Kelley Armstrong: Bitten (2001) A Werewolf Thriller

Elena, heroine of Kelley Armstrong’s impressive debut thriller Bitten, never planned that a casual sexual encounter would transform her into a werewolf. Neither did Clay, her lover and one of the leaders of the exclusive werewolf clique known as the Pack; women do not generally change or survive if they do. Elena’s considerable reservations about her new life come to a head and she walks out on the Pack to return to something like normality, finding herself a boyfriend who turns a blind eye to her occasional disappearances in the middle of the night. She may have done with the infighting of werewolves, but they have not done with her; her former family call her back when they find themselves under threat from those they have excluded and dominated. Kelley Armstrong is very good on the sheer exhilaration of shape-changing, of running on four feet through forests, suburban greenery and urban back alleys; if there is a weakness here, it is that Elena’s relationship with the taciturn, untrustworthy Clay is sometimes a little too conventionally romantic–but the dark poetry of the best of the book overcomes this entirely.

I must admit if it hadn’t been for Kailana I would never have read Kelley Armstrong’s Bitten but some of her reviews of the Women of the Otherworld series were so enthusiastic, I simply had to try it.  And to be honest “A werewolf thriller” sounded somewhat intriguing. I was not disappointed. Besides, my late grandmother being from Brittany, I grew up with werewolf tales and did belive them until my late teens. But this is not the reason why I liked it. I liked it because I could identify with the heroine. She is such a realistically drawn person. A strong woman who grew up in foster homes, looking for a family, a home, security but never seems to get it. The years alone have hardened her. But then she meets Clay. Beautiful, intelligent, mysterious Clay who offers her everything she never had. Who even goes to a lot of pain to offer her her first proper Christmas and who takes her to Stonehaven, the home of his family, Jeremy, Antony, Nick, Logan and the others. And then the unthinkable happens. He bites her. The only secret he has kept from her, that he is a werewolf, is a fatal one. Normally no one survives a werewolf bite. Only the strongest do. And there was never a female werewolf. Elena is the first.

At the beginning of the novel, Elena lives in Toronto with Philipp. She has left Stonehaven and the pack. She doesnt’ want to be an outsider of society, she wants to fit in, lead a normal live. One day however she gets a call from Jeremy, the Alpha male of the pack. Someone is threatening the pack, wants their territory and has started killing innocent people. She is reluctant to go back at first but finally  gives in. Once she is there she realises how much she missed them. Especially Clay. The novel is action packed and fast paced. There is not only one other werewolf who wants to harm them, there are many. And they eventuallly start to kill the men from the pack. If they want to survive, they have to stick together and fight as one.

Elena fights alongside her men. As said before, she is a strong person. I would wish her as a role model for young women. Powerful and determined. What really surprised me is the writing. Did you ever want to know what it would feel like to be a werewolf? The writing is so detailed, and descriptive that you might very well have the feeling you know what it is like to smell with the nose of a wolf, to tread and run with the paws of a wolf, to hunt and to race through the forest at night. The character development of Elena is interesting too. At times I totally forgot I was reading Fantasy. The core theme is “being true to yourself” and that is certainly a theme anyone can relate to.

As you see, it is very entertaining. A werewolf thriller with a touching love story and a strong heroine. Bitten is the first in the series of Women of the Otherworld. I am not very keen on series but I might read the next one sooner or later.

Any series you like or would suggest?

Thierry Dancourt: Hôtel de Lausanne (2008) French Prize For First Novel

Au cimetière du Trocadéro, un homme et une femme s’assoient sur un banc. Le vent souffle, elle n’arrive pas à allumer sa cigarette, ils entament la conversation. Elle s’appelle Christine, vit un peu hors du temps, entre un père obsédé par les mappemondes et un fiancé qui semble ne pas beaucoup compter. Lui, Daniel, parcourt le monde à la recherche d’objets anciens. Entre eux se noue une relation à part, clandestine, dans un Paris enneigé et brumeux. Du XVIe arrondissement à Casablanca, une galerie de portraits se dessine, mais une figure domine, entre ombre et lumière, celle, singulière et attachante, de Christine Stretter.

