Spanish Literature Month – July 2012

There have been requests last year and then a rumour started to spread and now it’s official: July is Spanish Literature Month. Stu (Winstonsdad’s Blog) and Richard (Caravana de recuerdos) who co-host this event have organized a watchalong (Carlos Saura) and two readalongs (Juan Carlos Onetti A Brief Life and Enrique Vila-Matas Bartleby and Co.) but if you cannot make them you are free to choose whatever you like. If you want to join, just leave a comment at one of the two blogs. Here’s Stu’s intro post and here the one by Richard.

As you can see I have an idea what I would like to read. Since I may not be able to read a lot, I want at least to read one of the books I have in Spanish. A few years back I bought Un mundo para Julius by Peruvian writer Alfredo Bryce Echenique. I like books about the end of an era. They are usually lyrical, nostalgic and melancholic. This seems to be no exception.

It has been translated into English as A World for Julius.

Julius was born in a mansion on Salaverry Avenue, directly across from the old San Felipe Hippodrome.” Life-size Disney characters and cowboy movie heroes romp across the walls of his nursery. Out in the carriage house, his great-grandfather’s ornate, moldering carriage takes him on imaginary adventures. But Julius’s father is dead, and his beautiful young mother passes through her children’s lives like an ephemeral shooting star. Despite the soft shelter of family and money, hard realities overshadow Julius’s expanding world, just as the rugged Andes loom over his home in Lima. This lyrical, richly textured novel, first published in 1970 as Un mundo para Julius, opens new territory in Latin American literature with its focus on the social elite of Peru. A member of that elite, Bryce Echenique incisively charts the decline of an influential, centuries-old aristocratic family who becomes nouveaux riches with the invasion of foreign capital in the 1950s. A World for Julius, his first novel, marks the first appearance in English of this important Peruvian writer, whose Latin American postmodern fiction has won critical acclaim throughout the Spanish-speaking world.

I may end up reading something less challenging in terms of pages. Two authors I like a lot are Almudena Grandes from Spain and Maria Luisa Bombal from Chile. I still have some of their books I have not read.

Product Details

The crime novels by Teresa Solana A Not So Perfect Crime and A Shortcut to Paradise are possible choices as well.

Or another Peruvian author. I just recently got Vargas Llosa’s Death in the Andes – Lituma en los Andes.

Set in an isolated, run down community in the Peruvian Andes, Vargas Llosa’s riveting novel tells the story of a series of mysterious disappearances involving the Shining Path guerrillas and a local couple performing cannibalistic sacrifices with strange similarities to the Dionysian rituals of ancient Greece. Part-detective novel and part-political allegory, it offers a panoramic view of Peruvian society; not only of the current political violence and social upheaval, but also of the country’s past, and its connection to Indian culture and to pre-Hispanic mysticism.

I have read Juan Carlos Onetti before and liked him very much. To make sure that I really read at least something, I will join the readalong of A Brief Life. The details can be found on Richard’s and Stu’s blog.

I could suggest some other books but I think Stu and Richard are doing a great job at pointing out books you should discover.

Are you joining as well? What are you going to read? Do you have favourites of Latin American and Spanish literature?

Antonio Tabucchi: Sogni di sogni – Dreams of Dreams (1992)

Elaborately imagined…mini-catalog of great artists’ dreams and the author’s interpretation of the last three days in the life of Portuguese poet Fernando Pessoa. Tabucchi’s rich language and his magical-realist charm tinge the volume with a visionary glow.

Antonio Tabucchi’s Sogni di sogni or Dreams of Dreams is a collection of sketches or short pieces, circling around the life and work of different authors, painters, musicians and other famous people. Arranged in chronological order they all tell of an imaginary dream of the person to whom the story is dedicated. At the end of the book, a short biography of each of the men gives some of the most important details about their life.

While this may not be an ideal starting point for someone who isn’t familiar with Tabucchi, it’s an amazing introduction into the Western European cultural heritage. It’s an amazing little book. To be able to write something that is equally enchanting, inspiring and instructive, is admirable. On the other hand it shows what a wonderful writer Tabucchi was. The short sketches are written in a beautiful and highly evocative prose that reminded me of the intensity of elaborate and sumptuous Persian miniatures.

If you are familiar with the men included in the book, it will enhance the experience but it’s not necessary.

