Daniela Krien’s My Third Life (Mein drittes Leben)

German author Daniela Krien who was born in the former G.D.R. published her first novel We Will Tell Each Other Everything (Wir werden uns alles erzählen) in 2011. Long before Kairos she told the story of a passionate love story between a very young woman and a much older man during the final months of the DDR. I found the book a little mawkish but not bad at all, especially in the parts that introduced us to a world that had already been long gone by then. Sure, Erpenbeck is the better writer but if I had to pick one of the two, I’d say I liked Krien’s novel better.

Since then, she’s published four more novels, two of which were translated – The Fire and Love in Case of Emergency (aka Love in Five Acts). While I got the latter on my piles, I haven’t read the others. When I was at the bookshop the other week, I discovered her latest Mein drittes Leben. It hasn’t been translated yet but given the success of some of her other books in translation, I wouldn’t be surprised if a UK or US publisher picked it up.

The book begins after Linda has moved away from Leipzig to the country, while her husband stayed in their flat in Leipzig. They aren’t divorced, nor are they theoretically separated but Linda needs some time on her own. The village and the house she’s staying in aren’t very appealing. But Linda doesn’t care. She’s looking after the chicken of the former owner and her dog and that’s all she seems to need. Her husband, Richard, visits her every other week and she makes a few friends, but mostly she stays on her own.

Bit by bit the reader discovers that Linda once had what she would have called the perfect life: a kind daughter, a husband she’s still in love with after almost twenty years, and a job as a curator of an art foundation that gave her a great deal of satisfaction. But then a tragedy happens. Her seventeen-year-old daughter is run over by a lorry. Linda and Richard grieve deeply but while Richard gets better, Linda doesn’t. On the contrary. It seems to get worse. When she’s diagnosed with cancer on top of that, she knows she can’t go on like before. Once the chemo is over, she moves.

I’ve read a few books about grief, fiction and nonfiction. Guilt is so often part of the grieving process. Here as well. Linda feels particularly guilty because her daughter did something that morning, she wouldn’t have done if Linda had told her not to. But the guilt runs much deeper and that’s where the strength of this book lies. It is tied into her motherhood and the way she became a mother. Richard had been married before and had two beautiful, intelligent children. He didn’t want another child and Linda had to fight very hard for him to give in. Once her daughter is born, Linda wants another child but Richard refuses. Years later, when he finally agrees, it’s too late. One of the things that weighs heavily on Linda’s consciences is the fact that she often compared her daughter to Richard’s first children or to other young people and found her lacking. She seemed too normal, too kind, not particularly beautiful, not fascinating.

Linda has a lot to come to terms with. Her struggles are intense. At times the reader fears she’s going to end it all. And then Richard loses patience. He’s been waiting two years and there is still no sign that Linda will return to Leipzig. The marriage ends when he meets another woman

It may sound like My Third Life is a very depressing book but it’s not. I found it engaging and enjoyable. The way Linda evolves after her marriage ends is uplifting and very relatable. Ultimately, My Third Life is much more than a story about grief, it’s also the story of a marriage. And an exploration of what makes life meaningful. I wouldn’t exactly call My Third Life great literature but it’s very readable. It would make an amazing book club read as it offers so many discussion points. How long should a person grieve? What is the right way to grieve? How do partners survive the loss of a child, especially when they don’t grieve the same way? What about friendships? How do friendships survive something like this?

 

Daniela Krien: Someday We’ll Tell Each Other Everything – Irgendwann werden wir uns alles erzählen (2011)

Someday

Daniela Krien’s debut novel Someday We’ll Tell Each Other Everything (German title: Irgendwann werden wir uns alles erzählen) was a success in Germany and has already been translated into 15 languages, one of which English. That’s why I thought I’d like to see for myself if it’s really that good. I’m not sure the book won me over as a whole, but I liked a lot of the elements and the end packs a real punch.

The narrator Maria is a young woman of 16 who is living with her boyfriend Johannes on his family’s farm. It’s 1990 and the Berlin wall has just fallen. The novel begins shortly before the reunification of Germany. What makes the story interesting is that it’s set in Eastern Germany and that we see the end of the former Democratic Republic through the eyes of the people who lived there. The author grew up in the country, in the former DDR, so she knows what she’s writing about.

It’s odd that Maria is living with her boyfriend’s family and not with her own but we learn later that the mother has been left and that Maria can’t stand her sadness anymore. It’s far livelier on the Brendel’s farm. But even though it’s livelier, there are tensions as well, and just like in her own family, there are family secrets.

Maria and Johannes are still going to school but Maria stays at home most of the time, hiding somewhere, reading Dostoevsky. She’s often sad as well, prone to mood swings, but she is a keen observer and a kind girl. She want’s to help and make her stay worthwhile for everyone.

Not far from the Brendel’s farm is the farm of the Henners. Henner is a forty-year old guy, a brute, as they say, a man whose wife couldn’t stand his company anymore and who has left him. He’s said to be violent and drinks like a fish. He comes to the Brendel farm occasionally because they have a small farm shop. Maria watches him and Marianne, Johannes’ mother. Marianne seems to have a bit of a crush on him. Maria herself is fascinated and before long, without thinking of the consequences, she’s having an affair with him.

Their love affair is one of those dark maelstrom passions. They try to fight it but to no avail. Maria feels extremely guilty, but at the same time she cannot let go. What they share is too deep. It’s passionate, violent, but it’s also more than that. Henner opens up, tells her his life story.

At first their affair is all about sex but later they are content to just read Dostoevsky and Trakl together. Henner even tries to get sober.

They way this is told is quite appealing. The beginning is strange but after a while, you feel sucked in and read more and more quickly.

I have never read a novel about the end of the former Democratic Republic from the point of view of someone who lived “over there”. I really liked how Daniela Krien captured this. Just imagine: one day the authorities decide that your country will not exist anymore. Even though it might be for the better, it would still be a shock. There are many small details which show that and they are well rendered.

I was surprised that Maria was allowed to live with her boyfriend’s parents and that they shared a room and a bed, but then I remembered that the attitude towards sexuality is said to have been much more liberal in the former Democratic Republic. I watched a talk show on German TV a few years ago with athletes from the ex-DDR and they mentioned that for them one of the strangest things was how sex was handled in Germany. They said they preferred partenrs who came from the former Democratic Republic because they were more liberated. Judging from this novel it certainly seems as if there had been quite a difference.

The title is a Dostoevsky quote taken from the Brothers Karamazov. The book contains a few quotes from Dostoevsky, others are taken from Hamsun. Henner repeatedly quotes Trakl’s poem Song in the Night. Trakl is an Austrian poet. His poems are beautiful but gloomy.

If you like dark love stories you’d like Someday We’ll Tell Each Other Everything. You might equally like it if you have an interest in country life or life in the former Democratic Republic of Germany. The style is quite simple, most sentences are short. It’s not subtle but it works. The whole story is carried by the narrative voice, which I found haunting. The end alone makes it worth to read the book.