A man and a woman meet at the cemetery du Trocadéro in Paris. She tries to light a cigarette but the wind and the rain are too strong. They start to talk as if they had known each other forever. Christine lives outside of our daily world between a father obsessed with maps and  a fiancé who is never there. Daniel is an antiquarian and travels the world. They will start to meet in hotels all over Paris and in the province.

Dancourt won the French prize for first novel and I am pretty sure he will be translated. This little book is far too wonderful and will be highly appreciated by people everywhere as it is also an homage to the city of Paris. Without knowing it ( I looked it up later) I knew that Dancourt is not a Parisian. Parisians do not render their city so lovingly. Only people from abroad and the homesick ones who live in other countries would describe it with such great detail.

Reading this filled me with a terrible longing. Missing a city is not much better than missing a person. On the other hand, the Paris of this book has an otherworldly quality and charm that the struggle of daily life, commuting etc. destroys sooner or later. This is the Paris we love to dream about, the town we would love to live in if we did not have to go to work every day.

Hôtel de Lausanne tells also a very lovely story in the typical French manner of not revealing too much. The people in this novel keep their mystery until the very end. We can only assume why they do this or that, it is never explained or analyzed.

Christine is engaged when she meets Daniel and even though their relationship is very profound and magical she still gets married to her fiancé as she always wanted to get married very young (she is only 21). The funny thing, even though this feels wrong on a logical level, it feels right emotionally. One has never the feeling of reading a book about an adulterous woman. And one never questions her choice. I never even wondered why she wasn’t getting married to Daniel if they were so close.

I liked this aura of mystery that encloses the people and the many descriptions of Paris, its little cafés and bars. Those typical little cafés no tourist would ever go to but where the people living close by, the so-called  “habitués” will come every day, drink and eat and chat. Village-like coziness of big cities where you end up staying in your quartier unless you go to work. Christine and Daniel have their favourite places, where people know them and treat them like a couple and where they occasionally also meet someone who knew Christine’s mother. A haunting figure of whom we try to catch a glimpse as hard as Christine tries herself.

Hôtel de Lausanne is a very enchanting novel and I will certainly read more of Dancourt (his second novel Jardin d’hiver has just been published). As stated before I am pretty confident this will be translated. It simply has to.

Susan Hill: The Woman in Black (1983)

Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral Mrs Alice Drablow, the house’s sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black – and her terrible purpose.

The Woman in Black is the second ghost story by Susan Hill I have read in a very short time. But since we are nearing the end of the R.I.P. Challenge this was the time or never.

I feel tempted to compare them as there are a lot of similarities but The Woman in Black is the creepier of the two. The settings are similar as well, although in this novel most of the horrifying events take place inside of a grand old mansion and only a few in the foggy marshes. The nature of the ghost in The Woman in Black is much more evil. It does really mean to harm those who see it.

Susan Hills writing is again very traditional, old-fashioned. This novel could have been written in the 19th century. This includes the narrative style as well as the themes and motives. Even so or maybe because of this it is beautifully written. The descriptions are detailed and atmospherical.

The story begins some thirty years after the main events. It is Christmas Eve and Arthur, our protagonist, is enjoying the company of his extended family on his beautiful estate Monks’ Piece. The family is gathered in the drawing room telling ghost stories when Arthur comes back from a short refreshing walk outside. They urge him to contribute to the fun and tell a ghost story of his own. He is not willing to do this as he is reminded of horrible events he hasexperienced as a very young man. Instead of telling what happened he decides to write it down.

As a young solicitor he was sent to Crythin Gifford. Mrs. Drablow an elderly client of the firm he is working for has died and his boss wants him to attend the funeral and spend some time sorting out the papers the old woman has left behind. It gets creepy early on as no one in the little town wants to talk about the deceased or her property. At the funeral Arthur sees a woman in black who looks very wasted as well as a group of children that no one else sees.