To give you an idea of what Tabucchi does in this book, I’ll pick the example of Ovid. In his dream, Ovid sees himself not only loved by his emperor but transformed into a giant butterfly. Only when he stands in front of the emperor and should perform one of his poems, all that comes from his mouth is a high-pitched whistling sound. He tries to move his wings instead and perform his poem like a pantomime but this infuriates the emperor. Angered he has Ovid’s wings cut off. When they fall to the ground, Ovid knows he will die.

Hidden behind this sketch is an allusion to Ovid’s most famous work, the Metamorphoses and the whole tragic life story of one of the greatest poets of all times, who spent his last years disgraced and banned from Rome, in Tomis, on the Black Sea.

Here is the list of all of the people included in the book:

Daedalus
Ovid
Lucius Apuleius
Cecco Angiolieri
François Villon
François Rabelais
Caravaggio
Francisco Goya
Samuel T. Coleridge
Giacomo Leopardi
Carlo Collodi
R. L. Stevenson
Arthur Rimbaud
Anton Chekhov
Claude Debussy
Henri de Toulouse-Lautrec
Fernando Pessoa
Vladimir Mayakovsky
Frederico Garcia Lorca
Sigmund Freud

Sogni di sogni is highly imaginative and one of those books that opens doors. It will make you want to explore the people and works behind each chapter. It certainly made me want to read more of Tabucchi, one of the most amazing and creative Italian writers who sadly died earlier this year.

It’s often difficult to find Italian books in translation but Tabucchi is one of the rare authors who has been extensively translated. Some of the newest books are not out in English yet but most of his earlier ones are.

Have you read Tabucchi? Would you be interested in a Tabucchi week?

Irish Short Stories by James Stephen, Éilís Ní Dhuibhne and Orflaith Foyle

As you may know, Irish Short Story Week has been extended until the end of the month and maybe beyond. The week 23 – 29 has two parallel themes, Fairy Tales and Emerging Women Writers. I chose to read three stories for this week. A fairy tale, The Enchanted Cave of Cesh Corran by James Stephens which can be found in his book Irish Fairy Tales. Then, after Mel suggested it, I read  Éilís Ní Dhuibhne’s Midwife to the Faeries which I found in The Granta Book of the Irish Short Story (2011), edited by Anne Enright. The last story I read has been reviewed by Mel as well and there is a guest post of the author on his blog today. The story is Somewhere in Minnesota by Orflaith Foyle, found in the New Irish Short Stories (2001), compiled by Joseph O’Connor.

While the three stories I have read this week are quite different in tone and content, they all had something in common. They were highly disturbing. Maybe not so much the fairy tale by James Stephens, although it was certainly unusual as far as fairy tales go.

Stephen’s tale The Enchanted Cave of Cesh Corran contains a few elements typical for Irish fairy tales. There is some sort of other world and fairies but both have nothing in common with what we know from fantasy stories that claim to be influence by Irish folklore. The world in this tale is rather coarse and crude. The army chief Fionn and his men, among them Goll who hates him but serves him nonetheless, are resting near the cave of Conaran, King of the fairies. Conaran hates Fionn more than anything else and has waited for an occasion like this. He lures the men into the cave, casts a spell and calls his extremely ugly daughters to finish them off. His daughters are fairies but with whiskers. They are as fierce as they are cruel, no fair maidens at all. I won’t tell you how the story ends but there is fighting involved. It’s nothing like any other fairy tale I’ve read before, it felt very archaic but was humorous as well. It depicted a world in which hatred and friendship go hand in hand and can change at any moment. It depicts an insecure world in which life isn’t worth much.

This last element was equally present in Éilís Ní Dhuibhne’s excellent story Midwife to the Fairies. This is a haunting and mysterious story, a story which reads as if someone had mixed Shirley Valentine with a tale of some archaic, fierce fairies. The story begins as an interior monologue. A woman, a midwife, sits in front of the TV with her husband on a Saturday night. The voice sounds uneducated, working class but very intimate as well. Late at night someone knocks on the door. It’s an emergency and they need a midwife at once. It does seem unusual that these people wouldn’t go to a hospital but the man is forceful and she follows him into the night. What awaits her is a depressing scene. A young woman, a girl really, is about to give birth. There is a crowd in the house but nobody cares about what is going on. The midwife helps her and delivers the tiny, premature baby. What follows is sad and shocking and involves a crime. What was interesting was that the story was broken up. On every page there were bits of a fairy tale in italics. One can read only those parts and the parts together form a whole tale which mirrors the one we read. Unwanted pregnancies are a frequent theme in Irish stories. I’m not even sure, if abortion is not still forbidden in Ireland or most certainly has been much longer than in most other countries. Unwanted pregnancies is the core theme of this disturbing story. What was really disturbing was the way the people handled this. The midwife, the man, the woman giving birth and her relatives, they all pretended it didn’t happen. The fairy tale that was told in parallel had the same theme. It’s not a pretty fairy tale at all. On the contrary it contains a very shocking element as well. Fairy tales like dreams are a to a certain extent a means to express the hidden, the suppressed. Pairing these two tales made this a powerful and uncanny short story.

