Teresa Rodriguez: The Daughters of Juárez (2007) Roberto Bolaño, Bordertown and The Story That Wants to be Told

For more than twelve years, the city of Juárez, Mexico — just across the Rio Grande from El Paso, Texas — has been the center of a horrific crime wave against women and girls. Consisting of kidnappings, rape, mutilation, and murder, most of the atrocities have involved young, slender, and poor victims — fueling the premise that the murders are not random. As for who is behind the crimes themselves, the answer remains unknown — though many have speculated that the killers are American citizens, and others have argued that the killings have become a sort of blood sport due to the lawlessness of the city itself. And despite numerous arrests over the last ten years, the murders continue to occur, with the killers growing bolder, dumping bodies in the city itself rather than on the outskirts of town, as was initially the case, indicating a possible growing and most alarming alliance of silence and cover-up by Mexican politicians.

The subtitle of this book reads A True Story of Serial Murder South of the Border. Ciudad de Juárez must be one of the most dangerous cities on Earth. For women and men alike. I heard about the serial murders on poor maquiladora (assembly factories) workers while reading a blog post on MAC’s tasteless new cosmetics series, dedicated to the dead women of Juárez. I started to investigate and found numerous films online. I read that there has been a movie starring Jennifer Lopez, Bordertown (don’t think it is very good), which is dedicated to the Juárez murders and that even Bolaño’s novel 2666 was in large parts dedicated to those crimes. I had decided to tell their stories long before I read about Bolaño and since I haven’t read him yet, there is no actual influence here. My story is progressing slowly. Too many points of view. But I can’t stop. The story wants to be told. It feels odd. While writing I am stiil researching as well. This is the first nonfiction book on those dead women I picked up. It is probably what is called a true crime book. Something I never read but the story has a hold on me.

Ciudad the Juárez is a Mexican border town that has grown from 200’000 to 2’000’000 in 40 years. Factories from across the border have opened up their doors and hire cheap workers by the thousands. Preferably young women and girls. They make 3 – 5 dollars a day in 9-14 hour shifts. Many are as young as 12 and work with forged passports. Girls are preferred as they are cheaper and said to be more accurate on the assembly lines. In the factories they have air conditioning, clean toilets, showers, and light. I mention this because when they come home, they don’t have that. Many of them live in shacks. No lighting, no electricity, no warm water and a hole in the floor instead of a toilet. These are the poorest of the poor. Many of these girls and women work double shifts or go to school as well. They disappear on their way home from work or school. One after the other. Their families are so poor, they have no telephone, no mobile phone. When the girls go missing  a manifold ordeal begins. How do you get to the police to tell them someone is missing without a car? Once you are there, they tell you to wait 72 hours and come back. And they laugh and say your daughter is a loose girl and that she will come back eventually.

This happened to thousands of families. Many of the girls were never found. The others were found dead. I spare you too many details, just let me say that they were raped, tortured and mutilated and either left dying in the desert or disposed openly near the city.  And almost none of the killers has been found. Who kills the girls of Juárez? The police? Serial murders from the US? People who do snuff movies? Frustrated Mexican men? Drug dealers? Brujos? Satanists? The dead girls look all similar. They are between 17 and 25, slender, petite, with long dark hair and very pretty faces.

I am haunted by these stories. I cannot help much but I can raise awareness. And I can tell their stories. Below you see the remembrance crosses of some of the victims and an Amnesty International clip. Women’s organizations try to help now. Tereza Rodriguez is a reporter with Univision. Her book is full of stories and full of loose ends about the possible killers. It’s interesting and horrible to read. If you would like to know more, just go to youtube and type Ciudad the Juárez. There are movies from Women’s groups and mothers who mourn their daughters. Be prepared, this might be one of the darkest stories you will ever hear. No wonder some of the families think it’s the devil commiting these crimes. It is hard to believe that one human being does this to another one.

Nora Murphy: Knitting the Threads of Time Casting Back to the Heart of our Craft (2009) A Memoir

You don’t need to be a knitter to enjoy this book. I am not. Still I liked this book for many reasons. It is a memoir in which Nora Murphy takes us on a personal journey on which she starts and finishes a difficult sweater for her son and explores the manifold meanings of knitting, yarn and clothes.  Now is the perfect time to read it as the memoir starts in October and ends three months after All Soul’s Day. Her style is very evocative.

A woman sits in her comfy chair. Two needles and a ball of yarn keep her company. She is knitting away at something. Maybe a scarf? Socks? She enjoys the sound of her needles beating like a soft drum. She inhales the smell of the waxy yarn. She exhales the satisfaction of watching a single strand transform into an object of beauty. She is perfectly present, in perfect bliss. (Epilogue, Darkness Falls p. 3)

And another teaser:

October is a bit like the last dance in Minnesota. We know it’s the first month of darkness, but we don’t want to acknowledge it. We’d prefer to keep our attention on the sunlight dancing off the red and orange and yellow and gold and brown mosaic in the trees overhead. But we know better – a long winter awaits us. (Leaves p. 13)

Nora introduces us to herself, her family and her friends and the people she meets on her journey. She opens up her house and her heart for us. We are allowed to catch a glimpse of her cozy little home and the life she lives with her two sons and Diego her friend and lover. Through her we meet a woman who owns a yarn shop, an owner of a sheep farm and all of her animals, and many other people. We get to know Minnesota through several seasons. And we learn a lot about yarn. Nora Murphy combines history and cultural anthrolpogy. I did not know, for example, that King George’s Wool Act of 1699 might have been responsible for the American Revolution. England felt its wool industry was threatened by the colonies and forbid to export sheep to America. But some animals had been smuggled in and where already quite numerous by 1665. At some time, anyone found guilty of trading in wool faced severe punishment. The cutting-off of hands is mentioned. However, unlike Ireland, America was too far away from England to be threatened for long and the way to independence could not be blocked forever.

