’s very different, surprising and intelligent.

Ruth Rendell: The Tree of Hands (1984)

Posted in Books, British Books, Crime, Fiction, Literature, Novel, Psychological Thriller, Thriller by

Once, when Benet was about fourteen, she and her mother had been alone in a train carriage and Mopsa had tried to stab her with a carving knife. It was some time since Benet had seen her mad mother. So when Mopsa arrived at the airport, looking drab and colourless in a dowdy grey suit, Benet tried not to hate her. But the tragic death of a child begins a chain of deception, kidnap and murder. Domestic dramas exploding into deaths and murders …threads are drawn tightly together in a lethal last pattern.

I read and reviewed A Judgment in Stone last year and have mentioned how much I liked it. It was one of my favourite reads of 2010. On one of the comment thread’s Guy Savage suggested another book by Ruth Rendell, The Tree of Hands, and that is how I discovered this novel.

I have to emphasize once more what a great writer Ruth Rendell is. This book is different from A Judgment in Stone but also very engrossing. After having read The Tree of Hands I can also see why A Kind of Intimacy was compared to Rendell’s books. The description of the streets and their inhabitants shows a lot of parallels plus the people are equally deranged.

In the Tree of Hands the stories of at least 6 people are interwoven but it is skillfully done and they are all linked together in a logical way. The novel works like those rows of domino stones that have been set up in order to see them fall one by one. The falling down of the first stone makes the others follow. One action in the novel triggers another action and they are all equally fatal and catastrophic.

I was a bit wary at the beginning as Mopsa, Benet’s mother, is said to have a mental illness. Using mental illness as an explanation for a crime is often insufferable to me. But fortunately Mopsa is just the first domino stone. Being totally irresponsible she steals a child without ever thinking of the consequences but then she leaves and lets all the other people deal with the aftermath of his kidnapping.

The book really has a chain reaction at its core and one bad decision leads to another. And it also describes quite a lot of negative, selfish and frankly bad people. What struck me, even though Mopsa is mentally ill and on top of that clearly not a good person, she is by far less deranged than some of the other nasty characters in this book.

One of the main stories is the story of Benet, a young mother and extremely successful writer who lives in a beautiful house in Hampstead. At the beginning of the book her mentally ill and very unstable mother, Mopsa, comes to visit her and her little boy, James. Benet is a very loving mother and James is the most important person in her live.

The second main story revolves around another young mother, Carol, her son Jason and her young boyfriend Barry. Carol is a superficial and unrestrained woman with a flaming temper. At the age of 28 she is already a widow and has three children from different men. Two have been taken away, only the smallest, Jason, is living with her and Barry.

At first the two strands of the story run in parallel until a tragedy happens and Mopsa steals Jason.

I am tempted to write a lot more as there are a few aspects that I find interesting but unfortunately it isn’t possible, it would spoil too much. I can however say that the novel also explores the concept of parenthood and if someone who loves a child dearly might not be a better parent than a biological parent.

Something that struck me in this book is the overuse of the sedative Valium. This dates the book. Surely nowadays people in novels don’t pop pills like sweets and they might not use benzodiazepines as often anymore. This constant use of downers and alcohol is of course symbolical and just underlines that the people in the novel do not want to face any problems or consequences of their actions.

Ruth Rendell’s writing is suspenseful, her characterizations are psychologically plausible and the descriptions of different social milieus spot-on. Do I have to mention that I will certainly read another Ruth Rendell or Barbara Vine very soon?

Hop a long, Git a long, Read a long Western Reading Challenge

Posted in American Literature, Books, Fiction, Literature, Novel, Readalong by

Have you ever read a Western? Well, I haven’t. It is just not a genre I ever really felt tempted to explore but one evening, watching TCM, a couple of years ago, I saw a made for TV movie  that really stunned me, namely Riders of the Purple Sage. It was a melancholic tale of a gunslinger looking for the guy who drove his sister to commit suicide. It showed Ed Harris, in what I would say, one of his best roles. It was such a moody and atmospheric movie. I found out later that it was based on a novel by Zane Grey, Riders of the Purple Sage. I bought it, wanted to read it and forgot all about it. When I stumbled upon this Western challenge/readalong in which you can participate reading only one book, I thought, now is the time .

My thanks go to Gavin from Page247 who presented this effortless challenge on her blog a while ago. The challenge itself is hosted by Ready When You Are, C.B.. Here is the link to the challenge that takes place in May.