The third story I read, Orflaith Foyle’s Somewhere in Minnesota, wasn’t less disturbing. A young woman, an artist, sits in a diner, somewhere in Minnesota. She has run off. The woman behind the bar and a man are drawn to her. They say she triggers an urge to protect her. The young woman’s face looks bloody and destroyed, someone must have beaten her up. They assume a man has done this to her and so do we for a while. We find out that the truth is very different. There are allusions to a troubled childhood, abuse, brutality. This in itself has the power to disturb but what is far more disturbing is that the two people who pretend they want to help her, appear to be turned on by the fact that she may have been beaten by a man.

With these three tales I have moved far away from the beauty of the three other stories I have read but that doesn’t mean I didn’t like them. All of the stories I have read were very well written and powerful.

I read the three stories as a contribution to Irish Short Story Week hosted by Mel u from The Reading Life.

Reviews and further suggestions can be found here.

If you are interested, you can still participate in Irish Short Story Week which has been extended.

Mel and I are planning on reading Frank Delaney’s Ireland together and post on it either during week 2 or 3 in April. Is anyone interested in joining us? Let us know and we can plan which date would work best for all of us.

IRELAND travels through the centuries by way of story after story, from the savage grip of the Ice Age to the green and troubled land of tourist brochures and news headlines. Along the way, we meet foolish kings and innocent monks, god-heroes and great works of art, shrewd Norman raiders and envoys from Rome, leaders, poets and lovers. Each illuminates the magic of Ireland, the power of England and the eternal connection to the land.

Returning to Virginia Woolf

Maybe it’s because I’m reading Alexandra Johnson’s books and Virginia Woolf is an author who is central in them or perhaps it is because of Sigrun’s (sub rosa) Virginia Woolf project which I like to follow, whatever it is, Virginia Woolf was often on my mind lately.

I have this odd habit that when I like an author a lot I try to keep at least one of his or her books for later. There are a few authors whose complete works I have read but, due to my reluctance to run out of books to look forward to, they aren’t numerous.

Virginia Woolf is one of those authors where the thought I may finally have read all she has ever written fills me with a certain apprehension. While I’m still keeping Moments of Being for later, I have finally started The Voyage Out, the only novel I hadn’t read yet.

It’s funny to return to her and finalize the reading of her novels with the first book she wrote. It feels as if I had completed a circle. I started reading Virginia Woolf with Mrs Dalloway. I didn’t know that Mrs Dalloway was a returning character. I didn’t even know that Virginia Woolf had any returning characters. But here she is, in The Voyage Out, Mrs Dalloway, in all of her “glory”. Was she always this obnoxious? Frankly, I don’t remember. What I remember of my first Virginia Woolf novel was how much I liked the style.

The Voyage Out is very different from later books but at the same time it contains so many aspects typical for Virginia Woolf”s writing. I know many people read the body of work of an author they cherish chronologically but in her case, reading backwards wasn’t a bad choice. One could too easily overread important aspects of this early novel or, as was done when it was published, dismiss it as being nothing special.

Reading The Voyage Out makes me realize once more what I like the most about her writing. Yes, the style, especially in the later novels, is fantastic, with its flow of interior monologue, the way she uses time and how she describes the passing of time. But there is something else that stayed with me forever since the day I have read Mrs Dalloway. Her writing has an exhilarating quality, an effervescent intensity of feeling that made me think of a German expression which I adore: “Champagner Wetter” or “Champagne weather”. Champagne weather is used to describe a very fresh but sunny spring morning on which the air is still cool, nature has returned to life, the first tentative, tiny leaves appear, the first blossoms can be seen. It’s already a bit warm in the sun but still chilly in the shade. It’s like drinking the first glass out of a freshly opened, nicely cooled Champagne bottle. It bubbles and goes to your head. Virginia Woolf’s novels are full of scenes conveying the mood of champagne weather.  

