Neil Gaiman – The Graveyard Book (2008) Readalong Part II

Last week I wrote about chapters 1 -3 of  Neil Gaiman’s The Graveyard Book, this week we have read chapters 4 – 6.

I’m glad to report that I’m still enjoying the book a lot. The structure is less episodic now, some elements return and we already know that the man Jack who killed Bod’s whole family is still around and hasn’t given up.  Bod meets new people in these chapters and one of the most important is a witch. She may be one of my favourite characters and the relationship between the two is quite touching. But there is more. The story of the witch illustrates that there is a very interesting historical dimension to this book which could be overread but it’s present and very well done. The witch is in a part of the graveyard where people lie who have no gravestones, because they were suicides or otherwise cast out by the church. In a place in which gravestones play such a prominent role, to be without one, is like being bereft of your identity. The witch is very sad about this fact and Bod, who is a truly goodhearted little boy, tries to buy her a tombstone. Unfortunately this very nice thought brings not only a lot of trouble but at the end of the whole undertaking, the man Jack is informed that the little baby he couldn’t kill has turned into a boy and is still alive.

An element which didn’t strike me at first is how the many inhabitants of the graveyard are often presented. Gaiman gives us the inscriptions of their headstones like in this example “Majella Godspeed, Spinster of his Parish, 1791 – 1870, Lost to All but Memory”. When you’ve read half a dozen of these the effect is quite uncanny. It looks as if all that is left of us is our name, our dates, and -when we are lucky – an inscription that is poetical and wise and not one that is unintentionally funny.

In these chapters Bod gets into trouble more than once and what is sad is the fact that it is always when he tries to help others. But we do also discover another side of Bod. He has truly become a person who is able to move between the living and the dead and to use their respective talents. One of the scenes I enjoyed the most is when he uses his skills to haunt two particularly nasty children.

I’m looking forward to reading the rest now which will probably be this afternoon. It’s cool outside and rainy, the perfect weather for a book like this.

I’m reading The Graveyard Book for Carl’s readalong which is part of  R.I.P. VII.  If you want to read other’s thoughts, don’t miss visiting Carl’s blog for the other reviews.

Neil Gaiman – The Graveyard Book (2008) Readalong Part I

There was a hand in the darkness, and it held a knife.

The knife had a handle of polished black bone, and a blade finer and sharper than any razor. If it sliced you, you might not even know you had been cut, not immediately.

From the very first lines we are drawn into the story of the little boy Nobody Owens and the man Jack who kills his whole family at the beginning of Gaiman’s novel The Graveyard Book.  We don’t know why the man Jack kills the little boy’s family, all we know is that he isn’t happy he didn’t get the little boy as well. While he was killing Nobody’s parents and brother, the baby escapes through the door, down a hill and into the graveyard.

Mrs and Mr Owens see the little boy and Mrs Owens, although she is a ghost, feels an intense, until now unfulfilled longing  and wants to keep the baby for herself. At first there is debate. The other ghosts are not sure it is a good idea. How will she feed him? How will she take care of him? But when the man Jack arrives at the graveyard door and they become aware the baby is in great danger, they agree to protect him and keep him in the graveyard. Luckily Silas, who isn’t really a ghost but no real human either, can move between their and our world and is capable to provide food for the little boy.

In the subsequent chapters the boy who the ghosts have baptised Nobody Owens is introduced to the ways of the living and the dead. He learns to read and write, is taught history and other things, makes friends with a little girl, is abducted by ghouls.

The story as such, which is inspired by Kipling’s The Jungle Book, is not that special but the way it is told is fantastic. More than a writer Gaiman is a story-teller. He is a very musical writer with an ear for language and it’s not surprising his books work well as audio books. The sentences have a hypnotic quality, they draw you in, captivate you by their sound and their meaning alike.

What I thought was particularly great is that we know the man Jack will turn up again. We know his story isn’t over. And we don’t want it to be over. We want to find out why he killed Nobody’s family and what he will do to access the graveyard. The inhabitants of the cemetery may not be corporeal but they still have power. They were able to protect Nobody once, will they be capable to do it again?

I can’t tell you how much I like this novel. It’s wonderful, it feels as if Gaiman when he writes is connected to the very source of story telling itself. In an introduction to a short story collection Gaiman wrote that he thinks the only proof a story is well written is when the readers ask the question “What happened next?”. Gaiman certainly achieved this and much more.

I’ve bought The Graveyard Book a couple of years ago but never read it. I’m so glad it is part of this year’s R.I.P. hosted by Carl. 38 people have signed up to read along. If you want to read what other’s thought of the first 3 chapters, don’t miss visiting Carl’s blog for the other reviews.