It’s worth having a look at the definition of Westerns on C.B. James’s page and also at the list of possible books. People who love Willa Cather could read along as well as those who always wanted to read Jim Harrison.

For me this is a good opportunity to broaden my horizon. I wouldn’t call it get out of my comfort zone as that is a concept I don’t have. I can’t think of any genre or type of book I don’t feel comfortable with (but maybe I get the idea of comfort zone in this context wrong?).

Erica Bauermeister: The School of Essential Ingredients (2009) Dreams, Friendship and Slow Food

Posted in American Literature, Books, Literature, Novel by

In this remarkable debut, Bauermeister creates a captivating world where the pleasures and particulars of sophisticated food come to mean much more than simple epicurean indulgence. Respected chef and restaurateur Lillian has spent much of her 30-something years in the kitchen, looking for meaning and satisfaction in evocative, delicious combinations of ingredients. Endeavoring to instill that love and know-how in others, Lillian holds a season of Monday evening cooking classes in her restaurant. The novel takes up the story of each of her students, navigating readers through the personal dramas, memories and musings stirred up as the characters handle, slice, chop, blend, smell and taste. Each student’s affecting story—painful transitions, difficult choices—is rendered in vivid prose and woven together with confidence.

I like books about book groups, writing classes, language lessons or knitting clubs as they are essentially books about friendships focusing additionally on a certain topic. They resemble cozy mysteries in which an amateur sleuth, besides solving a crime, introduces us to his craft, hobby or profession. Most of the books of this book club/lesson/school subgroup are not up to my expectations and still, whenever I see one, I have to read it sooner or later. When I read about The School Of Essential Ingredients I was curious and thought it might be uplifting to read a novel that takes you into the realm of food, cooking, spices and aromas during the bleak month of February. And for a change I was not disappointed. It is entertaining, charming and provides intelligent reflections on food and food preparation.

From the reviews I read, I know that some people had a problem with the form of this novel as each chapter is dedicated to another character. We only catch glimpses of their lives. Unlike in The Fiction Class that I enjoyed so much last year, there is no main character in this novel.

Lillian is a chef and owns an expensive and very exclusive restaurant. She organizes monthly cooking classes in which she teaches a very special form of cooking that is meant to inspire and transform. The beginning of every new class is exciting as people come for so many various reasons. Of course they want to learn to cook but they also want to make friends. Some only come because they were offered a voucher. Each person has their own dreams and sorrows that they carry with them.

Lillian is far more than just a simple cook. Already as a child she has learned that you can affect people if you serve them the right food. She did this when she managed to guide her own mother back into life. After having been left by Lillian’s father, her mother shied away from the world and withdrew into books. By cooking the right meal, choosing the right ingredients, Lillian achieved to pull her back into life, to make her notice the world around her and to participate again.

This is what she also does in her cooking classes. She has a good eye for people and studies her pupils closely. Through choosing the right menu, she manages to trigger something in them.

Each month is dedicated to another meal and another person. While they cook and discover new tastes and new aromas, the students are touched in a profound way, remember something of their past or discover new joys in the present.

There is Claire a young mother who rediscovers herself outside of her role as mother and wife and finds back to a more authentic, less limited perception of herself. Her dish is a meal of crabs and preparing it reveals to her an inner strenghth she didn’t know she had (It was a bit hard to read this chapter as the process of killing the crabs is described. Admittedly in a thoughtful and thought-provoking way.).

There is Helen, an elderly woman fighting the early signs of dementia or Alzheimer’s. During “her” evening they cook fondue. There are many others. Tom, a young man who is mourning his wife who was a chef herself, Antonia, an Italian interior designer and the elderly couple Helen and Carl.

At the end of the novel, the little group has become a group of friends who will probably go on seeing each other. Only Lillian hasn’t become a part of it a fact which fills her with an unfullfilled longing.

Susan Breen’s The Fiction Class, that I mentioned before, was completely focusing on the teacher. She was the central character who tied the stories together. This isn’t the case here. Although Lillian is a force, she stays in the background. She is like one of those ingredients in a dish that you only notice when they are absent. Maybe like salt.

I know that this approach didn’t work for every reader but I liked the stories and the descriptions of the aromas, ingredients and the setting and found the book to be positively enchanting. You can feel Erica Bauermeister’s inspiring love of food and especially Slow Food that she discovered during her stay in Italy.

Erica Bauermeister is the editor of 500 Great Books by Women and Let’s hear it for the Girls.  The School Of Essential ingredients is her first novel.