I will write a “proper” review once I have finished the book but I’m enjoying it too much to wait until then. So far I can see that the story is told chronologically and sequentially, nothing daring really. But there is already a very striking way of writing about people’s interior lives. One of the main themes is the role of women and the way they are treated or rather mistreated by society. Parts of the novel reminded me of E.M. Forster, others of Henry James’ Portrait of a Lady. Rachel, one of the main characters, has a lot in common with Isabel Archer. Still there are scenes which are already typically Woolf. She had a very particular way of showing the passing of time or how the interior worlds of people coexist. There is a wonderful scene towards the middle of the novel in which we see a hotel at night.  First we see it from the outside, all its windows are illuminated, the people are getting ready to go to bed. Later we approach and enter the building, brief glimpses into the various rooms draw pictures of the inhabitants. At the end of the scene, they are lying in their beds, separated only by thin walls, dreaming or just sleeping, drifting off into unknown territory, as if on a big ocean liner. It is a recurring scene really, as the book starts with the voyage on a ship.

It is possible that I will start rereading her books in chronological order when I have finished The Voyage Out and Moments of Being. My favourite of her books are Mrs. Dalloway, To the Lighthouse and Flush. I didn’t like The Years or The Waves much and can never even keep them apart. I also didn’t care for Orlando at all. Not sure why, it’s generally a favourite of many people but I remember I found reading it was painfully boring. Jacob’s Room and Between the Acts were two I liked but the memory of them is barely more than a vague impression.

I often hear people say, they are intimidated by Virginia Woolf, just like many are intimidated by Proust or James Joyce. For those who didn’t dare reading her so far, The Voyage Out and Flush are excellent starting points.

Have you read The Voyage Out or any other of Virginia Woolf’s novels? Which is your favourite?

Irish Short Stories by Kevin Barry, Elizabeth Bowen and James Joyce

I had some plans for Irish Short Story Week but as usual I ended up reading mostly something else. I discovered two new short story collections which contain a wide range of stories. One is The Granta Book of the Irish Short Story(2011), edited by Anne Enright, the other one, New Irish Short Stories (2001), was compiled by Joseph O’Connor.

Anne Enright’s introduction to The Granta Book of the Irish Short Story was particularly interesting as she writes about short stories in general and underlines that the Irish have a very distinct short story tradition. Here is my favourite quote from her introduction:

I am not sure whether the novel is written for our convenience, but it is probably written for our satisfaction. That is what readers complain about with short stories, that they are not “satisfying”. They are the cats of literary form; beautiful but a little too self-contained for some readers’ tastes.

Kevin Barry is a writer I wasn’t familiar with. He is one of a very few who has a story in both collections. I read one from New Irish Short Stories called Beer Trip to Llandudno. What a hilarious story. It tells about a trip of a group of fortysomething men who regularly take trips to towns and cities just to sample the local beer. They move from one bar to the next and from pub to pub. Drinking beer is more than a hobby, it’s a religion. They take it extremely seriously and discuss the taste and flavour in minute detail. At the end, they rate the beer according to a complicated system. Of course, the more beers they have sampled, the more they are drunk and the trip gets farcical. If the story had ended there it would have been amusing but Barry goes much farther than that. He manages to convey a whole life in a few random sentences, in one or two allusions to side stories, he shows us more than a few guys on a beer trip but a group of human beings who have suffered, hoped, lost their dreams and  adjusted to life in various ways. Still, despite a lot of heartache and disappointment, they have kept their joy of life, their humour and their enthusiasm. Barry has only written one novel so far, City of Bohane which came out last year. Needless to say that I ordered it. This is a writer with a rare gift and I would love to read his novel.

Here’s the mini-blurb

This is the cool, comic, violent and lyrical debut novel from one of Ireland’s most talented new writers.

Elizabeth Bowen’s Summer Night is one of her most famous short stories. I found it in Anne Enright’s collection. It’s a beautiful, evocative story that takes place on a summer night in the Irish countryside. At the beginning a woman speedily drives a car through the landscape, seeing the sun go down and how everything is transformed by the softness of the light. Only the houses on a hill in the distance are still bathing in the sunlight. That’s where she is going but we do not know it yet. The point of view changes after a few pages. We do now see a scene in a large country house. A phone is ringing. The point of view changes again and another phone rings. We meet the people in those other houses, we know that they are linked to the woman in the car who is the one ringing but we don’t know what is going on. It will take the whole 30 pages of the story for us to find out the secret at the heart of the story. The character descriptions are masterful and the dynamics between the people very complex and subtle but what I liked most about the story was the description how the summer night transforms the surroundings, how the changing of the light seems to cast a spell over the landscape.

