Heinrich Böll: The Silent Angel – Der Engel schwieg (1951) Literature and War Readalong November 2011 Meets German Literature Month

Written between 1949 – 1951 Der Engel schwieg  or The Silent Angel is unique in many ways. Unique for German literature but also in Böll’s work. I have already written about it in my post on Sebald’s The Natural History of Destruction. Böll’s novel, which is one of the rare to depict a German city after the massive bombings by the Allies, had to wait 40 years for its publication. For this reason many of the chapters have been re-used in other books and if you are familiar with Böll the one or the other scene or description may appear familiar. All the important themes of Böll’s work can already be found here. Criticism of post-war Catholicism, compassion with those who have nothing, with those who suffer. His books often circle around the same elements, motives and themes and although he doesn’t always use the same style, this gives the impression of a very organic work that, read in its entirety, gives an excellent panorama of Post-war Germany.

The Silent Angel is one of the most important works of the so-called “Trümmerliteratur” (the literature of the ruins). The story as such can be told in a few sentences. It’s May 8 1945. Hans, a deserter, returns from the war without a passport. He tries to find the woman of a comrade who died instead of him. While walking the bombed and destroyed city he meets a woman who lives in an appartment in a house that is almost a ruin. He feels a strong connection to her and asks her if he can stay with her. She has lost her baby in an air raid, his wife has died as well and so, like two castaways, they are stranded together in this apartment. At first they both envy those who died but slowly they find their way back to love, hope and some kind of livable future.

It isn’t said but we know that the city which is described is Köln, Böll’s hometown. The description of the despair of the people, how tired they are physically and psychologically is impressive. The way he depicts their struggle to find bread, their fight to survive in those ruins is powerful. There is one scene in which Hans tries to visit someone and to walk a distance which used to take him ten minutes, he takes an hour because of  all the debris and the rubble. As I said before, Catholicism is an important theme in Böll’s work and in this novel, in which the greed of some Catholics is shown in all its ugliness, the description of the bombed churches becomes a very significant additional meaning.

What impressed me the most apart from the descriptions of the ruined city is how tired these people are. They spend days and days on end in their beds, staring at their walls. Finding something to eat, moving about the city, coming to terms with was has happened, takes an unimaginable effort, drains them of all their energy. All they have left is exhaustion.

This must sound very depressing but Böll isn’t only a writer of despair. He describes hopelessness but his characters overcome it, they find hope and the courage to go on living. The negative people have their positive counterparts. The greedy Dr. Fischer who doesn’t care for anything but money and for whom Catholic artifacts are just collectible items finds his counterpart in the gentle priest who helps Hans. The priest is the embodiment of a pure, compassionate Catholicism.

I was wondering while reading The Silent Angel whether I thought it was well written. I think he could have improved the structure, some passages read like short stories, some elements could have been left out, all in all it feels a bit loose at times which isn’t the case in his later work. His later novels are much more condensed but Böll has a gift for description which is rare. And he represents a rare model of moral integrity, he is an author who wrote for those who have nothing, who tried to unmask hypocrisy and uncover everything that was fake and phony in post-war Germany. I don’t know all that many authors who are so humane.

I have read The Silent Angel before. It isn’t my favourite Böll novel but since it’s an excellent example of “Trümmerliteratur” it seemed a great choice for the readalong. I’m very interested to know what others thought of this book.

Other reviews

Christina (Ardent Reader)

Danielle (A Work in Progress)

Fay (Read, Ramble)

Lizzy (Lizzy’s Literary Life)

Rise (in lieu of a field guide)

Tony (Tony’s Reading List)

German Literature Month Week I Wrap-up and The Winners of the Heinrich Böll Giveaway

This post has two parts. First is the wrap-up of Week I of our German Literature Month – focussing on literature from Germany. Please do not just skip it. It’s a tribute to all our participants. We have already seen some really amazing contributions and I would like to thank all of you for this.

There have been a lot of interesting lists and contributions made during October. They are HERE. This is the wrap-up of Week I.

Here are all of this weeks’ links with my impressions:

Week I

Lizzy has made a post on how to find German books in translation and a review of a very unique sounding book by Alina Bronsky.

