Picture this—A dark road in a mountainous area, in the South of France at night. It’s summer. The sound of insects in the dark. A couple is talking in a car. The woman, Kitty Finch, is driving the car. The conversation is slightly off. The atmosphere brooding. That’s how Deborah Levy’s novel Swimming Home begins. Then it rewinds and we learn how the two people ended up in the car together. In the first chapter a red-haired woman swims naked in a pool. The people who have rented the villa to which the pool belongs are watching her. They have no clue who she is. Finally, Isabel, a war correspondent, and the wife of a famous poet, Joe, jumps into the pool, grabs the young woman by her ankle and forces her to leave the water. Other people have watched the scene. An elderly therapist,who rents the villa next door, Joe, the famous poet, Laura and Mitchell, family friends, and Nina, Joe’s and Isabel’s teenage daughter. Kitty Finch tells them that there was a mix up in the dates. Jurgen, the caretaker of the villa, has made a mistake. They are all enthralled by Kitty Finch, her striking red hair, her beauty, her green finger nails and the fact that she skinny dips in the pool of strangers as if it was the most natural thing in the world. But what is even more surprising – Isabel offers her a spare room.
Inviting a mysterious stranger is daring at the best of times, but inviting someone who behaves as oddly as Kitty Finch is downright reckless. Soon it’s obvious that her presence upsets an already fragile balance and people start to show what they were hiding behind their masks. The reader senses—something bad will happen.
Writing more would spoil this wonderful book. I truly admired Deborah Levy’s understated style. The book felt fresh, uncluttered, like a well-aired room. Everything she writes reminds you of something but proves to be very different in the end. People never say what you would expect them to say. On the other hand Swimming Home was one of those books I couldn’t read without being constantly reminded of other books or movies. I suppose that’s because the setting, the South of France, is so charged with meaning. I was reminded of Françoise Sagan’s novel Bonjour Tristesse, which has equally unhinged characters, desire and raw emotions at its heart. The movies La Piscine, starring Alain Delon and Romy Schneider, and Swimming Pool, starring Charlotte Rampling, came to my mind as well.
I also liked that Deborah Levy used so many point of view characters. The POV changes in every chapter and it’s not always clear who is the main character. Kitty Finch who serves as a catalyst for each of the other characters or Nina, the teenage daughter on whose POV the book ends? Or the poet who seems to occupy the emotional centre?
I’ve owned a copy of this novel for some time, but Violet‘s recent post was the reasons I picked it up finally.