Later, at Eel Marsh House, the stately home of Mrs. Drablow, he sees the woman in black again. The estate is located on Nine Lives Causeway and is completely cut off from the mainland at high tide, surrounded only by the sea and marshes. The setting alone would creep out many but Arthur also  hears terrible noises, the cries of a child,  noises as if someone had an accident in the marshes. It is also spooky inside of the house. He feels he is not alone. There is one room he doesn’t have access to but there are distinct noises coming from  inside and when the door stands ajar all of a sudden he almost freaks out.

After his first stay at the house he goes back despite his fears and it gets worse. The incidents culminate.

Like in The Small Hand the story is resolved in the end. We get to hear who is the ghost and why he haunts people. The spite- and vengeful being will not stop to haunt Arthur after his departure. It strikes again.

The Woman in Black is a dark tale, darker than The Small Hand. As a whole I think I liked The Small Hand better. But the beginning of The Woman in Black, the chapter titled “Christmas Eve” is one of the most pleasant initial chapters I have ever read and stands in striking contrast to the events that are narrated later.

Apparently the novel has been adapted for the stage and been made into a TV movie.

Has anyone read both? Which one did you prefer?

 

Nymeth’s review


Susan Hill: The Small Hand (2010) A Ghost Story

Returning home from a visit to a client late one summer’s evening, antiquarian bookseller Adam Snow takes a wrong turning and stumbles across the derelict old White House. Compelled by curiosity, he approaches the door, and, standing before the entrance feels the unmistakable sensation of a small hand creeping into his own, ‘as if a child had taken hold of it’. Intrigued by the encounter, he determines to learn more, and discovers that the owner’s grandson had drowned tragically many years before. At first unperturbed by the odd experience, Snow begins to be plagued by haunting dreams, panic attacks, and more frequent visits from the small hand which become increasingly threatening and sinister …

I really bought The Small Hand with the R.I.P challenge in mind when I found it at a local bookstore. And because I love the cover and had wanted to read something  by Susan Hill anyway. I enjoyed it quite a lot. It is beautifully written but surprisingly old-fashioned in tone. It is quite an eerie and mysterious ghost story. What I appreciated is the fact that the mystery is solved in the end.

The Small Hand has quite a lot to offer. Adam Snow being a bookseller every book lover will feel a certain affinity right away. What sounds more enchanting than a job that involves travelling the world and looking for rare books? One of his trips brings Adam to the South of England. On his way back he gets lost and discovers an abandoned house with an overgrown garden. This is not exactly an original idea, especially not in a British novel as the British novel has a great tradition of descriptions of grand old  houses and mysterious gardens (from Great Expectations to The Secret Garden, Tom’s Midnight Garden to The Forgotten Garden and many more). The lack of originality did not disturb me one tiny bit as I love descriptions of old houses and descriptions of gardens that return to a state of wilderness. Susan Hill is very talented in describing nature with great detail. It is in this very garden that Adam feels for the first time the presence of the ghost of a little child.

Ghosts are normally bound to certain places but this one is not. It will haunt Adam all through the story and wherever he goes. Telling more would be a spoiler so I will stop here.

On one of his hunts for rare old books, a First Edition of Shakespeare in this case, Adam travels to a forlorn French monastery. This is another extremely well rendered description. And such an appealing one. I would love to spend a few weeks there myself.

I think this book could be quite scary for some readers especially if they have a history of recent panic attacks as this is the way Adam experiences the presence of the ghost or rather ghosts.

The Small Hand is a wonderfully old-fashioned and very British (a high compliment coming from a fervent Anglophile) Ghost Story creating a pleasant frisson. It is best read at this time of the year, preferably at night in bed.

I have already ordered The Woman in Black, another of Susan Hill’s Ghost Stories. What Susan Hill novels did you read and like?