The Magic Mountain of German Literature

The Hottest Dishes of the Tartar Cuisine by Alina Bronsky

Caroline – I have compiled a post with 14 women writers that shouldn’t be missed and reviewed Sebald’s book on the absence of the description of the destruction of German cities during WWII from German post-war literature. The book leads us to the Böll readalong on November 26.

14 Women Writers You Shouldn’t Miss

On the Natural History of Destruction – Luftkrieg und Literatur by W. G. Sebald

The Participants

Neer (A Hot Cup of Pleasure) shares her German Literature Month inspired Wishlist.  That’s always a risk with events like this. You may end up with far more books than before.

Christina from Ardent Reader hopes to be able to keep up with her Reading plans.

Danielle (AWork in Progress) introduces her choices. A list with descriptions. Plans for German Literature Month 

Emma (Book Around the Corner) wrote an enthusiastic review of  Fame by Daniel Kehlmann that she calls a “strange exhilarating book”.

sakura (chasing bawa) is thrilled by her discovery of Dark Matter by Juli Zeh  and adds (after having been tracked down by the German Literature Month Police , i.e. me) an Introduction.

Jackie (Farm Lane Books) wrote a very appealing review of the WWII novel Death of the Adversary by Hans Keilson. Not an easy read, highly literary but rewarding.

Guy Savage (His Futile Preoccupations) dethrones Goethe in his musings on  On Goethe’s Elective Affinities and reestablishes him again – at least in parts – in  On Goethe’s Elective Affinities Part II. The review is to follow.

Rise (in lieu of a field guide) reviewed Visitation by Jenny Erpenbeck and compares it to the passage of time chapter in Virginia Woolf’s To the Lighthouse.

Harvey (Leben, Kochen, Bier u. Fussball) offers a list with interesting choices Introduction with choices.

Eibhlin (Mar gheall ar a léim) shares he reading plans in Eibhlin’s reading plans.

Fay (Read, Ramble) reviews  Herta Müller – Land of Green Plums describing how she wanted to give up after a little while but was rewarded by her persistence.

Rikki (Rikki’s Teleidoscope) enjoyed The Hottest Dishes of the Tartar Cuisine by Alina Bronsky as much as Lizzy. She captures the unusual voice of the narrator very well.

Susanna P (Susie Bookworm)  has added her reading plans German Lit Month Kick off. She already read Lotte in Weimar and is about to pick something else soon.

Priya (Tabula Rasa) shares her reading plans Plans.

Alex The Children’s War wrote an in-depth review of The Oppermann’s by Lion Feuchtwanger. He writes  “What makes The Oppermanns so interesting is that it has the distinction of being the first story of its kind to tell about life under the Nazis and how it affected people opposed to Hitler.”

Parrish (The Parrish Lantern)  wrote a thoughtful review On The Joys of Morphinism by Fallada. Introducing first the life of the author and then writing about the book.

Mel u (The Reading Lives) announces German Literature Month and reviews a very interesting short story by Gerstacker, a lesser known author. His review is proof that it is worth looking for the lesser known.  Announcing German Literature Month and Short Story by Gerstacker

Tony (Tony’s Reading List) has really liked Alois Hotschnig’s – Maybe This Time and already read it twice but he doubts that he will re-read  All the Lights by Clemens Meyer. Although he didn’t mind reading it at all, he doesn’t seem to be convinced it’s all that literary.

Liz (Tortoisebook) shares he reading plans. German Literature Month Plans

Vishy (Vishy’s Blog) has reviewed a wide range of short stories and novellas. A really wide range. Both Lizzy and myself were stunned. This is pretty much an introduction to the most important German writers.  A Wide Range of German Short Stories

Stu (Winstonsdad’s Blog) I was equally amazed about the wide range of books reviewed by Stu. There are some wonderful books to discover here.  An early novel by the Nobel Prize winner Nadirs by Herta Müller , a novella by the author of Perfume The Pigeon by Patrick Süskind, a poetical novella Jarmila by Ernst Weiss and a novel of a Swiss writer A Perfect Waiter by Alain Claude Sulzer.