Literature and War Readalong October 2012: The Auschwitz Violin – El Violi` d`Auschwitz by Maria Àngels Anglada

Maria Àngels Anglada who died in 1999 was considered to be one of the most important Catalan writers of the 20th Century. She won many prizes and was widely read. The Auschwitz Violin – El Violi`d`Auschwitz was translated a year ago and when I saw it in a book shop I thought it’s a perfect choice. It’s slim, seems well written and tells the story of a musician and his struggle to stay human during his imprisonment in Auschwitz.

Here are the first sentences

December 1991

I always have trouble falling asleep after I perform at a concert. It keeps playing in my mind, like a tape going round and round. I was more keyed up than usual because this concert had been special: it marked the two hundredth anniversary of Mozart’s death. The recital was held in Krakow, a city of wonderful musicians, in a makeshift auditorium in the bellissima Casa Veneciana.

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The discussion starts on Monday, 29 October 2012.

Further information on the Literature and War Readalong 2012, including all the book blurbs, can be found here.

Richard Bausch: Peace (2008) Literature and War Readalong September 2012

Richard Bausch’s Peace (2008) is set in Italy during WWII. An American  recon squad comes upon a group of people and a cart. A German officer and a German prostitute are hiding on the wagon. When they turn it around, the German officer opens fire and kills two of the young American soldiers. Corporal Marson shoots him, while Sergeant Glick shoots the woman in the head.

It’s the end of WWII and German troops are retreating but not without trying to take down anyone they can with them. The mountains are hostile territory, it’s cold and it rains constantly. The little troop of men is demoralized. The life of a recon squad is usually very dangerous, they have to find out where the German line is and might accidentally already be behind the lines. After the shooting of the officer and the whore, three of the men are sent on recon again. Sgt Marson, Ash and Joyner. On their way they meet Angelo, a frail and very old Italian man and force him to guide them.

Marson, Ash and Joyner are as different as three people can be. Marson is the oldest, he’s 26, married and has a child. Joyner and Ash are 20. Ash seems to be deeply traumatized by something he experienced in Africa and which wakes him every night. He seems to be a good sort but starts to annoy Marson because he wants to denounce Glick. The murder of the prostitute has shocked him and he thinks Glick should be brought to justice. While Marson agrees with him, he feels it’s not the right time and he has problems of his own. They are on a very dangerous recon mission, it’s very cold and raining. They don’t know where they are and have to rely on a man he doesn’t completely trust. Many of the Italians have surrendered, many never really participated but there are still a lot of fascists who would gladly kill them. Plus he fights a battle with his conscience. Before shooting the German officer he had never killed anyone up close and the memory of it makes him sick. Tensions between the four people would be high anyway but Joyner is an aggressive bigot, anti-Jews, anti-Communists, anti-drinking. But swearing and abusing people constantly which is a huge contradiction.

Matters get even worse when it starts snowing and they hear shots. They find a dead German and later hear more shots coming from a village where, as the old man explains, Jews are being executed.

The three men are really tested and have to go to their limits. They fight the cold, are in enemy territory, traumatized by what they have seen so far and by their conscience.

I must honestly say I was not too impressed with this book. It’s told in chapters alternating between the past of the three men, what they had experienced in Palermo and their actual recon mission. The central conflict or theme, drawing the line between justified killing and murder, is shown but it didn’t move me. The book exemplifies how much it meant for soldiers to kill, it underlines that in WWII shooting someone from up close was in no way common and could cause a huge problem, triggering moral conflicts. Unfortunetly I never felt that conflict.

It’s hard to say why this book did so not work from me. I felt Bausch wanted to tell a story that wasn’t his and I suspect he watched a few movies in order to get a feel for what it was like but ultimately I felt he couldn’t make this story his and tell it in a moving way. In this it reminded me of Coventry but looking back I’d say, I liked that much more.

I’m aware this is a bit of an uninspired review but I’m really unfazed by this book.

I hope others did read along. I’m very interested to hear their thoughts.

Other reviews

Danielle (A Work in Progress)

Victoria (creativeshadows)

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Peace was the ninth book in the Literature and War Readalong 2012. The next one will be Maria Angels Anglada The Auschwitz Violin – El violí d’Auschwitz. Discussion starts on Monday 29 October, 2012.

Literature and War Readalong September 2012: Peace by Richard Bausch

This year’s readalong is a chance for me to read some of the great novelists and authors I hadn’t had an opportunity to read before. Since I’ve first read something about Richard Bausch he was on my list of authors I must read. He is quite famous as a short story writer, his work has appeared in numerous collections and magazines. Peace (2008) is set in Italy during WWII. This isn’t a tale of the home front but from the point of view of American soldiers. It is towards the end of the war, in 1944. Critics called it one of the best books they’ve ever read. A.L. Kennedy called it, lean, compact, layered, darkly humorous, unflinching and lyrical.

Here are the first sentences

They went on anyway, putting one foot in front of the other, holding their carbines barrel down to keep the water out, trying, in their misery and confusion – and their exhaustion – to remain watchful. This was the fourth straight day of rain – a windless, freezing downpour without any slight variation of itself.