James Joyce’s Araby was the third short story I read. It was actually a re-read. I wasn’t aware when I wrote my introduction that Araby was the short story which was the reason why Dubliners is one of my all-time favourite books. I don’t want to write too much about it, I’m afraid my words would dispel its magic. It’s an enchanting, lyrical story that has a lot in common with Elizabeth Bowen’s Summer Night. I would call both stories, twilight stories. Twilight because at one point they describe the light at sun set but also because everything is half-hidden, half revealed. The feelings are hinted at, nothing is in the open. While Bowen’s story is a summer story, Araby is set in winter. What is interesting is to imagine the two stories like paintings. One is a softly colored summer painting, the other captures the darker colors of winter.

If you like, you can read Araby here.

I read the three stories as a contribution to Irish Short Story Week hosted by Mel u from The Reading Life.

Reviews and further suggestions can be found here.

How is your Irish Short Story Week going? Have you found anything interesting?

Ivan Klíma: Love and Garbage – Láska a smetí (1988)

Donning an orange vest, the narrator–a banned Czech writer–sweeps the Prague streets with a group of the society’s other outcasts–an old sailor given to drink, a sickly teenager, a foul-mouthed former beauty, a failed inventor, and an ex-pilot. As they go about their mindless job, the narrator learns of the dreams and sorrows of his coworkers and meditates on the life and work of Franz Kafka, the power of literature, and his relationship with his dying father. 

Love and Garbage is my first book by Czech writer Ivan Klíma. It’s said to be one of his best. Klíma had a difficult life. Born in Prague in 1931, he spent some years of his childhood in the concentration camp Theresienstadt.  Later he was an editor in his home town. He spent 1969/70 in the US where he taught Czech literature at a university but when he returned to Prague in 1970 he was forbidden to publish until 1989. Love and Garbage contains a lot of Klíma’s own story but it isn’t, as he says, autobiographical.

The narrator, a writer who isn’t allowed to publish, starts working as a street sweeper. The slow and contemplative work allows him to explore his city, to think about his life and an essay on Kafka he is writing and helps him forget his lover. Because he chose to work as a street sweeper and it isn’t necessity who forces him to do this job, he likes it. He likes his colleagues, most of them are outcasts too. The work he is doing doesn’t only allow him to think about his life but it turns into a philosophical meditation on what the society deems worthless. Garbage and human beings alike. As a child the writer who is Jewish lived in Theresienstadt and most of his relatives were killed. The Jews, he muses, were like garbage for the Germans, worthless and had to be discarded and burned. The novel is full of linked symbols and elements, of scenes that are mirrored and repeated.

After he was forbidden to publish, he was desperate, caught in a marriage that didn’t mean much anymore, to a wife who had started a new life. She was studying psychology and trying to help others while he spent his days locked inside, chasing thoughts, trying to write. During this time he meets the sculptor Daría and falls passionately in love with her. When the affair ends, he decides to sweep the streets. This is symbolical as well, he starts to clean the city around him, to make room inside for another, clean start.

The writer is working on an essay about Kafka and often returns to him. He is reminded of Kafka constantly. For him, Kafka was the purest possible writer, an outcast like himself, not really understood and unhappy in love.

When the novel begins, the narrator is heartbroken but that doesn’t explain the sadness in the book. The sadness comes from looking back, thinking about his childhood in the concentration camp and all the people he lost. The only person still alive from that period is his father but he is very old and ill. The saddest thing is that despite everything that happened in the past and that his country had to endure, instead of having a better life now, they live under a communist regime. The constant threats and lack of freedom make life unbearable. His affair with Daría is an attempt at finding happiness but it turns bitter eventually and when he tells his wife about it, it seems at first that he will end up losing both women.

Love and Garbage is a challenging read. It demands concentration as the story moves back and forth in time, breaking up the chronology, sometimes up to three times per page. It took a bit of getting used to but once I had read a few pages I liked it. This type of writing doesn’t allow you to fall into some sort of reader’s trance but wakes you up constantly. This may sound like a gimmick but that’s not what it is at all. It’s a cunning way to mirror the narrator’s interior life.  It’s not so much an interior monologue as a way to render how freely thoughts move, unlike the person who thinks them. We easily move back and forth in our minds, a childhood memory can be followed by some thoughts about the past day. In our minds we can go wherever we want, at any time we choose.