Amateur Reader (Tom) Wuthering Expectations wrote one post on the melancholic story Flagman Thiel by Gehart Hauptmann (also reveiwed by Vishy) and two posts on Hauptmann’s play Gerhart Hauptmann-Before Daybreak – Gerhart Hauptmann’s characters.

Effi Briest Readalong

Week I

The following people have posted so far, some freestyle, some answering our questions.

Andrew

Caroline

Danielle 

 

Fay

Eibhlin

Iris

Lizzy

Sarah

Tony

This and That

Yes, we were also featured on the web.

Melville House Press on What to drink when reading Heinrich Böll 

The Millions announce German Literature Month

kulturplease announces German Literature Month

love german books – Kid – On German Literature Month

The Victory Stitch – Peggy  If I were reading

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And here, finally, the winners of the Heinrich Böll giveaway courtesy of Melville House Press.

The winner of The Train Was on Time and The Clown is

Priya from Tabula Rasa

The winner of Group Portrait with Lady and Billards at Half-Past Nine is

Guy from His Futile Preoccupations

And the winner of The Irish Journal and The Safety Net is

Stu from Winstonsdad’s Blog

Happy reading Priya, Guy and Stu!

Please send me your address via beautyisasleepingcat at gmail dot com.

The giveaway is part of German Literature Month.

The next giveaway will take place on Wednesday 9 November 2011. Remember… It’s crime week…. there are some great books to be won. And, yes, those who won already can still participate.

W.G. Sebald: On the Natural History of Destruction – Luftkrieg und Literatur (1999)

During World War Two, 131 German cities and towns were targeted by Allied bombs, a good number almost entirely flattened. Six hundred thousand German civilians died a figure twice that of all American war casualties. Seven and a half million Germans were left homeless. Given the astonishing scope of the devastation, W. G. Sebald asks, why does the subject occupy so little space in Germany s cultural memory? On the Natural History of Destruction probes deeply into this ominous silence.

This is one of the most amazing books I have read this year. For numerous reasons. It is in line with the topic of my reading projects and readalong and contains descriptions that I have never read like this. On the other hand it gave me the opportunity to see another side of Sebald. One that I didn’t expect. If you are familiar with his fiction, notably if you have read them in the German original, you know that he is a very challenging writer. His sentences follow a rhythm that is very much his own. He tends to use old-fashioned and also invented words. And as far as I know he is not very humorous. The two essays contained in the German original of this book, the first on the description of the destruction of the German cities in German literature  – or rather its absence – and the second on Alfred Andersch are so different from his fiction. The style is fluent, accessible and he is extremely funny. The essay on Andersch made me laugh out loud. Sebald’s analysis and description of this conceited writer is hilarious. But that essay is not the topic of my review. I’d like to focus on Sebald’s Luftkrieg und Literatur whose English title is On the Natural History of Destruction.

The book is based on Sebald’s lectures which he held at the university of Zürich in 1997. Those lectures had the impact of a bomb. What Sebald stated was outrageous and had never before been said like this and analyzed with so much detail and force.

What Sebald does in this book, and that is why it is so amazing, is showing what post-war German literature failed to do and doing it at the same time.  It is a reproach and a demonstration how it should have been done.  Some of the descriptions are not for the faint-hearted, they are quite gruesome.

When I started to read I was puzzled at first because he wrote that hardly any German writer had tried to describe the enormity of the destruction of the German cities. I thought he was wrong in stating this but soon enough I understood why I thought so. I’ve always loved Heinrich Böll. Especially in my early twenties he was my favourite German writer and I read most of his books, one of them The Silent Angel. For some reasons I didn’t know that this book had been written in the 50s and was never published because editor and writer thought the topic was inappropriate. Together with Gert Ledig’s novel The Payback (possible choice for next year’s Literature and War Readalong), it is the only Western German book that chose the massive bombing and its aftermath as topic. Only, The Silent Angel had to wait almost 40 years for its publication.

