Meetings with Remarkable Trees

The indifference towards old trees makes a mockery of our supposed new respect for the environment. (Thomas Pakenham)

There isn’t much that is as beautiful and majestic as a big old tree. Their huge crowns house birds and insects, the foliage gives shade in summer. In autumn they delight us with their changing colours. In winter the large naked branches look so eerie against the grey sky. Some are fragrant like the acacia or the lime trees that are in bloom right now. And nothing compares to the sound of a large tree. The rustling of the leaves in the wind; the drops on the foliage when it rains. And all those other sounds coming from trees— the buzz of the insects and bees; bird song and the chirping of the young ones in their nests.

Trees are some of the most remarkable living beings on this planet. Every time when we have a storm, I fear for them. It’s such a heart-breaking sight to see such an old living being destroyed. But what’s even more heart-breaking is when they are chopped down for commercial reasons, for their wood or to make room for a building. Some of you who follow me on Twitter saw me tweet about the loss of the Oak that was growing near my childhood home. It was such a massive tree, far over 200 years old. It was struck by lightning once but survived. It only lost a branch. To me, as child, looking up into the vastness of its branches and dense foliage it looked indestructible. There was a bench under that tree and my mother used to sit on that bench, smoking a cigarette, playing with her dogs and talking to passers-by. I stood under that tree, the last time I went out with my dog before she had to be put to sleep that afternoon. I have so many memories tied to that tree and, foolishly, I thought it would survive me. But it didn’t. It was felled at the beginning of the year to make room for a huge underground parking. The trunk was chopped up and placed in a nearby deer park.

I often go for walks in the deer park and had noticed the trunks. They appeared right after a storm so I assumed, naively, a tree had been knocked down by the storm. I had a bad feeling looking at it, as I’d never seen any tree as big as this one nearby. So I went to my old childhood home, not too far away from the deer park and saw the massive hole. At that time I still believed, it might have been knocked down by the storm. The Oaks here in Switzerland are slowly dying because of the hot summers. The climate change doesn’t agree with them. The heat weakens them and many have to be felled for safety reasons. I can’t really describe the mix of feelings when I finally found out that this one hadn’t been in danger at all, but that some real estate agency decided to have it chopped down.

Thomas Pakenham had similar experiences. One when some giant beech trees were uprooted by a storm in his native Ireland. The other when he noticed the lack of big trees in Tibet. All but one very big tree had been felled for its timber. These experineces made him look at big trees in a new way and appreciate their beauty and majesty even more. The result is Meetings with Remarkable Trees, a book about 60 giant trees that you can find in Britain.

The sixty trees Pakenham chose for his book are remarkable for their size, age, shape or history.

He looks at trees that have been imported. Trees that have become sacred. Trees that have been turned into dwellings.

The tree below is a massive Yew tree. It looks like the oldest trees in England are Yews.

The trees are mostly grouped by themes. The tree below is another Yew that stands at Much Marcle.

Here’s an example of a huge Oak. The tree near my childhood home looked very different. It didn’t have any low branches at all. It had a huge trunk and a massive crown.

The tree below is a massive Ash.

Thomas Pakenham writes about these trees like they were people with their own personalities. Looking at all the pictures in the book you can see how different trees are, even when they are from the same species. That makes it even more heart-breaking when they die or are felled. Something beautiful and irreplaceable is gone forever.

Paris Mon Amour – Paris Seen Through the Eyes of Famous Photographers – A Post a Day in May

I’ve had Paris Mon Amour for ages and it’s still one of my favourite coffee table books. I never tire of black and white photos of the old Paris and this book combines some of the most famous ones. But that isn’t the only thing this book offers. It’s also a splendid introduction to some of the most famous photographers like Henry-Cartier Bresson, Jeanloup Sieff or Robert Doisneau.

The pictures are grouped by themes – parcs, children, lovers, streets, the métro, life of ordinary people, fashion, war, cafés and bistros, jazz clubs.

The oldest photos are from the 1850s the newest from the 80s.

Many of these photos are iconic. Many contributed to an idealized, mythical, and often clichéd idea of Paris, depicting things that are long gone.

This very famous photo was taken by Henri Cartier-Bresson and is very typical of his work.

This is another, lesser-known picture by Cartier-Bresson. Don’t you just love how the dog looks at the couple?

Jeanloup Sieff is better known for his nudes, but this shot from the Café de Flore, early in the morning, is among the most loved Paris photos.

This image of two lovers kissing, was taken by Robert Doisneau. I think I have at least two, if not three French novels whose covers show this picture.

This photo of two lovers kissing in the Jardin du Luxembourg, isn’t as famous but I think it’s lovely. It was taken by Édouard Boubat.

Some of the newest photos can be found in the chapter on fashion, but I chose this one from 1910. It reminds me of Proust. It’s called La mode au bois  – Fashion at the Bois de Boulogne and was taken by Séeberger.

Juliette Gréco and Miles Davis at a Jazz Club, were photographed by Jean-Philippe Charbonnier.

This photo of the Jardin des Plantes is one of my favourites. The photographer is Philippe Gautrand.

And this beauty was shot by Sabine Weiss.

The editor Taschen is well-known for beautiful but very modestly prized books on art and photography. This one is no exception. It’s a large tome. As you can see, it’s almost the size of a bistro table, but doesn’t cost more than a paperback. An ideal book for Paris and photography lovers.

Paris in July 2018 – Willy Ronis’ Cats – Les Chats de Willy Ronis

I always try to participate in Thyme for Tea’s Paris in July event but I don’t always get the time. This year, time was just as scarce and so I was glad the event has been extended. I decided to participate with a beautiful book I discovered a while ago in a book shop: Les chats – The Cats by Willy Ronis.

The book has not been translated but since there’s only a short intro and the rest are photos, any cat or photography lover could enjoy this.

Willy Ronis, who lived from 1910 to 2009, was a French photographer who was famous for his post-war pictures of some of the lesser known Parisian districts like Ménilmontant and Belleville. Together with Brassaï, Doisneau, and Cartier-Bresson, he is one of the most important French photographers of his time, and by many called the most important Paris photographer.

Ronis was also known for his nudes, one of which you can see below, and for his love of cats. His cat photos have such a special charm. They come in so many variations. Close-up photos of his own cats, cats in landscapes, cats he saw on travels. All of his photos are black and white. They are simple and effortless, but when you look at them for a while you discover many charming details and you simply have to admire his compositions and his use of light and shadow.

The nude above, which shows his wife, is one of his most famous photos. I guess that’s why it was included in the picture although there’s no cat on it. The book also offers an intimate look at his family life. Many of the photos show his wife and son, together with a cat.

After the war, Ronis lived and taught  in the South of France, that’s why there are many photos in the book that haven’t been taken in Paris.

I’m sure this is a book that would appeal to many people, whether they love cats or photography. His delicate use of light and shadow alone transforms every picture into a work of art.

Here’s an interesting article from April 2018 in the New York Times about Ronis.

And there’s an exhibition of his work at the Pavillon Carré de Baudoin, which lasts until September.