Here’s another review of The Small Hand by Susan Hated Literature

Ian McEwan: The Comfort of Strangers (1981)

As their holiday unfolds, Colin and Maria are locked into their own intimacy. They groom themselves meticulously, as though there waits someone who cares deeply about how they appear. Then, they meet a man with a disturbing story to tell and become drawn into a fantasy of violence and obsession.

I can’t forget The Comfort of Strangers. It keeps on haunting me.

This is not a novel, I liked. The world McEwan unleashes is too gloomy, too disgusting. Even though I didn’t like the novel  I am fascinated how obstinately  it stays in my mind, and even in my feelings.

I truly enjoyed Atonement. It did stay with me for a very long time as well. When you are engrossed in a novel that you enjoy you don’t pay so much attention to the skills of the author. You are just enchanted by the feelings he evokes in you. McEwan is one of the most renowned British writers and when reading a book like The Comfort of Strangers, that you do not even like but that still resonates in your mind, you know why he gets so much praise.

The Comfort of strangers narrates the stay of a young English couple in Venice. There is something sinister from the very beginning. The way McEwan describes the city gives the impression as if Venice was a lurking animal. The Venice he describes is neither idyllic nor romantic; on the very contrary. His description of those labyrinthine, narrow streets that make orientation difficult, of those alleys whose walls tower too high to permit an overwiew, is unsettling.  I was reminded of the movie Don’t Look Now. The young English couple is described as if they knew each other too well.  They don’t talk much, they drift and only barely escape deadly boredom. It is not exactly clear why but all of a sudden their  sexuality changes radically. They are suddenly drawn to more violent, sadomasochistic lovemaking.  On one of their nightly forays they meet a mysterious local man who takes them to his own restaurant where they drink far too much. On their way back to the hotel they get lost and wait on some doorstep till dawn approaches. As if out of nowhere the man reappears and takes them home where he introduces them to his wife. His wife seems to be an ailing invalid. They don’t know it, but from the moment they meet these two people they are doomed.

McEwan’s slim novel touches many topics: relationships, love, power, sadomasochism, people abroad, Venice,  disorientation, voyeurism. The list is almost endless. On top of that McEwan´s writing is scarce, concise, and very atmospherical and visual.

The Comfort of Strangers is not a pleasing novel, but one that shows you what good literature is capable of.

Are there any books that you did not like but still consider to be very fascinating?

Ruth Rendell: A Judgement in Stone (1977)

Four members of the Coverdale family – George, Jacqueline, Melinda and Giles – died in the space of fifteen minutes on the 14th February, St Valentine’s Day. Eunice Parchman, the housekeeper, shot them down on a Sunday evening while they were watching opera on television. Two weeks later she was arrested for the crime. But the tragedy neither began nor ended there.

I discovered this novel  thanks to a suggestion from Danielle from A Work in Progress. I have read a few books of Ruth Rendell before and liked them and  I also read one she wrote under the pen name Barbara Vine but didn’t know which to read next. It is always good with prolific writers if someone can make a suggestion. I really liked A Judgement in Stone and can see why it is considered to be one of her best. It takes a very good writer to be able to captivate a reader even though the victims and the murderer are known from the very beginning. The psychological insights are absolutely convincing. Each character is so different from the other and they are all quite fascinating. Rendell adds a lot about the British class system and her description of two completely deranged women is amazing.

Because we know from the start that the main characters will be killed the book has an eery quality. It reminded me of a Greek tragedy. There is nothing to stop the course of the action.

Eunice Parchman, a middle-aged, illiterate and not very intelligent woman starts her employment with the Coverdales in summer. On Valentine’s Day she kills them. The changing of the seasons that Rendell describes with great detail adds to the feeling of the inevitable. The narrator is very present in this story, he misses no occasion to remind us, that the people he describes will meet a certain death. This reminded me of Gabriel Garcia Marquez’ Chronicle of a Death Foretold.