Nora’s book is also a lesson in values. Cherish the moment. Learn from the past. Try something new. Remember the simple things. In a world that spins in confusion she tries to build stability and conveys this to those around her and her readers. I felt very comforted, enchanted and energized by this book.

Nora Murphy’s Homepage

Gretchen Rubin: The Happiness Project: Or, Why I spent a Year Trying to Sing in the Morning, Clean my Closets, Fight Right, Read Aristotle and Generally Have More Fun (2009)

This is not going to be one of my better reviews as I am highly annoyed by this book and the live style it propagates. So instead of a review this is rather a rant. I do however still like Rubin’s blog as it is very colorful and many people tell little stories of their lives.

A word of caution at the beginning seems appropriate:  The Happiness Project is not about happiness, it is about having fun. And if you want to have fun the way Gretchen Rubin teaches it you will need money.

I felt a bit uneasy with her book early on. It is well written and entertaining to read but did not feel right. When I finally came to her view on Buddhism I realised what had bothered me subconsciously right away. There is a big difference between attachment and non-attachment. If you are influenced or attracted by Hinduism and Buddhism then this book will be a great disappointment  to you since it does equal  happiness to materialistic well-being. This is frankly infuriating. It takes a certain arrogance to show means how to improve your life through things and activities that will cost money. Gretchen Rubin’s way to happiness is not for free.

Just read the following quote taken from the chapter “Mindfulness” and you will see, what I mean regarding attachment/detachment:

I’d always been intrigued by Buddhism, so I was eager to learn more about both the religion and the life of the Buddha. But although I admired many of its teachings, I didn’t feel much deep connection to Buddhism, which at its heart, urges detachment as a way to alleviate suffering. Although there is a place for love and commitment, these bonds are considered fetters that bind us to lives of sorrow – which of course they do. Instead, I’m an adherent of the Western tradition of cultivating deep passions and profound attachments; I didn’t want to detach, I wanted to embrace; I didn’t want to loosen, I wanted to deepen. Also, the Western tradition emphasizes the expression and perfection of each unique, individual soul; not so in the Eastern tradition.”   (p. 235/236)

I think this about sums it up.

If however you want to improve your daily life, de-clutter your apartment, hear how to better your relationships with your husband, children, family and friends, then you might enjoy this book. It will show you how to spend and buy things, how to hoard your memories and so on and so fort.

I admit that if I had read the subtitle more carefully I wold have known what to expect. Still, leaving aside the detachment/attachment dichotomy, I believe there is no happiness without creativity and this is an aspect that is not covered at all. Apart from a little paragraph on scrapbooking there is no exploring creativity.

Apples for Jam: A Colorful Cookbook by Tessa Kiros (2007)

A cookbook needs to fulfill much more than just provide us with recipes. Ideally it appeals to us visually as well as content wise. I have come to think of cookbooks as the grown-up’s counterpart of illustrated children’s books. We do not just use them, we enter another world by means of opening them. Enchantment is what we are looking for. And advice. Most cookbooks, unless they are of the „How to“ and „Basic cooking“ kind, are conceptual, either dedicated to the cuisine of a country or region or to a specific food group. Many are written by famous chefs.

Tessa Kiros’ Apples for Jam: A Colorful Cookbook is unique in its kind. It artfully blends memoir and cookbook and takes us on a voyage back to our own childhood. Apples for Jam consists of  a collection of easily followed recipes interwoven with wonderfully colorful photos and prettily designed pages.

The recipes we find stem from the realm of family cooking. Recipes handed down from one generation to the next. Meals and food that is and was meant to nourish, comfort and console. The type of food mama used to cook when we came home from school worn out or downright crying. You will also find a lot of favourite children’s food that seems to have  stayed remarkably the same over the decades. Children’s palates do not crave for the all too sophisticated fancy cuisine of five-star chefs. And maybe we have gotten tired of it as well. We want the simple things again. Homemade meals with only a few ingredients that are all the more flavourful for being recognizable. You will find recipes for salads and main courses like “Chicken cutlets with parsley and capers”, alcohol free drinks such as “Cranberry syrup” and a wide range of deserts among which there are ice creams, cookies and cakes. No fancy hors d’oeuvre or starter courses.

It is a book that will especially appeal to color sensitive types as it is organised by colors, starting with orange, yellow, pink and green, heading on towards, gold, white and brown and ending with color themes “monochrome”, “stripes” and “multicolor”. Recipes and ingredients  echo and play along the lines of those colors.

But what is maybe the nicest about this book is its capacity to enchant. If you do not feel like cooking you can still enjoy the artwork, relish in the photos and read the little stories and Tessa’s childhood memories and let her take you back on a trip to your own cherished past.

Apples for Jam: A colorful cookbook by Tessa Kiros (2007), Andrews McMeel Publishing, Kansas City