I have read a lot of Czech writers who wrote in German but only a very few who write in Czech. As I have found out, Love and Garbage was meant as an answer to Kundera’s Unbearable Lightness of Being which Klíma considered to be chauvinistic.

I liked Klíma’s writing. It’s unusual, complex, poetic and highly descriptive. There is hardly an aspect of human life that isn’t touched and that’s why the book is like a delicately woven tapestry. One pattern evokes another one, one angle mirrors the next, all is linked and intertwined. Poetical passages follow psychological insights, philosophical thoughts come after realistic descriptions. The book is sad but the way the writer fights for the tiniest bit of happiness and the richness of his interior life are so beautiful, they illuminate the book from within.

Have you read Klíma or other Czech writers?

Best and Worst Books 2011

Looking back I must say that this was a very good reading year. That’s fortunate for me because to be honest in many other areas it was a nightmare and I hope that next year will be better. But readingwise it was wonderful. So many new authors, so many really great books. It couldn’t have been much better.

It’s always so difficult to say which books I liked the most but I noticed that whenever I thought “Best Books” and started to make a mental list, the same 12 books popped up again and again and only when I went back to the blog and looked at all the posts, did I remember many more. So, like last year, I’m cheating and do not present a Top 10 but a best of per category.  The 12 that popped up immediately can all be found under the category beautiful and enchanting.

All the quotes are taken from my reviews.

Most beautiful and enchanting books 

Saraswati Park by Anjali Joseph

“The calm, quiet and floating feeling that permeates Saraswati Park makes this one of the most beautiful novels I have read recently. Saraswati Park is about love and marriage, loss and discoveries but also about the power of imagination and memories, the beauty and danger of reading and ultimately also about writing.”

Three Horses by Erri de Luca

Three Horses was my first Erri de Luca but it will not be the last. “The scent of earth, sage and flowers pervades a story of love, pain and war.”

Games to Play After Dark by Sarah Gardner Borden

“It is hard to believe that Games to Play After Dark is Sarah Gardner Borden’s first novel. The topic, a marriage that falls apart, may not be the most original, the young mother who tries to combine the demands of her children and her husband and her personal needs, isn’t new but how she describes it, the details she evokes, the way she looks at what has been swept under the carpet and the bed and what is hidden in the closets is extremely well done.

Back When We were Grownups by Anne Tyler

Back When We Were Grownups is a novel about possibilities, lost dreams, second chances, family and love and ultimately about chosing the right path and belonging. I really loved this book. I liked Rebecca and many of the other characters, especially Poppy, the great-uncle. I liked how it shows that choosing a partner also means choosing a life and that maybe sometimes when we feel we are just drifting we are actually just sliding along because we are on the right path.

The Fish Can Sing by Halldór Laxness

Have you ever read a book and caught yourself smiling almost all the time? The Fish Can Sing is so charming I couldn’t help doing it. It’s also quite funny at times and certainly very intriguing. I’m afraid I can’t really put into words how different it is. As a matter of fact, Halldór Laxness’ book is so unusual and special that I have to invent a new genre for it. This is officially the first time that I have read something that I would call mythical realism.

The Square Persiommon by Takashi Atoda

I think the most intense reading experience is one that connects you to your own soul, that triggers something in you and lingers. Atoda’s stories even made me dream at night. I almost entered an altered state of consciousness while reading them.  The Square Persimmon managed to touch the part in me where memories lie buried and dreams have their origin.

Stranger by Taichi Yamada

Strangers is an excellent ghost story but it is also so much more than just a ghost story. It’s a truly wonderful book with a haunting atmosphere, a melancholy depiction of solitude and loneliness with a surprisingly creepy ending.

Enchanted Night by Steven Millhauser

Hot summer nights have a special magic. In the middle of the night, when everyone is sleeping and only night creatures are awake, the hot still air is heavy, time seems to stand still and the world is indeed enchanted. This is the magic captured by Steven Millhauser in his beautiful and poetical novella Enchanted Night. I have never read this book before but the images, the atmosphere felt so familiar. It was a bit like looking into my own imagination.