Sebald analyzes in great depth why these were two of the few books. If I hadn’t seen the corny TV production Dresden I wouldn’t have had such a good idea about what it meant to bomb a city as radically as the German cities were bombed. That’s why I would urge you to watch Dresden (forget about the romance).

There are a few things that Sebald underlines. First how widely those cities were bombed. The RAF flew 400’000 missions dropping one million tons of bombs on 131 cities, some of which were flattened completely. 600’000 civilians lost their lives, 7’500’000 were homeless.

The second thing Sebald shows is that these are simply numbers. They seem enormous but they don’t let you experience what it meant to have been in one of those cities during the bombing or to have lived in one of them afterwards. There are accounts of this, like in the books of Nossack, but apart from that a lot of the documentation comes from foreign journalists. German writers and diarists hardly mention anything. As mentioned before, one of the rare writers who didn’t shy away from the topic was Gert Ledig. Already his first novel The Stalin Front or Die Stalinorgel depicted explicitly the atrocity of the Eastern Front. In his later work Payback aka Vergeltung he wrote in great details about the destruction. Unlike Böll’s novel, Ledig’s were published but he wasn’t republished and was finally forgotten, even excluded from the collective memory, as Sebald writes.

But what did Germany want to hush up and why?

When you bomb a city like they bombed the big German cities what follows is a huge surface fire followed by a firestorm that will make everything burst, sear and singe everything and was literally an extremely strong wind that blew even bodies away. What this heat does to a body is described by Sebald, mostly quoting Nossack, in gruesome details. What is also described is what happens later in a city full of rotting corpses. Rats will swarm the place. The stink will be insufferable and the flies unbearable.

This massive destruction and its aftermath filled the Germans with shame, according to Sebald. That’s why they didn’t want it mentioned, started to repress it. They even went as far as saying the bombing had a good side. Many of the old buildings would have needed renovating anyway, many of the factories were dated. Rebuilding was cheaper than tearing down and rebuilding afterwards. This is amazing thinking. The Wirtschaftswunder made the rest. The incredible efforts put into rebuilding and the economic growth helped the Germans forget and repress.

On the other hand, as Sebald states, it would have been rich of Germany to complain after having tried to exterminate a whole people and bringing war and destruction on everyone. As proof of this reasoning he mentions that the British never tried to repress the Blitz. It was a topic in books and documentaries and mentioned in various other forms of writing.

This urge to repress could even be seen immediately after the bombings. Sebald quotes Nossack twice on this. He describes a woman who was seen cleaning her windows. The house in which she lived was the only house in the whole neighbourhood that hadn’t been destroyed. He also saw people sitting on a balcony, drinking coffee although the house and those next to theirs were the only ones left intact.

As is usual in Sebald’s books there are a lot of photos which add another dimension to this excellent book. I think this is an absolute must-read for anyone interested in German literature, post-war Germany, the mass destruction of the German cities and the psychological mechanics of repression.

This review is part of German Literature Month – Week I – German Literature.

Don’t forget to visit Lizzy’s blog. Tomorrow she will review Alina Bronsky’s The Hottest Dishes of the Tartar Cuisine.

Wednesdays are wunderbar – Heinrich Böll Giveaway

I’m so glad that I can give away six books by Heinrich Böll, my favourite German author. The giveaway has been kindly provided by Melville House Press.

We give away 6 novels to 3 winners, 2 novels each. Please tell us which novels you would like.

Here we go (the blurbs are all from the Melville House Böll Page):

The Train was on Time

Heinrich Böll’s taut and haunting first novel tells the story of twenty-four-year-old Private Andreas as he journeys on a troop train across the German countryside to the Eastern front. Trapped, he knows that Hitler has already lost the war … yet he is suddenly galvanized by the thought that he is on the way to his death.

As the train hurtles on, he riffs through prayers and memories, talks with other soldiers about what they’ve been through, and gazes desperately out the window at his country racing away. With mounting suspense, Andreas is gripped by one thought over all: Is there a way to defy his fate?

The Safety Net

Fritz Tolm has risen to the most powerful position in Germany.

With fame comes fear and vulnerability. Threats to his life are met with the all-pervasive “safety-net” of police protection and surveillance.