Eunice is not only illiterate she also lacks feelings for others. There is not the tiniest bit of empathy in this woman. Since she can’t read and sees this as a great flaw she abhors the written word and those who like to read. The Coverdales, a typical British upper class family, love to read. There are books all over their house. Eunice tries to cover up her disability as best she can and gets herself in a lot of impossible situations. One day, when running errands, she meets Joan Smith, a former prostitute who has joined some obscure Christian sect. One woman is as deranged as the other. Eunice is a cold-hearted selfish sociopath and the other a fanatic psychopath. Their alliance can only bring misfortunes.

Rendell’s  book is gripping, psychologically convincing and utterly fascinating. I’m really in the mood to read more of her books.

A Judgement in Stone has twice been made into a movie. One of them is by Claude Chabrol, La Cérémonie, starring Sandrine Bonnaire as Eunice and Isabelle Huppert as Joan.


J. Courtney Sullivan: Commencement (2009)

A sparkling debut novel: a tender story of friendship, a witty take on liberal arts colleges, and a fascinating portrait of the first generation of women who have all the opportunities in the world, but no clear idea about what to choose.

Assigned to the same dorm their first year at Smith College, Celia, Bree, Sally, and April couldn’t have less in common. Celia, a lapsed Catholic, arrives with her grandmother’s rosary beads in hand and a bottle of vodka in her suitcase; beautiful Bree pines for the fiancé she left behind in Savannah; Sally, pristinely dressed in Lilly Pulitzer, is reeling from the loss of her mother; and April, a radical, redheaded feminist wearing a “Riot: Don’t Diet” T-shirt, wants a room transfer immediately.

Celia, Bree, Sally and April are best friends even though they couldn’t be more different. During their time at Smith’s College they are inseparable. They help each other through minor and bigger disasters. Four years after graduating they meet again at Sally’s wedding. A stupid dispute drives them apart and they avoid each other for almost a year when April disappears.

Commencement is a novel of ideas. I don’t know why it has been called chick-lit. Because four young women are the protagonists? Quite unfair. It is as if this label proves the point the book wants to make. Even years after women’s lib began, we are still nowhere. A large part of Commencement is dedicated to topics like sex-trafficking, rape and child abuse. Despite the serious topics it tackles, it is an entertaining book with a lighthearted quality. But it is definitely a feminist novel in the vein of Marilyn French’s The Women’s Room and not chick-lit. I needed some time to get into it as each chapter is told by someone else. We hear that person’s story and get to know the others through her eyes. That wouldn’t be confusing, but they sound similar and their names are similar. Sullivan let’s her characters explore all the possibilities women have today. Getting married, staying single, having kids, having no kids, become lesbians, have various sexual partners, be monogamous. She looks into the mechanics of family and friendship. One girl’s parents are still in love, another has lost her mother, the third grew up with a single hippie mom and the fourth has a career mom. Regarding their professional choices Sullivan goes a similar way. They all chose something quite different. Sullivan who is a feminist deliberately chose to show every possible combination/choice. This could have gone wrong but it is well done. From page to page I liked those girls more. I wouldn’t go as far as comparing it to Mary Mc Carthy’s The Group but it is very good.  Ronnie, April’s boss, a militant feminist and audacious filmmaker is a very interesting character. Her ideals are such that she is blinded by them and becomes a true fanatic. A selfish zealot who does not shy away from endangering others for the cause. Another interesting aspect is that even though one girl loves another girl, she never considers herself to be a lesbian. The depiction of a women’s college is probably very realistic as Sullivan went to Smith herself. The friendship of those girls is very touching. It’s cute how they cuddle up in bed together, watch movies or chat.

If you are looking for an interesting, thought-provoking but still entertaining read, go for it. Especially when you are a feminist, interested in women’s topics or just love stories about friendship among women.

I mentioned The Group and The Women’s Room before which I loved both. Which books about female friendships and developpment did you like?