She has her own website on which you can find recipes and guest posts she has written for other bloggers.

Erri de Luca: Tre cavalli aka Three Horses (1999) The Scent of Earth, Sage and Flowers Pervading a Story of Love, Pain and War

Posted in Books, Fiction, Italian, Literature, Novel by

Three Horses

From Argentina to Italy, the intense, metaphysical and poetic story of a gardener in love, by Italy’s most prominent writer. “A MAN’S LIFE LASTS AS LONG AS THREE HORSES. YOU HAVE already buried the first.” Somewhere along the coastline of Italy, a man passes his days in solitude and silence, tending a garden and reading books of travel and adventure. Through these simple routines he seeks to quiet the painful memories of the past: a life on the run from Argentina’s Dirty War; a young bride “disappeared” by the military; a terrifying escape through the wilds of Patagonia. Yet everywhere he turns, new life is pulsing, ready to awaken his senses, like the force that drives his fruit trees into bloom. People and events from the past and present migrate into patterns assigned by a metaphysical geometry. A woman of the world reintroduces him to love. An African day laborer teaches him the meaning of gratitude. In this intense narrative, every acute observation, every nuance, becomes a means of salvation. Using a language that is both gripping and contemplative, Three Horses is an unforgettable tale.

Imagine the smell of warm earth, the scent of sage, the intense aroma of mimosas. These are evoked like musical themes in this beautifully sensuous novel that reads like a hymn to beauty and pain. But Three Horses is about much more than this. It introduces us to one of the most endearing narrators. A while back Litlove had a post on favourite male characters. If I had read Erri de Luca’s  Tre cavalli at the time, I would have mentioned the narrator as one of the most appealing characters of all time.

I only read second-hand books. I lean them against the bread basket, I turn the page and it stays like this. This is how I chew and read. (…) Like this, at lunch time, I sit in the bistro, always on the same chair, I order soup and wine and I read.

I liked him from the start, this taciturn, profound reader, quietly eating, turning the pages but still open to everything around him. Open to life, and every little sign of it, even open to love, despite what he has been through. A man like a tree, deeply rooted in earth, poetical and down-to-earth at the same time. Through him, we catch glimpses of a painful past, a lover killed by the military junta in Argentina, thrown from a helicopter into the sea. Is this why he only reads novels with a watery theme?

You are also drawn into a war because you are ashamed of staying out of it. And then grief snatches you and keeps you there as a soldier of rage.

The narrator is back in Italy. He is a gardener and to touch the earth, to smell the richness of the herbs, sage, thyme, rosemary keeps him alive.

The sauce and a handful of oregano already announce the summer. I take a pinch and inhale it to awaken my senses.

This novel is so beautiful it is hard to describe. The narrator meets Làila and falls deeply in love. He meets Selim, a man from an unnamed African country who tells him to read the future in the ashes of burned laurel leaves. Everything is connected. Selim sells the mimosas that the narrator offers him, he sells the thyme and the rosemary. He pays back in kindness and friendship and even more if needed.

The gentleness and the tenderness of the narrator is overwhelming. He is a good man, a man who is trustworthy. A man who has the gift of being able to be a true friend. A reader who believes humans are changed through books much more than through the things they experience. A listener who lives life with all of his senses.

The days go by like this. In the evening, at home, I crush raw tomatoes and oregano over drained pasta and I nibble cloves of garlic in front of a Russian book.

Despite this gentleness he is capable of violence, he was a soldier, he killed people. He would even be able to commit a murder. Would he kill for the woman he loves? Or would someone else kill for him? Would that make him less of a murderer?

I’m often drawn to slim novels, novels that have been written by writers who are also poets. This is one of the most intense I have read in a long time. It has a floating quality, still it is very effortless to read, you could read it in one sitting but that would be a shame. It is too beautiful to rush through.

I was many times reminded of the poems of Octavio Paz.

Làila listens to me and she is so close to my ear that she manges to breathe islands into it.

De Luca writes about the relationship of Italy and Argentina in his foreword. Until 1939 Argentina let 7 million immigrants enter the country. Over half of that number came from Italy. You can easily hear the Italian influence on the Argentinian Spanish. It’s much softer and closer to Italian than any other variety.

De Luca is one of the very great Italian storytellers. His books are translated in many languages but only a very few are available in English.

The quotes are translated from the French as I read the novel in its French translation Trois chevaux.