Goldengrove by Francine Prose

Reading Francine Prose’s novel Goldengrove felt at times like holding the clothes and belongings of a dead person in my hands. While I read it, and for a long while after I finished it, I felt as if I was grieving. It’s a really sad novel but at the same time it’s a very beautiful novel. It also reminded me of the series Six Feet Under. There is something very similar in the mood and the characters. Although I absolutely loved this novel I could imagine it isn’t for everybody.

Nada by Carmen Laforet

 Nada deserves to be called a classic. However it isn’t a classic because of the plot which can be summarized in a few sentences but because of the style. This is a young writer’s book who manages to capture the intensity of living typical for the very young and passionate.

The Cat by Colette

La Chatte has a subject to which I relate but it is far more than the story of a relationship between a man and his cat. It is a subtle analysis of love versus passion, of marriage versus celibacy, of childhood and growing up, of change and permanence. The story also captures the dynamics of disenchantment following the recognition that one’s object of desire is flawed.

So Long, See You Tomorrow by William Maxwell

So Long, See You Tomorrow  is a beautiful and melancholic short novel that explores a wide range of themes like memory, the past, isolation, loneliness, friendship, jealousy and violence. The central theme is that of the omission and the following regret. There are so many things left unsaid, things not done or too late in a life, that this core theme will speak to almost all of us. It’s often little things but they resonate for a long time in our lives and we might wish to turn back time and undo what has happened.

Most engrossing reads

These were the books where I never checked how many pages were left because I had finished them before even getting the chance to do so. In other words, the page-turners.

Underground Time by Delphine de Vigan

Les Heures souterraines or Underground Time is a chillingly good novel and shockingly topical. It’s accurate in its depiction of life in a corporate setting and of  life in a big city. It’s a very timely book, a book that doesn’t shy away to speak about the ugly side of  ”normal lives”.

Whatever You Love by Louise Doughty

Whatever You Love is a book of raw emotions. And that from the first moment on when we read about the police knocking on Laura’s door to inform her that her daughter Betty has been killed. Laura is a very emotional woman, she feels everything that happens to her intensely, her reactions are very physical. There are many elements in the book that made me feel uneasy.

You Deserve Nothing by Alexander Maksik

You Deserve Nothing was certainly one of the most entertaining reads this year. It offers an interesting mix of alternating and very realistic sounding voices, a Parisian setting and a wide range of themes.

A Kind of Intimacy by Jenn Asworth

I already jokingly “said” to Danielle in a comment that her top 2010 might become my top 2011 and,  yes, this book is certainly a candidate as it is astonishingly good. Very dark, absolutely fascinating, engrossing, and very well executed. While starting it I had forgotten Jenn Ashworth was compared to Ruth Rendell but the association immediately occurred to me as well.

everything and nothing by Araminta Hall

everything and nothing was one of those super fast reads, a book that I could hardly put down. Really riveting. The only complaint I have is that this is labelled as a psychological thriller. Although there is a part of it reminiscent of Ruth Rendell, it is like a background story and not really very gripping. At least not for me. Still I consider this to be a real page-turner for the simple reason that it captures chaotic family life in so much detail and explores some of the questions and problems parents who work full-time would face.

Best Books – Literature and War Readalong

How Many Miles To Babylon? by Jennifer Johnston

I loved How Many Miles to Babylon? I think it is a beautiful book. It doesn’t teach you as much about WWI as Strange Meeting (see post 1) but it says a lot about Irish history. I found this look at the first World War from an Irish perspective extremely fascinating.

The Things They Carried by Tim O’Brien

I expected The Things They Carried to be a very good book. A very good book about the war in Vietnam. What I found is not only an outstanding book about the war in Vietnam but also about the art of storytelling. I’m really impressed.

The Silent Angel by Heinrich Böll

Böll has a gift for description which is rare. And he represents a rare model of moral integrity, he is an author who wrote for those who have nothing, who tried to unmask hypocrisy and uncover everything that was fake and phony in post-war Germany. I don’t know all that many authors who are so humane.

Most touching

On the Holloway Road by Andrew Blackman. I read this novel in the summer and it’s one of a few books I haven’t reviewed. In this case because the reading caught me completely unawares. I had such an emotional reaction that I had to talk about it all the time. I still feel like reviewing it but I need some distance

Best classics

Mme de Treymes by Edith Wharton

Madame de Treymes has a Parisian setting which always appeals to me, as sentimental as this may be. It is a cruel little book and a very surprising one. All in all there is not a lot of description of the city itself, the novel rather offers an analysis of the society. It is interesting to see how Americans perceived the Parisian society and the differences in their respective values.