Trapped in a house they dare not leave, where every visitor is suspect and every object a potential bomb, Tolm and his family wait to discover when and how terrorism will overtake them.

Group Portrait with Lady

Cited by the Nobel Prize committee as the “crown” of Heinrich Böll’s work, the gripping story of Group Portrait With Lady unspools like a suspenseful documentary. Via a series of tense interviews, an unnamed narrator uncovers the story—past and present—of one of Böll’s most intriguing characters, the enigmatic Leni Pfeiffer, a struggling war widow.

At the center of her struggle is her effort to prevent the demolition of her Cologne apartment building, a fight in which she is joined by a motley group of neighbors. Along with her illegitimate son, Lev, she becomes the nexus of a countercultural group rebelling against Germany’s dehumanizing past under the Nazis … and what looks to be an equally dehumanizing future under capitalism.

Billards at Half-Past Nine

Heinrich Böll’s well-known opposition to fascism and war informs this moving story of a single day in the life of traumatized soldier Robert Faehmel, scion of a family of successful Cologne architects, as he struggles to return to ordinary life after the Second World War. An encounter with a war-time nemesis, now a power in the reconstruction of Germay, forces him to confront private memories and the wounds of Germany’s defeat in the two World Wars.

The Clown

Acclaimed entertainer Hans Schnier collapses when his beloved Marie leaves him because he won’t marry her within the Catholic Church.

The desertion triggers a searing re-examination of his life — the loss of his sister during the war, the demands of his millionaire father, and the hypocrisies of hs mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.

Heinrich Böll’s gripping consideration of how to overcome guilted and live up to idealism — how to find something to believe in — gives stirring evidence of why he was such an unwelcome presence in post-War German consciousness … and why he was such a necessary one.

Irish Journal

When Heinrich Böll traveled with his wife to Ireland in the early 1950′s, he was immediately enchanted by the landscape and the people. Reveling in respite from a Europe still recovering from war, he was captivated by what he saw as a friendly and classless society that took life at a more leisurely pace. He was delighted, for example, by the Irish saying that explained why the trains were always late: “When God made time he made plenty of it.” Böll would return again and again.

In this unique entry in his oeuvre, Böll documents his eccentric travels around the Emerald Isle, detailing its charm in a way that gives his own habit of studying character and paradox, not mention national identity, a beguiling twist. The result, here presented with an epilogue written years later with Böll’s observation of changes since his first visit, is a reflection on the essence of a place and its people that is, indeed, evergreen.

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If you are interested in two or more of these books, tell me which ones you would like. The only condition is that you tell us about a favourite German book or author or – if you only get started – tell us what books you plan on discovering, which authors or books tempt you.

The giveaway is part of German Literature Month.

Also visit What to drink while reading Heinrich Böll on the Melville House Blog.

The giveaway is open internationally, the books will be shipped by the editor. The winners will be announced on Sunday 6 November 18.00 – European – (Zürich) time.

Literature and War Readalong November 2011 Meets German Literature Month: The Silent Angel by Heinrich Böll

I’m not sure all those who follow me for the Literature and War Readalong did notice that there was a change of title. It just didn’t feel right to read an American author depicting the Civil War during German Literature Month. This means The Killer Angels are postponed (?).

The choice for this month’s readalong is Heinrich Böll’s The Silent Angel aka Der Engel schwieg. This novel, by my favourite German writer, is a unique book. I will explore this in more detail in Thursday’s post on Sebald’s Luftkrieg und Literatur aka On the Natural History of Destruction.

Here’s the blurb for Silent Angel

The first novel by the Nobel prize winner, never previously published. Written at the end of the Second World War it describes the death and destruction faced by the people of a city ravaged by war.

The readalong is not taking place on Friday but on Saturday 26 November. Anyone who wants to participate just leave a link in the comments section of my post, I will then add it to my post. Those who have no blogs are welcome to leave longer comments or send me an e-mail with their thoughts before Saturday and I will add them to my post. Should anyone prefer questions instead of freestyle, let me know. I could send out questions but give me time until Wednesday 23 November.

Watch out for Wednesday’s giveaway…