For those of you who understand Italian I attached this homage. Those who don’t understand it can still try to feel the rhythm of his language. This is pretty much the rhythm of the novel.

Historical Novels

Posted in Books, Fiction, Historical Fiction, Literature, Movies based on books, Novel by

100 Must-Read Historical Novels (Bloomsbury Good Reading Guides)

I always thought that I didn’t like historical novels or that it was at least a genre that I hardly ever read. Still, when I came upon this little book (it’s a very small size) on amazon I was curious and as it was one that you can open and browse (as you can when clicking on the picture) I had a look and was astonished how many of them I had read or knew. I found Pat Barker’s Regeneration in it as well as Kate Grenville’s The Secret River and Penelope Fitzgerald’s The Blue Flower. Willa Cather is mentioned alongside with Umberto Eco’s The Name of the Rose and Giuseppe Tomasi di Lampedusa’s The Leopard. I was so curious that I finally had to order it and I am glad I did. It’s a great little book.

100 Must-read Historical Novels describes 100 books in detail, with a brief introduction to the author and  a summary of the book. Other books of the author are mentioned as well as books that are similar and movies based on the book.

In between the entries on the authors are book lists with themes. You can find a list of books on World War I and its aftermath, a list with books on the American West, a list with historical novels on Asia, a list with historical fiction for children, novels on ancient Greece and Egypt, The Renaissance, The Middle Ages and so on and so forth.

I picked two lists as examples and reproduced them for you:

Black History Fiction

David Dabydeen, A Harlot’s Progress

Barbara Hambly, A Free Man of Colour

Lawrence Hill, The Book of Negroes

Toni Morrison, A Mercy

Walter Mosley, Devil in a Blue Dress

Caryl Philipps, Cambridge

William Styron, The Confession of Nat Turner

Margaret Walker, Jubilee

Writers’ Lives

Andrew Taylor, The American Boy (Edgar Alan Poe)

Julian Barnes, Arthur & George (Sir Arthur Conan Doyle)

Anthony Burgess, Nothing Like the Sun (William Shakespeare)

Frederick Busch, The Night Inspector (Herman Melville)

Tracy Chevalier, Burning Bright (William Blake)

J.M. Coetze, The Master of Petersburg (Fyodor Dostojevsky)

Michael Didbin, A Rich Full Death (Robert Browning)

Helen Dunmore, Counting the Stars (Catullus)

Carlos Fuentes, The Old Gringo (Ambrose Bierce)

Tom Holand, The Vampyre (Lord Byron as one uf the undead)

Michèle Roberts, Fair Exchange (William Wordsworth)

Steven Saylor, A Twist at the End (O.Henry)

C.K. Stead, Mansfield (Katherine Mansfield)

Colm Toibin, The Master (Henry James)

Of those mentioned here I have Colm Toibin’s The Master and A Mercy on my TBR pile. I did start The American Boy but never really got into it but Devil in a Blue Dress is a favourite.

I realize that my understanding of historical novels was slightly narrower than what is shown in this book and maybe that was based on a misconception. A historical novel had to be set before the 20th century. That’s why I wouldn’t have considered Pat Barker to be a writer of historical novels. According to Nick Rennison, the author of the book guide, he applied the same rule that Sir Walter Scott once applied. In order for a novel to be called historical, the events that are described must have taken place at least 60 years prior to the year in which the writer lives.

My favourite three historical novels (in a narrow sense) are: Françoise Chandernagors L’allée du roi aka The King’s Way, Margaret Mitchell’s Gone with the Wind and Tracy Chevalier’s Girl with a Pearl Earring.

I know that many of you love historical novels. Which would be your top three?

Anne Tyler: Back When We Were Grownups (2001)

Posted in American Literature, Books, Fiction, Literature, Novel by

The first sentence of Anne Tyler’s 15th novel, Back When We Were Grown Ups, sounds like something out of a fairy tale: “Once upon a time, there was a woman who discovered she had turned into the wrong person.” Alas, this discovery has less to do with magic than with a late-middle-age crisis, which is visited upon Rebecca Davitch in the opening pages of the book. At 53, this perpetually agreeable widow is “wide and soft and dimpled, with two short wings of dry, fair hair flaring almost horizontally from a centre part”. Given her role as the matriarch of a large family–and the proprietress of a party-and-catering concern, The Open Arms–Rebecca is both personally and professionally inclined towards jollity. But at an engagement bash for one of her multiple stepdaughters, she finds herself questioning everything about her life: “How on earth did I get like this? How? How did I ever become this person who’s not really me?”