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The discussion starts on Friday, 28 September 2012.

Further information on the Literature and War Readalong 2012, including all the book blurbs, can be found here.

Aharon Applefeld: The Story of a Life – Sippur chajim (1999) Literature and War Readalong August 2012

In his memoir The Story of a Life acclaimed author Aharon Applefeld tells the story of his childhood and how he came to be a writer. He starts by describing his earliest memories, the beauty he experienced, the love he received from his parents and grandparents. Most prominent in his memories is his last summer holiday as a child of five when he and his parents visited the grand parents in the Carpathians. Little Aharon’s parents are quiet people. They don’t talk a lot and Aharon learns early just to observe, be in the moment and absorb everything around him, the light, the scents, nature. These sensory memories will haunt him all his life. But this idyllic summer is the last peaceful moment of his childhood. Hitler comes to power, war breaks out. At first the family lives in a ghetto, later on they are transported to the camps. Both his parents are killed, his mother right at the beginning of the war. After having lost his father as well, Aharon escapes into the forest where he lives for years until he joins others. Together they first walk from the Ukraine to Italy and from there to Palestine, their new home.

The memoir is a book of a rare beauty. It taps into the deepest recesses of the soul where vague and sensory memories are stored. Because he was a child and a taciturn child at that, he is lacking words for what has happened to him. This makes this memoir so amazing, it’s like watching someone feel around, probe and slowly approach the right words to convey what it was like. Fleeting memories and strong impressions are mixed. Some people, some stories stand out but a lot is just like shadows on the wall.

The loss of his mother tongue leads to further fragmentation. In his family they spoke three different languages, on his long escape to Italy and from there to Palestine, there are more languages spoken and when he finally arrives in Palestine he has to let go of all of them and learn a new one, Hebrew. This is all painful.

I’ve read all sorts of WWII accounts and novels but they never focussed on orphaned children. It’s hard to imagine what it means to lose your parents, your home, your mother tongue. And Palestine wasn’t as welcoming as one would think. Especially not when you felt you wanted to talk about what happened and later to write about it.

Applefeld had to overcome an incredible amount of obstacles before becoming the writer he is today. He had to dig out his memories from where they were buried, find the right words, find the right language. He had to fight hostility too. Every single one of his books is an attempt to capture what happened to him and how it felt.

The Story of a Life is in part exactly that, the story of one man’s life, but more than that it’s a meditation on language and how to put into words, make palpable what is just a fleeting sensory impression. No wonder the cold, the wind, the rain are things which catapult him back to the war years. The war, he writes, is stored in his body, his bones. Because he was so little at the time, lacking the ability to fully comprehend and put into words what happened, the memoir and most of his novels, it seems, are more like a search, a quest almost for what once was, an attempt at conjuring up what was lost.

This is a book I can highly recommend even to those who are tired of reading about WWII and the Holocaust. It is a rich, inspiring and very meditative book about life and how to tell one’s story.

Other reviews

Danielle (A Work in Progress)

Judith (Reader in the Wilderness)

 

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The Story of A Life was the eighth book in the Literature and War Readalong 2012. The next one will be Richard Bausch: Peace. Discussion starts on Friday 28 September, 2012.

Literature and War Readalong August 31 2012: The Story of a Life – Sippur chajim by Aharon Appelfeld

I haven’t read a lot of literature written by Israeli authors which is one more reason why I was keen on including Aharon Applefeld’s The Story of a Life – Sippur chajim. But that’s not the only reason. The Literature and War Readalong is also an opportunity for me to read some highly acclaimed authors I haven’t read before. The first time I read something about Aharon Applefeld I was surprised to find out that some poeple think he is one of the finest writers alive. An exquisite writer with a sense for language and style.

The Story of a Life is a literary memoir, one of my very favourite genres. At the outbreak of WWII Aharon Appelfeld was living in Romania with his parents, middle-class Jews. His memoir tells about a boy coming-of age during one of the worst periods in history. Applefeld had to endure a lot – the loss of his mother, the ghetto, escape, traversing many countries – until he found a new home in Israel. The book tells this story. If the whole book reads like the quote below I think we are in for a treat.

Here are the first sentences

At what point does my memory begin? It sometimes seems to me as if it only began at four, when we set off for the first time, Mother, Father and I, for a vacation into the heart of the shadowy, moist forests of the Carpathians. But I sometimes think that memory began to bud from within me before that, in my room, next to the double-glazed window that was decorated with paper flowers. Snow is falling and fleecy soft flakes are coming down from the sky with a sound so faint you cannot hear it. For hours I sit and gaze in wonder, until I merge with the white flow and drift to sleep.

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The discussion starts on Friay, 31 August 2012.

Further information on the Literature and War Readalong 2012, including all the book blurbs, can be found here.