Hotel Savoy by Joseph Roth

Hotel Savoy has really everything. It is funny, sad, picturesque, touching and bitter-sweet and the ending is perfection. Roth describes people, the hotel and the little town with great detail. And every second sentence bears an explosive in the form of a word that shatters any illusion of an idyllic life. Roth served in WWI and never for once allows us to forget that the horror of one war and subsequent imprisonment have only just been left behind  while the next one is announcing itself already.

Grand Hôtel by Vicki Baum

Grand Hôtel is set in a luxurious hotel in Berlin between the wars. It’s walls shelter a microcosm of German society. The novel draws a panorama of the society and the times, reading it is fascinating and gives a good impression and feel for the time and the people. Vicki Baum includes a wide range of characters, the porter who waits for his wife to give birth to the first child, the aristocratic head porter Rohna, the many drivers and maids as well as some very interesting guests. Including the employees of the hotel gives the book a bit of an upstairs-downstairs feel and permits insight into the lives of the “simple people” who earn just enough not to starve.

Pedro Parámo by Juan Rulfo

It’s a powerful novel infused with the spirit of the Mexican Día de los muertos or Day of the Dead at the same time it is an allegory of oppression and freedom that comes at the highest cost. When you read Pedro Páramo it becomes obvious that “magic realism” has many faces.

Best non-fiction books

Making Toast by Roger Rosenblatt

I found Making Toast wonderful. It contains a lot of little endearing episodes like the one that gave the book its title, in which Rosenblatt states that the only thing he is really good at is making toast for the whole family in the morning. He describes how he gets up very early and, taking into consideration each family member’s taste, he produces a multitude of personalized breakfast toasts.

The Film Club by David Gilmour

The relationship between these two is unique. So much honesty, trust and friendship between a father and a son is wonderful. Not every parent has the chance to spend as much time with his kid, that is for sure, but every parent has certainly spent enchanted moments with his/her child and will be touched by this story. For us film lovers The Film Clubis  a great way to remind us how many movies there are still to discover, how many to watch again and in how many different ways we can watch them.

Howard’s End is on the Landing by Susan Hill

I can’t tell you exactly how long it took to read Howards End is on the Landing. An evening? Two? Certainly not longer. I devoured it. What is more fascinating to read than a bookish memoir? And written by a writer.

The Gifts of Imperfection by Brené Brown

Brené Brown is a researcher, specialized in topics like shame and perfectionism and analyzing how they are linked and keep us from living wholeheartedly. She is an incredibly honest and open person who is able to show her vulnerability.

Natural History of Destruction by W.G. Sebald

On the Natural History of Destruction is one of the most amazing books I have read this year. For numerous reasons. It is in line with the topic of my reading projects and readalong and contains descriptions that I have never read like this. On the other hand it gave me the opportunity to see another side of Sebald. One that I didn’t expect.

Cinderella Ate My Daughter by Peggy Orenstein

What happens when a feminist who knows exactly how things should be, gets pregnant and the child is – horror on horror – a girl? This is pretty much how Peggy Orenstein opens her entertaining, thought-provoking and occasionally quite shocking account Cinderella Ate my Daughter about what she sub-titles “Dispatches from the front-lines of the new girlie-girl culture”.

The Equality Illusion by Kat Banyard

Kat Banyard’s The Equality Illusion: The Truth about Men and Women Today takes an unflinching look at what it means to be a woman today and, due to the fact that Banyard is British, especially in the UK . Still, whether you are an Afghan woman fighting for girl’s rights of literacy or an American doctor performing late stage abortions, you have one thing in common: you lead a dangerous life and might end up being killed. Both things happened.  The first happened in Afghanistan in 2006, the second in the US in 2009. They illustrate the illusion of equality and show what a global phenomenon it is.

New Author Discoveries

These are the authors that made me think “I would like to read all of his/her books”.

Beryl Bainbridge,  William Maxwell, Jennifer Johnston, Peter Stamm, Annie Ernaux

The worst book this year

There is a lonely winner this year and it has so far not even been reviewed. I’m still determined to do so but I find adding quotes so tedious, only in this case it’s necessary to illustrate the problem I had with the book. Now you are dying to know the title, aren’t, you?

In a Hotel Garden by Gabriel Josipovici