Did you ever have the feeling you are living the wrong life? You should be somewhere else and someone else? I think this did happen to me in the past a few times and this may be one of the reasons why I could relate so well to Rebecca, the main character of this novel. This was my first Anne Tyler novel and I liked it a great deal. It’s a marvelous novel. Warm, rich, touching. It’s not a novel in which there is a lot of action, not at all, there are a few intense scenes the rest are flashbacks, thoughts, feelings. Back When We Were Grownups explores if there are signs that we live the right life, if there are signs that we could read before things happen, “Prophetic Moments”, as Rebecca calls them.

Or is it just like Poppy, her late husband’s great-uncle states:

“And that’s where he and I differed,”  Poppy said. “Because I was always telling him, ‘Look,’ I said. ‘Face it,’ I said. ‘There is no true life. Your true life is the one you end up with, whatever it may be. You just do the best you can with what you’ve got,’ I said.”

During a picnic with her family Rebecca all of a sudden has this strong feeling of being at the wrong place. She is a fifty something widow, mother and grandmother and professional hostess. The house she has inherited from her husband, a grand old mansion, is used as a place where people can celebrate parties, weddings, birthdays. One of her daughters is a chef and does the cooking.

Rebecca looks back on her life and the turning point, the one moment that made her embark on this life that she has suddenly become so unsure of. When she was still a young woman, studying for a degree, dating a fellow student, Will, she was invited to a party at the mansion she is now living in and meets the older son of the family. He sees her and chooses her immediately, as his companion and as the mother for his three little daughters. His wife abandoned him for a dubious career as a singer and the poor man struggles to keep his girls happy. When he sees Rebecca she strikes him as someone very cheerful, which she wasn’t, as she thinks looking back. Two weeks later they are married. She has left her highschool sweetheart and moves in with this older man and the three little girls. They have a daughter of their own and organize parties at their house. Six years later he dies suddenly.

Rebecca wonders if she shouldn’t have stayed with Will, pursued her studies. At present she lives with her husbands 99-year-old great-uncle. The old man is somewhat demented but still appears very intelligent and articulate, just very forgetful. His wish is a birthday party for his hundredth birthday. Rebecca is afraid of all the effort this will require and doubts he will even remember it the next day but someone says that he will still enjoy it while it lasts and so she gives in.

The birthday party is really the culmination point of the novel. It’s a wonderful final scene, very rich and full of life. The old man enjoys every moment of it and describes to those gathered around him with great minutiae every instant of this memorable day.

He must be nearing the finishing line now; he was dressing for the party (“…the crackly  feel of starched shirtsleeves when yu slither your arms inside them…”) And anyhow Rebecca was enjoying this. It was sort of like a report on what it was like to be alive., she decided. let’s say you had to report back to heaven at the end of your time on earth, tell them what your personal allotment of experience had been: wouldn’t is sound like Poppy’s speech? The smell of radiator dust on a winter morning, the taste of hot maple syrup…

This is one of the best and most touching scenes in a novel that is full of wonderful moments.

But before we arrive at Poppy’s birthday, we follow Rebecca as she tests the possibilities she might have missed. She contacts Will after all these years, gets some books from the university.

This is a novel about possibilities, lost dreams, second chances, family and love and ultimately about chosing the right path and belonging. I really loved this book. I liked Rebecca and many of the other characters, especially Poppy, the great-uncle. I liked how it shows that choosing a partner also means choosing a life and that maybe sometimes when we feel we are just drifting we are actually just sliding along because we are on the right path. Back When we Were Grownups also takes a very close look at parenting and step parenting. Rebecca never makes a difference between any of her girls.

I always like novels that explore alternative life styles or unusual families and big old houses. Rebecca lives with her late husbands great-uncle, every Thursday the whole family gathers at her place, every evening she is on the phone with her best friend, her brother-in-law. She is surrounded by people and life, still there are these moments for which I loved the book even more:

And anyone would agree that “Stardust” was a melancholy song. So that was probably why, in the middle of “How Old Are You?” she felt an ache of homesickness in her own house.

Did you read any novels by Anne Tyler? I got Dinner at the Homesick Restaurant (said to be her best) and The Amateur Marriage that I would like to read next.

If I had to compare her, there are some recent authors who came to my mind, Rachel Cusk and Ayelet Waldman and maybe Rebecca Miller.